VALUTAZIONE IMDb
5,6/10
1934
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to li... Leggi tuttoThree horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to life again and goes on another murderous rampage.Three horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to life again and goes on another murderous rampage.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Primetime Emmy
- 1 candidatura in totale
Recensioni in evidenza
And with a cast that includes Lysette (Any relation to Josette?) Anthony, who is and always shall be a major babe, and Geraint Wyn (Who seems to do his best work at Knight.) why shouldn't he? I saw much that was borrowed from the Dan Curtis hit Dark Shadows in this made for TV flick ... The photography, the music certainly, and the ocean shots from the second tale. And these all work right well in this movie. The plots, as a whole, and the acting in particular, work well enough to be enjoyable. True, certain themes like the killer doll have been done to death over the years, but Curtis still knows how to put a twist to the devil of a tail.
Lysette Anthony takes over for Karen Black in this trilogy of scary stories in which she is the star in each tale. The first one is about adultery, murder, and grave robbers. The second tale is about a mother who uses black magic to bring her dead son back to life. The final and best tale is about the demonic African doll from the first film stalking Anthony. While the effects may be a bit on the cheap side, this is a fun and scary outing. Lysette Anthony is a good choice for taking over the Karen Black.
Rated R; Violence and Profanity.
Rated R; Violence and Profanity.
Anyone born before 1980 can't help but remember that video cover that stared up at them from the spooky horror section shelf at the "Video Library." It was the one all the little kids loved to rent...it was also the one all the little kids loved to fast-forward through 80% of to get to the Zuni-doll story.
And about 20 years later, the Trilogy of Terror is back, and the Zuni-Doll once again steals the show....but not entirely. The first story, about giant rats in a graveyeard, is well-written and memorable. The second story, while a bit creepy at the beginning, is for the most part....stupid. But not terrible. The third story (saving the best for last) marks the return of the infamous Zuni-Warrior doll. The sad thing about it is, is that it is really a cheap rehash of the classic original. Entertaining yes, but original? Hardly.
But at least the first two stories were a little more memorable. The first two in the original TRILOGY were very well-written, but easily forgettable.
The beautiful Lysette Anthony does her best in this made-for-TV horror flick. Actually, I was impressed with her acting, considering this film was, in a way, standard USA network fare. She seemed at least somewhat enthusiastic about this gig, and filled Karen Black's shoes nicely.
All in All, TRILOGY OF TERROR 2 is good, clean fun for the whole family. That is of course, sarcasm...but, it IS good clean fun for that son of yours who makes a B-line for the Horror section whenever you visit Blockbuster Video....
6.5 out of 10.
And about 20 years later, the Trilogy of Terror is back, and the Zuni-Doll once again steals the show....but not entirely. The first story, about giant rats in a graveyeard, is well-written and memorable. The second story, while a bit creepy at the beginning, is for the most part....stupid. But not terrible. The third story (saving the best for last) marks the return of the infamous Zuni-Warrior doll. The sad thing about it is, is that it is really a cheap rehash of the classic original. Entertaining yes, but original? Hardly.
But at least the first two stories were a little more memorable. The first two in the original TRILOGY were very well-written, but easily forgettable.
The beautiful Lysette Anthony does her best in this made-for-TV horror flick. Actually, I was impressed with her acting, considering this film was, in a way, standard USA network fare. She seemed at least somewhat enthusiastic about this gig, and filled Karen Black's shoes nicely.
All in All, TRILOGY OF TERROR 2 is good, clean fun for the whole family. That is of course, sarcasm...but, it IS good clean fun for that son of yours who makes a B-line for the Horror section whenever you visit Blockbuster Video....
6.5 out of 10.
Made-for-TV sequel to 1975's Trilogy of Terror, which was also made-for-TV. In the original movie, Karen Black starred in three separate stories. Here it's Lysette Anthony. The first story is "The Graveyard Rats." It's about a millionaire's young wife and her lover/cousin (Geraint Wyn Davies), who murder the old guy but find out all the money he had left was in Swiss bank accounts. The passcode for these accounts is on microfilm the old man had buried with him. So they have to go dig him up. But, oh no, what's this? There are giant fake rubber rats that are stealing corpses out of coffins. Good for some laughs, I guess. Anthony isn't a particularly strong actress and Davies is TERRIBLE. But it's got Geoffrey Lewis using an Irish accent so it's not all bad.
The second story is "Bobby," about a mother who uses witchcraft to bring her son (Blake Heron) back from the dead. But he comes back not quite right and soon is trying to murder his mom. This is a forgettable story that starts out one way but quickly devolves into a repetitive slasher story with the kid terrorizing the mom. A very annoying musical score accompanies the kid on his rampage. I screamed for those stupid horns to stop. Weakest story in the movie.
The final story is "He Who Kills." This is a sequel to the most popular segment from the original film, the Zuni fetish doll story. The police drop the doll from the first film off at a museum. It was badly burned so they want Dr. Simpson (Anthony) to examine it right away and tell them what it is. From here, in typical sequel fashion, we get a retread of the first film where the doll comes alive and tries to kill Anthony. Nowhere near as exciting or scary as the original but still the best of this movie. More annoying music.
Made-for-TV movies had decreased in quality quite a bit by the 1990s. This is in large part because in the '70s and '80s, the weekly TV movie was a staple of network television. By the '90s the TV movie became something reduced to crappy cable channels and the occasional network effort like the Amy Fisher crap. They were a higher quality in the old days, for the most part. I'm not saying they were equal to theatrical films but they were a lot better than most of the stuff that's been produced for cable the last 25 years or so. Anyway, this is watchable enough. It helps that Dan Curtis, the director of the original, returned to direct this. It's nothing that will leave an impression but you won't hate yourself for having watched it either.
The second story is "Bobby," about a mother who uses witchcraft to bring her son (Blake Heron) back from the dead. But he comes back not quite right and soon is trying to murder his mom. This is a forgettable story that starts out one way but quickly devolves into a repetitive slasher story with the kid terrorizing the mom. A very annoying musical score accompanies the kid on his rampage. I screamed for those stupid horns to stop. Weakest story in the movie.
The final story is "He Who Kills." This is a sequel to the most popular segment from the original film, the Zuni fetish doll story. The police drop the doll from the first film off at a museum. It was badly burned so they want Dr. Simpson (Anthony) to examine it right away and tell them what it is. From here, in typical sequel fashion, we get a retread of the first film where the doll comes alive and tries to kill Anthony. Nowhere near as exciting or scary as the original but still the best of this movie. More annoying music.
Made-for-TV movies had decreased in quality quite a bit by the 1990s. This is in large part because in the '70s and '80s, the weekly TV movie was a staple of network television. By the '90s the TV movie became something reduced to crappy cable channels and the occasional network effort like the Amy Fisher crap. They were a higher quality in the old days, for the most part. I'm not saying they were equal to theatrical films but they were a lot better than most of the stuff that's been produced for cable the last 25 years or so. Anyway, this is watchable enough. It helps that Dan Curtis, the director of the original, returned to direct this. It's nothing that will leave an impression but you won't hate yourself for having watched it either.
Trilogy of Terror II is a lot like the original film in that they are both decent stories and less exciting ones peppered throughout the runtime. Dan Curtis returns to direct this sequel with somewhat mixed results. For starters, Lysette Anthony, while mostly competent, seems like an odd choice to replace someone like Karen Black, who, love her or hate her, had a unique style that made her incredibly watchable on screen. Anthony's never terribly interesting or quirky enough to carry off some of the lesser stories, but she proves decently capable when she's only required to bug her eyes and scream in fear. I'm guessing that's all her audition called for, so I guess she delivers in that respect.
The first story is a mediocre, but not entirely un-engaging film noir-esque "we should murder my husband and collect his money" story with an ok twist at the end. It's the least exciting of the stories, so at least we get it out of the way.
The next story is based on a similar segment from Curtis' Dead of Night entitled Bobby about a woman who makes a pact with a demonic entity to bring back her dead son with predictably horrifying results. Curtis appears to have stuck very close to the original script (and even some of the shots are almost identical) and it probably works the best out of all the segments. The final reveal, unfortunately, comes across as more laughable than terrifying.
The final story brings back the infamous Zuni fetish doll and picks up right where the original story left off with the doll being taken to a museum to be studied as it terrorizes the night staff. It has its effective moments, but it can't quite compare to the claustrophobic terror of the original story.
Trilogy of Terror II is a merely respectable sequel that's not bad to have on in the background if you're bored.
The first story is a mediocre, but not entirely un-engaging film noir-esque "we should murder my husband and collect his money" story with an ok twist at the end. It's the least exciting of the stories, so at least we get it out of the way.
The next story is based on a similar segment from Curtis' Dead of Night entitled Bobby about a woman who makes a pact with a demonic entity to bring back her dead son with predictably horrifying results. Curtis appears to have stuck very close to the original script (and even some of the shots are almost identical) and it probably works the best out of all the segments. The final reveal, unfortunately, comes across as more laughable than terrifying.
The final story brings back the infamous Zuni fetish doll and picks up right where the original story left off with the doll being taken to a museum to be studied as it terrorizes the night staff. It has its effective moments, but it can't quite compare to the claustrophobic terror of the original story.
Trilogy of Terror II is a merely respectable sequel that's not bad to have on in the background if you're bored.
Lo sapevi?
- QuizIn the film's third segment, "He Who Kills," one of the museum security guards is reading a "Dark Shadows" comic book and enthuses about how he used to rush home from school to watch it. Director Dan Curtis created the two TV series Dark Shadows (1966) and Dark Shadows (1991).
- BlooperIn the film's third segment, the bottom half of the dead body of Amelia is shown wearing a short blue robe. In the third segment of the first film, Trilogia del terrore (1975), Amelia wore a short white robe.
- ConnessioniFeatures Il bacio della morte (1947)
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