Tian mi mi

This movie is delightful from start to finish. Although some of the coincidences and chance meetings are highly improbable (both going to NYC? Both watching the same TV set at the same time?), they cannot spoil what is a genuinely touching and moving experience.

Instead of a the usual scenario where two people try desperately to find love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of her several part-time jobs, and Xiao Jun has come to experience the unknown-in-his-hometown food, they become friends. They discover a shared love for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to their relationship. Both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. Their struggle to remain true to their original goal in coming to Hong Kong leads to an emotional crisis for both them and their partners. The struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. The resolution of this struggle is sweet indeed.

The lead actors are both exceptional, particularly Leon Lai, who always seemed to be playing a variation on himself until this film. He is completely believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever, radiant and affecting. The songs of Teresa Tang are used to great effect, one of which gives the film it's title (Tian mi mi, the title of the Chinese version, roughly translates as Sweet Like Honey).

Loses a point for the number of coincidences, but otherwise unreservedly recommended.

This fable of comrades (i.e. people from Mainland China migrating to Hong Kong in pursuit of their dreams) and lovers Maggie Cheung and Leon Lai is generally enjoyable, although at times I found it hard to believe, as it relies a lot on luck, coincidence and predestination. It may be that luck protects those with a noble soul, surely the spirit of Teresa Teng must have watched over the two comrades from a very close point of view!

The first half is very entertaining and energetic, as it follows the ups and downs of the protagonists, as they experience the frenetic life of Hong Kong, with its fast jobs, fast money and fast food. At the same time, Leon and Maggie also discover the negative aspects of their stay: the stock market landslides and, more over, the loneliness of living alone in a big city. Inevitably, they fall in love with each other and yet try to remain detached, as they have way too different aspirations: Maggie Cheung is a business-oriented girl, while Leon Lai is more idealistic and, more over, is already engaged. Among the most memorable moments is the bunch of wishes that the two comrades exchange, in celebration of the New Lunar Year!

The arrival of Leon Lai's girlfriend to HK marks a big change of pace in the movie, as an ocean of problems, sorrows and regrets await the two protagonists: second half is very melodramatic, be warned! Anyway, the movie is definitely worth the viewing, if it were only for the thorough portrait of Hong Kong it offers. 7/10

Other reviewers have said it well: this is a wonderfully romantic film. I hate to make a statement like, "It's the Asian version of . . . ", because the film doesn't need a comparison to any American film to have an identity, BUT it has several things in common with "The Way We Were", "Comrades" follows an up-and-down romance over the span of several years and has that same quality of bittersweet fate hanging over them throughout. The early scenes in which Li Xiaojun (Leon Lai) and Li Qiao (Maggie Cheung) begin their love affair are particularly entertaining. A favorite scene: Li Xiaojun helping Li Qiao on with her coat, they get closer and closer, their lips brush together, then they embrace, then a full on kiss, then mutual passion overtakes them as they both feverishly unbutton that same coat they had just been struggling to button. The scene is both sweetly romantic and humorous.

Another similarity to "The Way We Were" is that both films benefit from a tear-inducing song, in this case a love song by Taiwanese singer Teresa Tang which plays a vital role in the plot. Great job of direction by Peter Chan and a wonderful script, but it's the performance by Maggie Cheung that really sells the film. From the moment you see her behind the counter at McDonald's you're hooked by her energy, spunk, attitude, and determination. Her character runs the gamut of emotions during the course of the film and there wasn't one false moment in her performance. She is totally believable, whether she's flashing a self-satisfied grin into her ATM machine or dealing with a devastating loss (I won't give it away, but Cheung's reaction is heart-wrenching). "Comrades" is truly a wonderful film.

"Almost a Love Story" is known as a classic among the Asian countries, not just China or Hong Kong. However, I somehow missed watching it until 2014(!) perhaps because I was not too eager to see yet another uninspiring romantic comedy, which seems to have been the norm for quite some time now in the cinema world.

After seeing every combination of the romantic comedy formula for years, I did not expect much out of "Almost," which admittedly has plenty of its own cliché's and coincidences. But despite those, the movie still manages to be achingly beautiful and heart-taxingly stark in its depiction of the human condition. This movie may especially shock the Westerners who are used to "clean" and neat romantic love stories. If you haven't seen it yet, I highly recommend it as soon as possible.

The film deals with an every-day subject that lots of films have dealt with so far: boy meets girl. So many people might tend to say "It's always the same with that kind of stories", but in this case they are wrong. This film is simply lovely. Everything is there. The rough meeting, the soft touch, the first realization, the despair in the rain, the slight hope, the fate's sign and finally the supernatural power of emotions. All this with Hongkong and New York - two of the most exciting cities in the world - as background and casted with the outstanding actress Maggie Cheung who I'd love to see more often in the cinema.

There might be bigger love stories, but for those two hours you watch this film the most beautiful love story comes from Hongkong.