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Io ballo da sola

Titolo originale: Stealing Beauty
  • 1996
  • T
  • 1h 58min
VALUTAZIONE IMDb
6,5/10
31.754
LA TUA VALUTAZIONE
Io ballo da sola (1996)
Theatrical Trailer from 20th Century Fox
Riproduci trailer2: 32
1 video
99+ foto
DrammaMisteroRomanticismoRomanticismo erotico

Una giovane donna si reca in Italia in cerca di amore, verità e un senso più profondo di se stessa dopo che sua madre si è suicidata.Una giovane donna si reca in Italia in cerca di amore, verità e un senso più profondo di se stessa dopo che sua madre si è suicidata.Una giovane donna si reca in Italia in cerca di amore, verità e un senso più profondo di se stessa dopo che sua madre si è suicidata.

  • Regia
    • Bernardo Bertolucci
  • Sceneggiatura
    • Bernardo Bertolucci
    • Susan Minot
  • Star
    • Jeremy Irons
    • Liv Tyler
    • Carlo Cecchi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    31.754
    LA TUA VALUTAZIONE
    • Regia
      • Bernardo Bertolucci
    • Sceneggiatura
      • Bernardo Bertolucci
      • Susan Minot
    • Star
      • Jeremy Irons
      • Liv Tyler
      • Carlo Cecchi
    • 102Recensioni degli utenti
    • 32Recensioni della critica
    • 60Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 11 candidature totali

    Video1

    Stealing Beauty
    Trailer 2:32
    Stealing Beauty

    Foto158

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    + 151
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    Interpreti principali19

    Modifica
    Jeremy Irons
    Jeremy Irons
    • Alex
    Liv Tyler
    Liv Tyler
    • Lucy Harmon
    Carlo Cecchi
    • Carlo Lisca
    Sinéad Cusack
    Sinéad Cusack
    • Diana
    • (as Sinead Cusack)
    Joseph Fiennes
    Joseph Fiennes
    • Christopher
    Jason Flemyng
    Jason Flemyng
    • Gregory
    Anna Maria Gherardi
    • Chiarella Donati
    Jean Marais
    Jean Marais
    • M. Guillaume
    Donal McCann
    Donal McCann
    • Ian
    D.W. Moffett
    D.W. Moffett
    • Richard
    Ignazio Oliva
    Ignazio Oliva
    • Osvaldo Donati
    Stefania Sandrelli
    Stefania Sandrelli
    • Noemi
    Francesco Siciliano
    Francesco Siciliano
    • Michele Lisca
    Mary Jo Sorgani
    • Maria
    Leonardo Treviglio
    Leonardo Treviglio
    • Lieutenant
    Rebecca Valpy
    • Daisy
    Alessandra Vanzi
    • Marta
    Rachel Weisz
    Rachel Weisz
    • Miranda
    • Regia
      • Bernardo Bertolucci
    • Sceneggiatura
      • Bernardo Bertolucci
      • Susan Minot
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti102

    6,531.7K
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    Recensioni in evidenza

    Aislynn

    Great potential...but falls short

    The first twenty minutes of this movie had me riveted. The Italian landscape was incredible and upon meeting all the diverse characters, one would think this was the perfect stage for a fine film.

    But it wasn't.

    Lucy's search for her father is first pushed on the back burner then brought miraculously to life near the end of the movie. Meanwhile the plot involves the entire house buzzing like old maids about the poor girl's virginity, as if the topic were front page news. But then again Jeremy Irons character said it best: "Up here on this hill, the only thing we have to talk about is each other". Hm, maybe so, but the idea quickly becomes dull.

    Instead of becoming interested in Lucy, the only scenes I found enjoyable involved Miranda and her dim-witted "boyfriend". Richard made me laugh so much that I nearly forgave the pointless plot. And I would've been very disappointed were it not for Jeremy Irons and his wonderful character of Alex. Alex's musing, thoughts and expressions made me smile and made me think. (" 'The incredible frivolity of the dying' You have to allow me a little frivolity")

    As far as what Lucy sees in Nicholo or what made her take the plunge with someone she barely knew, baffles me. Take the beautiful cinemetography, interesting characters and mold them in an entirely different way and you've got yourself a much better movie than what was presented. Such potential..wasted *sigh*
    10gks1029

    An Underrated, Misunderstood Gem of a Film

    While Liv Tyler is the "star" of this film she is only one facet of a beautiful film. While many comments focus on the coming of age plot line. This film not only presents a sexual beginning, but also an emotional journey. With the death of her poet laureate mother, Lucy (Liv Tyler) must find her way to emotional and sexual adulthood. Fortunately, the film never gets bogged down, or depressing.

    Set in the lovely Tuscany province, Lucy's father sends her to spend time with friends of her mother and pose for an artist. Several of the characters are transparent, and easily understood, others are far more complex. Like life not all the answers are give, but the film rewards the viewer on multiple levels.

    Enjoy watching the secondary characters grow in their own ways as well.

    I hope this helps you.
    10i-got-away

    A master work by a master director. Excellent!

    I am a Bertolucci fan, and this film is one of the reasons why. I watch it again and again and never get tired of it. Don't be fooled by the 'losing virginity' theme; this film is about life, and death, and everything that happens in between. It's about what you seek and what you're willing to give up to get it.

    One of the best things about this film is that every character has a story, and an arc in the film, most of which is given by just one or two lines or shots in the film. For example, near the end of the film, Sinead Cusack's character slumps at the table after having taken an old friend to the hospital, probably for the last time. She says she misses England "and rain, and milk that goes off", and says that she's tired of looking after people. Then everyone starts coming in and asking about dinner, and she just gets up and opens the fridge. In less than a minute, we see into her life and character in a way that most films would take at least an act to explore. We even learn a lot about Lucy's mother (Lucy is played by a young Liv Tyler), even though she has died before the beginning of the film and never appears in it except in a photograph (also of Tyler).

    There is not a flaw in any of the performances. Never do we feel that these are people acting. They just feel like people, interacting, and we always have a feeling of their life leading up to the moments we see them, and they are interesting lives.

    The location itself is one of the characters, and it is beautifully shot, the colours saturated and rich. It feels like you can touch the stones, smell the air, feel the grass and flagstones beneath your bare feet. If you don't want to go to Tuscany after seeing this film, you are ill or on the wrong medication. The beauty that is being stolen, or that people want to steal, is not just the beauty of the young virgin on the hill, it is the beauty of life, of living, of learning, of looking back and finally giving it all up, knowing it cannot be stolen. I know that some people criticize Bertolucci for his aesthetic, for bringing the beauty out of every moment, even the horrible ones, and I say to those people that they live the life they choose.

    Finally, there is the soundtrack, which runs from alt-pop to classical to everything in between and works perfectly. It illuminates Lucy's internal reality and is true to the music that a girl of her age would have been listening to at that time, and it also helps set the scene and smooth transitions between scenes.

    This is a master work by a master director, and one of my favourite films of all time.
    8joesgrille

    a European movie-lovely

    While this is not my favorite Bertolucci film, Stealing Beauty left me inspired and contented. Bertolucci's brush strokes are wide, yet meticulously placed, leading us down a sensual and beautiful path of discovery. He packs a lot of plot into a week of story and two hours of film, but it is believable because many extraordinary things can happen in a short time frame when one travels abroad. Liv Tyler did well, reminding me of my teenage years, yearning yet still undecided. This movie has one of the best (sexy!) loss of virginity scenes in recent memory.
    AllanJ-2

    Elegant, sweet, pleasant

    This is not a "great" film, but it's elegant, well-shot, and staffed with superb actors & actresses that know their work & do it well.

    You have all read the plot line, so I won't dwell on that. I will say, though, that viewers searching for a typical "story-conflict-wrapup" will be disappointed. This film is about life...several lives... and we are shown a brief window into those lives.

    Lucy's story (Lucy = Liv Tyler) is, I believe, the least interesting -- we always observe her, and never get into her head, and yet know what she's about. But...she's 19... she knows very little... and Bertolucci knows that.

    The real stories are how the others, older, react to her and to each other... lust, memory, envy, nostalgia for lost youth, jealousy, pride, recognition, understanding of the motion of life...

    All of these evoke other stories that, unfortunately for all of you that want a nicely wrapped-up movie, you are going to have to make up in your own heads. But that's the beauty of this film.

    While I hate to generalize, teens will dislike this movie, as will adults who think that suburban life is pretty good. It's never explained what any of these people actually DO, and I know that's an important problem for many movie goers.

    But the rest of you... give it a try.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Jeremy Irons and Sinéad Cusack are a real-life couple and have been married since 1978.
    • Blooper
      When Lucy enters the Tuscan Villa for the first time you see a swallow (Hirundo rustica) flying combined with the screeching call of the swift (Apus apus).
    • Citazioni

      Lucy: Why are you crying?

      Osvaldo Donati: Because I want to kiss you.

    • Curiosità sui crediti
      During the opening credits, there is a montage of Lucy (Liv Tyler) being recorded on a video camera during her travel to Italy by an unknown man.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Cable Guy/Stealing Beauty/Moll Flanders/Sgt. Kabukiman NYPD/The Switchblade Sisters/Madame Butterfly (1996)
    • Colonne sonore
      Rocket Boy
      Performed by Liz Phair

      Written by Liz Phair, Jim Ellison

      Courtesy of Matador Records/Atlantic Records

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    Dettagli

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    • Data di uscita
      • 29 marzo 1996 (Italia)
    • Paesi di origine
      • Regno Unito
      • Francia
      • Italia
    • Sito ufficiale
      • Apple TV (MENA Official)
    • Lingue
      • Inglese
      • Francese
      • Tedesco
      • Spagnolo
      • Italiano
    • Celebre anche come
      • Stealing Beauty
    • Luoghi delle riprese
      • Brolio, Castiglion Fiorentino, Arezzo, Tuscany, Italia(Brolio, Gaiole in Chianti, Siena, Tuscany, Italy)
    • Aziende produttrici
      • Fiction
      • France 2 Cinéma
      • Jeremy Thomas Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 10.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 4.722.310 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 103.028 USD
      • 16 giu 1996
    • Lordo in tutto il mondo
      • 4.900.436 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 58 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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