Il colore del fuoco

I thought that this was an interesting look at how one person's hardheadedness can affect a family so strongly. Ron Rifkin did a wonderful job portraying 'Isaac'. I think he's a very underrated actor and I even loved his annoying accent.!( He uses the same accent that he had on "I'm not Rappaport.") I read an interview where he compares the movie vs. the stage version and supposedly it ends differently. I would have liked to have seen the play.

I found this film quite flawed on the grounds of story and acting. The story is rather slow, without any definite direction and it ended abruptly before some of the main characters begin to develop. Apart from Ron Rifkin and a bit from Sarah Jeassica Parker, the overall acting is below the level one expects from such type of films.

The primary reason to like this film is that it's honest and it's original. One can see that the filmmakers are really passionate about the subject it's based upon, I don't know, maybe from personal experiences. Its structure and style are quite original and don't have any clichés. Even the ending, though abrupt, is heartfelt if the viewer cares to understand the film's statement.

This is a film that could have been an important film if it had not stooped to the use of repeated use of the 'f' word and other foul language. The people depicted in this film would not ordinarily use such language. I am acquainted with many Holocaust survivors and I have never heard such language pass their lips.

Although the Holocaust was used as the starting point of the film, and as a background for the most important character, there was no attempt to explain how that experience molded the character to make him what he is in the film.

Also it was never shown how the children of the Holocaust survivor were affected by their father's experience as it was with most children of Holocaust survivors.

It should have been a strong family drama, and it was to a point. But the foul language ruined it.

Top notch film? No. Boring as hell? NO. This film will not appeal to people who have no sense of history, family, or the ability to sit still for more than five minutes and analyze something.

The film was fascinating, not always clear as to its intent, but an interesting journey with characters worth watching.

You have a father, a Holocaust survivor, who even in his own madness still believes in the quality of THINGS. In this case it's his publishing house which has been an imprint of quality work. There are, unfortunately, few places for works such as this in our times. Few people have the patience or understanding of quality and workmanship. Thus the conflict with one of his sons. His son wants the imprint to continue but with a much broader audience, quantity above quality. I don't believe it is even about money. It's about moving away from the past. Neither the father or children are completely capable of doing this. The past, the family, has a hold on all of them no matter how they deny it or try to move away from each other.

If you have an understanding of what we have lost by having everything being bought and sold to the lowest common denominator; a family dealing with madness of a beloved relative, and THINGS being valued above the love and respect of others give the film a try. If you have an attention span of a knat try something with Arnold. Some things are worth muddling through just for the rare glimpse of ourselves.

This film is an excellent substitute. I cannot believe someone would post that the "öld guy should be put in an asylum"....obviously they have never had a family member with a serious illness; Ron Rifkin is very good as Isaac, the publisher being driven out of business by mass market mega-bookstores; He primarily publishes Holocaust and historical books of value; not paperback trash. Other films have addressed this issue, but not in detail, and with sensitivity.

Timothy Hutton, Sarah Jessica Parker and Tony Goldwyn play the children, who are each affected differently by the father's illness; Timothy Hutton is excellent as the younger son, whose father doesn't approve of his teaching profession. Sarah Jessica Parker, while not my favorite, is believable as the young daughter who has a flighty career as a children's show host. Tony Goldwyn is very good as the oldest; the son with a head for business, who is constantly at odds with his father (Rifkin).

I will not divulge the story, but suffice it to say that the dialogue is well-written, the story is not sugar-coated, and there is an excellent score by Joseph Vitarelli, which makes the audience feel touched by the story.

I wish films like this were more highly publicized than trash for cash Bruce Willis or Schwarzenegger movies.This film gives the audience credit for intelligence; and it makes me believe that there actually are talented filmmakers not just after the bottom dollar.