Mosche da bar

Watched this with some trepidation, having seen the absolutely excellent trailer. So few movies live up to their trailers, especially indies. Anxiety increased by having read Buscemi's fairly harrowing account of making the film in one of those 'The Directors' books.

Shouldn't have worried. Great flick. Totally engrossing, especially to a *cough* former *cough* barfly like myself. Beautifully understated, funny, very sad, nicely paced and Buscemi very wisely NOT trying to dominate every scene, although he certainly dominates the movie.

Movie appears on first sight plot less but actually it isn't at all: Buscemi's search for a second chance to escape from the morass of his own making is riveting. Everyone involved seems to have had a good time and the beautifully relaxed performances are the reward. Only the two knucklehead goombahs fall below the otherwise uniformly excellent level.

A real treat, and thoroughly watchable-again able. My DVD was in TV format, which sucked, but otherwise the low budget doesn't really intrude.

Nearest movie to it I can think of offhand is KILLING OF A Chinese BOOKIE. Radically different subject matter but similar bittersweet texture.

A slightly, but only slightly, generous 9/10 from me.

Saw this a few years ago and liked it. Steve Buscemi is a washed up, functioning alcoholic with no direction or meaning in his life beyond the next hit or the next round.

Anyone going through a crisis or trying to find direction in their life, particularly in a backwater town, will identify with Tommy. It might not be exciting or pretty, but it's not meant to be. This is a slice of life in a man whoa has lost direction and perhaps even the will to live.

It takes a certain skill to pull a film like this off - and Buscemi manages it.

Small town deadbeat Tommy, spends the majority of his time drinking at the Trees Lounge and trying to find comfort with anything in a skirt. Meanwhile his ex-best friend is with his ex-girlfriend who may or may not be carrying Tommy's child. Tommy drifts day to day before finding himself a job and a new friend.

This was Buscemi's first attempt as director and is semi-autobiographical in it's plot. Plot, however is a poor way to describe this film's story. Rather it is an amusing character piece, following Tommy through his life. Tommy is likeable but is also selfish, clueless, aimless and friendless. We like him because he has a good loser-quality to him that brings part sympathy and part empathy. During the film he hurts many through his selfish actions and his life is consistently aimless and pointless. However it still manages to be interesting because of Tommy. Even when I didn't care about him the story had enough good support characters and goings on to keep me interested.

Buscemi as actor is just as good – doing a weasely version of himself but managing to keep him just likeable enough to get by. It something about the way that Tommy clearly hurts himself all the way that makes it hard to dislike him. The support cast are all very good. Junior, Kane et al do well as the various barflies while LaPaglia, Bracco, Baldwin, Imperioli, Rogers and Jackson all deliver well on their various roles. Sevingy is very good again in another sexually laced child role – but I'm glad she's not been typecast too much since Kids.

Overall this is plot light but is still interesting, amusing and enjoyable. Buscemi directs with a light touch and keeps everything light until the sombre final shot.

Excellent film dealing with a group of unhappy people who drown their sorrows in booze, powder, and sex. The chief sorrowmeister, Tommy, was a pathetic loser who spent inordinate amounts of time swilling beer and shots in a shabby bar which boasted a temperamental barkeep, a postage stamp sized men's room, and one table. When not turning his liver into plywood Tommy halfheartedly attempts to find work as a mechanic but winds up driving his uncle's ice cream wagon and getting in over his head with a troubled teen on the verge of bolting from daddy's violent household. A sad picture for sure, but I couldn't help laughing out loud at some of these characters' antics. A very fine movie depicting a realistic looking slice of the ugly side of our human existence.

This semi-biographical tale centres around a down on his luck, yet charismatic bar fly, set on his way to self destruction. Buscemi'second self directed/penned feature is slower paced than some might expect. This in no way detracts from the overall brilliance and charm that trees lounge conveys. Tommy's character, while on the surface, demands both pity and sympathy. It's in his anti-heroic attributes ie. selfishness and callousness, that make the film so human and believable. American releases as passionate and warm as Trees Lounge do not come around as often anymore, with only The Station Agent coming close. So enjoy.