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Quando eravamo re

Titolo originale: When We Were Kings
  • 1996
  • PG
  • 1h 28min
VALUTAZIONE IMDb
7,9/10
20.058
LA TUA VALUTAZIONE
Muhammad Ali in Quando eravamo re (1996)
Theatrical Trailer from Gramercy Pictures
Riproduci trailer1:43
1 video
51 foto
BoxeDocumentario sportivoSportUn documentario

La copertura mediatica della lotta per il campionato dei pesi massimi del 1974 nello Zaire, ben chiamata The Rumble in the Jungle, tra il campione George Foreman e lo sfidante perdente Muham... Leggi tuttoLa copertura mediatica della lotta per il campionato dei pesi massimi del 1974 nello Zaire, ben chiamata The Rumble in the Jungle, tra il campione George Foreman e lo sfidante perdente Muhammad Ali.La copertura mediatica della lotta per il campionato dei pesi massimi del 1974 nello Zaire, ben chiamata The Rumble in the Jungle, tra il campione George Foreman e lo sfidante perdente Muhammad Ali.

  • Regia
    • Leon Gast
  • Star
    • Muhammad Ali
    • George Foreman
    • Don King
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    20.058
    LA TUA VALUTAZIONE
    • Regia
      • Leon Gast
    • Star
      • Muhammad Ali
      • George Foreman
      • Don King
    • 78Recensioni degli utenti
    • 62Recensioni della critica
    • 83Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 12 vittorie e 5 candidature totali

    Video1

    When We Were Kings
    Trailer 1:43
    When We Were Kings

    Foto50

    Visualizza poster
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    Interpreti principali35

    Modifica
    Muhammad Ali
    Muhammad Ali
    • Self
    George Foreman
    George Foreman
    • Self
    Don King
    Don King
    • Self
    James Brown
    James Brown
    • Self
    B.B. King
    B.B. King
    • Self
    Mobutu Sese Seko
    Mobutu Sese Seko
    • Self (President of Zaire)
    Spike Lee
    Spike Lee
    • Self
    Norman Mailer
    Norman Mailer
    • Self - Writer
    George Plimpton
    George Plimpton
    • Self - Writer
    Thomas Hauser
    Thomas Hauser
    • Self
    Malick Bowens
    Malick Bowens
    • Self - Artist
    • (as Malik Bowens)
    Lloyd Price
    Lloyd Price
    • Self - Concert Promoter
    The Spinners
    The Spinners
    • Themselves
    Miriam Makeba
    Miriam Makeba
    • Self
    Drew Bundini Brown
    Drew Bundini Brown
    • Self - Ali's Ass't Trainer
    • (as Drew 'Bundini' Brown)
    Odessa Clay
    • Self - Ali's Mother
    Howard Cosell
    Howard Cosell
    • Self - ABC Sports
    Wilton Felder
    • Self
    • (as The Crusaders)
    • Regia
      • Leon Gast
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti78

    7,920K
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    Recensioni in evidenza

    10Sylviastel

    Impressive Documentary of an Historic Event!

    The fight between Muhammad Ali aka Cassius Clay and George Foreman in Zaire. The fight was nicknamed the rumble in the jungle. The documentary follows Ali and Foreman. It also has insight from writers and witnesses, Norman Mailer and George Plimpton, and African American film director, Spike Lee, who later directed the film, "Ali." This documentary is a rare treasure that captures history, culture, and relationships. Ali is the underdog in the ring against Foreman on October 30, 1974. The outcome is remarkable as is the story behind both fighters. Ali is proud of being an African American, honest, opinionated, and vocal about civil rights in America and in Africa. He was proud to see Africans who flew, lived, and governed their own country. Sadly, Ali isn't well with Parkinsons. The disease has crippled his voice but not his message in recent years. The documentary is historical for so many reasons.
    10prezike

    Ignore the anti-"liberal" criticisms of this film

    This is one of the most inspirational films I have seen in quite some time. I remember when this film was given the Academy award for best documentary, and hearing criticisms from some in the so-called "liberal" press (a reason to knock down this straw-man theory) that the film as undeserving of this title. Well after just seeing the film on video and reading some other comments from IMDb users claiming the same thing, I will have to outright disagree.

    The point of this film was not about the fight itself or George Forman, (yes he played a role) as some have argued it should have. It was about the symbolism that this fight possessed, especially revolving around Muhammad Ali' and the causes he fought for. Recently ESPN selected the top 100 Athletes of all time (well they should have said American Athletes, but that's our American arrogance for you) and Ali was picked third behind Babe Ruth and Michael Jordan. The definition of "greatest athlete" is ambiguous, but in my mind Ali, through this film and my recent is truly, "The greatest" as he so claimed.

    The film did an excellent job of getting as much footage as possible of all that occurred during the preparation that led to the fight and how it symbolized the joining of black people in America and Africa for a common cause in defeating their oppressors (US - white supremacy, and in Africa - European Colonialism). (which was clearly the main focus of the film) Yes, their were flaws in the film, and it was carried by the narration, Ali's unbelievably charismatic personality, and the numerous intelligent quotes that were made by him.

    But those that wish to criticize the "music" as they call it, clearly have NO UNDERSTANDING OF BLACK CULTURE. This film was a celebration of it, focusing on GREAT MUSICIANS such as James Brown and B.B. King. These artists represent a significant part of black American culture, and knowing how important it probably was to all of those black Americans to go to Africa to spite the white American culture (which wanted the fight there), which they felt used them, was something that was revolutionary.

    Before seeing this film I knew little about the "Rumble in the Jungle," and little about Ali, but after seeing this film, I have come to realize that he really was "the greatest."

    10/10
    dtucker86

    a great documentary

    This film won a slew of critical praise (as well as quite a few awards) and it deserves all of them. Muhammad Ali is the most amazing athelete of the twentieth century and perhaps the most beloved boxer of all time. A public poll once showed that people all over the world recognized him more then the President of the United States. Maybe its because he is such an ill, tragic figure today that this film is so important because it shows him in all his glory when he was not just a magnificent boxer but a ringing voice of social conscience as well. This film shows him again in all his glory when he took on the seemingly invincible giant George Foreman. George is such a beloved figure now that people have forgotten that when he first won the Heavywieght Crown from Joe Frazier in 1973, that he was as dreaded and feared as Sonny Liston was in his heyday. Howard Cosell was one of Ali's most ardent supporters (he was one of the first to call him by that name and support him in his opposition of the draft) and yet even Cosell said that he didn't think that Ali could beat George Foreman. Ali had lost to Joe Frazier and Ken Norton and had barely won rematches with them, and Foreman knocked both of them silly in less then two rounds. Ali was almost 33 years old and considered all washed up and yet he showed no fear against this man. He told the public "You think you were shocked when Nixon resigned, wait till I whip George Foreman's behind!!!" This film brings that time and place in Zaire, Africa to life. Don King is a despicable character and yet he was a genius in promoting this fight in Africa. He said it was like from slaveship to championship. The symbolism was just tremendous. Norman Mailer and the late George Plimpton are two of the writers who most observed Ali and they both offer wonderful insights during the course of this film. They are especially good when they talk about the fight itself and how they both had a ringside seat. George Plimpton saw Bobby Kennedy shot and yet I don't think he was much more astounded when he saw what happened in that ring when Ali pulled off an amazing upset and knocked out Foreman to begin another glorious championship rein. It is almost comical when they show their shocked faces as Ali delivered the knockout blow. The best part of the film is where they play the song "When We Were Kings" at the end and show a montage of Ali's fights during his amazing career. You will look at these and realize how awesome this man truly was!!!
    10moe-syszlak

    When We Were Kings: An Opinion

    I don't believe the film is as flawed as some of the previous reviewers have stated. The footage was all from the early 70's and in that sense this is truly a film of it's time. This is a time and a place that doesn't exist any more, and even Zaire doesn't really exist anymore, its now the Democratic Republic of the Congo. When Ali and Foreman fought it was a dictatorship under Mobutu, who wanted a spectacular sporting event held in his country. For me, the musicians, and the black culture elements are nothing more than an interesting backdrop of a superbly talented athlete trying to overcome almost insurmountable odds. Again and again we are reminded of the lack of belief in the Ali camp as Foreman destroyed one heavy bag after another. The key moment of the film for me can almost (but not totally) be encapsulated in Norman Mailer's anecdote at the end of the first round, where he claims he could see Ali looking within himself, and slowly concluding that this was THE moment in his life. Ali was standing in a ring with a man he knew he could not bully, who was stronger than him, could hit harder than he could, and was as determined to force his will on Ali as Ali was determined to do likewise. There is no purer moment of epiphany captured in any documentary I have yet seen. Here was a man out-gunned in almost every department, who with a combination of pure skill, guile, determination, athletic prowess and self belief, managed to overcome a ferocious and worthy opponent. Foreman cannot go without mention. Every David needs his Goliath. He was awesome in ability and dignified in manner. He had destroyed both Joe Frazier and Ken Norton in spectacular fashion in the eighteen months before this fight and was at the top of his game. People would do well to remember Foreman was still knocking people out until 1997, when he KO'd Lou Savarese in the 12th round. They surely don't make 'em like they used to. Nobody except Ali believed he could overcome such an opponent. And what the documentary reveals to us is that in his darker moments, even he had doubts. He did not, however, let them stand in his way. This documentary is absolutely inspirational in almost every department. The fact that Ali was also a man of the people and recognised the dignity of African's in spite of their grinding poverty adds yet another dimension to this wonderful film, and to the man himself. As George Plimpton so concisely said "My God, the man's a politician too!" A truly great film , about a spectacular moment frozen in time, and a truly great leading man in Ali. I cannot close without commenting on the effect this loss had on Foreman. It hurt him deeply, and there is no one more pleased than I that he came back and shook the world a second time many years later.
    8boblipton

    There Can Only Be One King

    Leon Gast's documentary about the 1974 "rumble in the jungle" championship fight between George Foreman and Muhammad Ali is...

    Well, is it even about that, or is it about Ali? I incline to the view that it is the latter. Foreman is not much seen before the fight, and never speaks. Ali is all over the place, talking about his strategy, his love for Africa. We hear celebrities of the day, and boxing commentators. Foreman remains a brooding, fear-inspiring, mysterious opponent, who plans to corner Ali and beat him to death.

    Of course, that's not the way it happened, and when this Oscar-winning film came out, more than two decades after the fight, everyone knew it then. So are the film makers trying to evoke the tension in the Ali camp at the time, that he was going to get himself beaten to death for half the $10,000,000 purse, or just to make the story better? Or a combination of the two? Probably the combination. Whichever it is, it's a well told story, and put together very well with talking heads and clips of the time edited together very well.

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    Un documentario

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      When the film won the Academy Award for Best Feature Documentary, George Foreman and Muhammad Ali came to the stage with the filmmakers to show they had made peace. Foreman helped Ali, stricken with Parkinson's Disease, climb the steps to the stage.
    • Citazioni

      Muhammad Ali: It is befitting that I leave the game just like I came in, beating a big bad monster who knocks out everybody and no one can whup him. That's when little Cassius Clay from Louisville, Kentucky, came up to stop Sonny Liston. The man who annihilated Floyd Patterson twice. HE WAS GONNA KILL ME! But he hit harder than George. His reach is longer than George's. He's a better boxer than George. And I'm better now than I was when you saw that 22-years old undeveloped kid running from Sonny Liston. I'm experienced now, professional. Jaws been broke, been knocked down a couple of times, I'm bad! Been chopping trees. I done something new for this fight. I done wrestled with an alligator. That's right. I have wrestled with an alligator. I done tussled with a whale. I done handcuffed lightning, thrown thunder in jail. That's bad! Only last week I murdered a rock, injured a stone, hospitalised a brick! I'm so mean I make medicine sick!

      Don King: Bad dude!

      Muhammad Ali: Bad, fast! Fast! Fast! Last night I cut the light off in my bedroom, hit the switch and was in the bed before the room was dark.

    • Connessioni
      Edited from The Rumble in the Jungle (1974)
    • Colonne sonore
      Am Am Pondo
      Written by Miriam Makeba

      Miriam Makeba Music (ASCAP)

      Performed by Miriam Makeba

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 14 febbraio 1997 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • When We Were Kings
    • Luoghi delle riprese
      • Kinshasa, Democratic Republic Of Congo
    • Aziende produttrici
      • Das Films
      • David Sonenberg Production
      • Polygram Filmed Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.789.985 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 12.479 USD
      • 27 ott 1996
    • Lordo in tutto il mondo
      • 2.789.985 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 28min(88 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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