Una scelta d'amore

S0ME MOTHER'S SON is one of the most accurate depictions about the ordinary families caught up in the turmoil and oppression of Northern Ireland. The characters are loosely based on real persons living today, who were caught up in the Great Hunger Strike of 1981. (I know Annie, the Fionnula Flanagan character personally) The British injustice and oppression, portrayed is accurate and no ones imagination, it continues today. Helen Mirren captures the true spirit of the indomitable Irish women, the true heroes of Ireland. Fionnula Flanagan's character is brilliant, and often steals the scene from Ms. Mirren. It has little character insights typical of women of Ulster. Want an accurate movie, about the gallant people of Northern Ireland? this is it! It makes no apologies for the I.R.A.(refreshing.) The I.R.A. may be a grey area to some, but SOME MOTHERS SON shows the viewer that there wouldn't be an I.R.A. if there wasn't British oppression.

There are some excellent, nuanced performances in this movie, particularly from the two leads, Helen Mirren and Fionnula Flanagan (an underrated character actress best known for her work in "The Others"). But by no means is this easy to watch - and it's best appreciated, whatever your view on the long-standing conflict, if you have some idea of the history first, and the passion that still surrounds Bobby Sands. Tim Pat Coogan's "The Troubles," while a mammoth volume, summarizes the death and destruction that have been visited on all three of the major players - British, Catholic, Protestant.

Interestingly, Helen Mirren also starred in "Cal", another movie about the "Troubles" of Northern Ireland, playing a Protestant widow who falls in love with a Catholic man. In both movies, Mirren's character endures the unthinkable - watching the people she loves best being torn by sectarian violence. Yet in "Cal," Mirren's character is more passive, having things "happen" to her. In "Some Mother's Son", Mirren and Flanagan take action, their passion for their children stirring them to activism, right or wrong.

Its ashame that more people don't know about this subject. I found this film to be very touching with a very strong moral. Yes the movie is about the I.R.A. and some of its most famous 'soldiers', however, the film touched on who is affected by these actions. I don't agree with the I.R.A but found myself empathetic to the families of the prisoners involved. Despite what the previous poster stated, this movie was pre-911 and touches not on the terrorists acts, but on the consquences of their actions. Helen Mirren was brilliant in this movie, as always. Its not exactley Michael Collins on the subject, and a lot of it was 'glamorized' for Hollywood, but all in all worth watching.

I saw this film when it first came out but after reading two rather diverse but equally recommended books on the subject ("Ten men dead" by David Beresford and "Nor Meekly serve my time" Edited by Brian Campbell, Laurence McKeown and Felim O'Hagen) , I figured I'd like to see it again.

The story portrayed in the film echoes the 2nd book in particular so closely at times that I expected to see the three men credited (They were actually H Block prisoners who took part in the protest and hunger strikes themselves). Of course from that perspective it is understandable that some would claim that it tends towards bias or discriminates towards a one sided view on a very complex issue.

The reality of the film is that whilst the majority of the characters save Bobby Sands are fictional, many of them, with just a little background reading are recognisable as real life people such as Fr Denis Faul, Bik McFarlane, "The Mounain Climber" and a composite of Gerry Adams/Danny Morrison.

It is a charge fairly frequently levelled at Jim Sheridan that he embellishes or takes liberty with factual real events such as in Michael Collins or In America - However, that is usually levelled by someone with an obvious axe to grind or viewing from an opposite perspective. So whilst it is desirable for a good film to document even real facts in an understandable way in less than two hours it is also nice to be entertained and have your curiosity aroused so that you can read further on the subject if you so desire. Some Mothers Son is probably one of these types of movies where the viewer's experience and insight is best enhanced by prior knowledge or at least some background of the events which out of necessity the film is compelled to synopsise and simplify some times.

The facts surrounding this turbulent period in Northern Irish history is that after a prolonged "dirty protest" to be recognised as prisoners of war instead of criminals or terrorists, in 1981 the republican H-Block prison inmates embarked on a hunger strike which by the time it had ended some 6 months later had seen ten of them die but more significantly for the republican movement in NI had seen a wider world focus on them and also had seen a new dawn towards the use of the ballot box instead of the Armalite assault rifle as a means to an end by Sin Fein/IRA which 25 years later is culminating in an electorally strong Sinn Fein and a decommissioned largely stood down IRA.

All in all therefore, as a pen picture which goes some way towards giving one a basic insight into the Northern Ireland Hunger strike of 1981 it does a good job which is greatly helped by very good performances by Helen Mirren, Fionnula O Flanigan Gerald McSorley and John Lynch in particular. Oh and if the soundtrack sounds vaguely familiar it may be because it is by Bill Whelan of Riverdance fame.

While it is difficult to separate oneself from the politics of "the troubles" I think its important to keep in mind that this is a film, not a documentary. Its goal is to be historically authentic, not accurate. The message is one that speaks to mothers on all sides of the political divide. I think that one of the reviewers unfortunately missed the point of the movie which is featured in the title.

As a film this is an incredibly moving portrait of the horror, sacrifice and absurdity of war. The cast is outstanding; Helen Mirren is simply stunning, Fionnula Flanagan gives a powerful performance, Aidan Gillen is stirring as Helen Mirren's son and Bobby Sands' cell mate and finally John Lynch portrays the role of Bobby Sands quite fairly. The writers and director Terry George and Jim Sheridan have done an outstanding job writing and filming a story that transcends conflict and speaks to humanity we all share. While it shows the injustice of the position from which many of the North Ireland Catholics faced (and therein lies its political slant) the title firmly roots this film as so much more. I highly recommend this film for its historical authenticity and the brilliant performance by Helen Mirren.