Aggiungi una trama nella tua linguaAn heiress is kidnapped during the chaos of a riot.An heiress is kidnapped during the chaos of a riot.An heiress is kidnapped during the chaos of a riot.
- Regia
- Sceneggiatura
- Star
Mongo Brownlee
- Blaze
- (as Mongo)
Recensioni in evidenza
As far as straight to video action films go, this is superb and is worth adding to your DVD collection, particularly if you are a fan of the other titles from PM Entertainment.
If you are a fan of hard-edged action films like "The Warriors" and "Judgment Night", then you will certainly appreciate the concept of this film. It is basically an on-foot chase movie through deserted streets, punctuated by superb martial arts choreography and action scenes. You will have to be forgiving of the acting in the film, which is quite atrocious and usually commonplace in straight to video fare, but most of the performances are done "tongue in cheek" which makes for a very fun night in! Gary Daniels has never been a very good actor, but he certainly looks great and has nice charisma. But what counts in a film like this is the action and it's fantastic, although maybe a notch down from PM's best work. This is understandable though, because it is more martial arts orientated, as opposed to their usual demolition derby style films.
The martial arts are superb and there is one amazing scene where Gary Daniels single handedly takes on numerous guys on motorbikes. It is quite reminiscent of the finale of "Drive"! The stunts are breathtaking and Joseph Merhi shows off some of his best editing yet, with well-timed cuts of people smashing through panes of glass or hitting the ground violently. The explosions are fantastic and prove why PM are the best in the business for blowing shite up! Cars don't just ignite, they flip over and land dangerously next to actors.
So watch with low expectations and remember that it is very low budget and you will have a great time. Get the DVD, its only $6.99!
If you are a fan of hard-edged action films like "The Warriors" and "Judgment Night", then you will certainly appreciate the concept of this film. It is basically an on-foot chase movie through deserted streets, punctuated by superb martial arts choreography and action scenes. You will have to be forgiving of the acting in the film, which is quite atrocious and usually commonplace in straight to video fare, but most of the performances are done "tongue in cheek" which makes for a very fun night in! Gary Daniels has never been a very good actor, but he certainly looks great and has nice charisma. But what counts in a film like this is the action and it's fantastic, although maybe a notch down from PM's best work. This is understandable though, because it is more martial arts orientated, as opposed to their usual demolition derby style films.
The martial arts are superb and there is one amazing scene where Gary Daniels single handedly takes on numerous guys on motorbikes. It is quite reminiscent of the finale of "Drive"! The stunts are breathtaking and Joseph Merhi shows off some of his best editing yet, with well-timed cuts of people smashing through panes of glass or hitting the ground violently. The explosions are fantastic and prove why PM are the best in the business for blowing shite up! Cars don't just ignite, they flip over and land dangerously next to actors.
So watch with low expectations and remember that it is very low budget and you will have a great time. Get the DVD, its only $6.99!
Gary Daniels stars as a soldier who, with Sugar Ray Leonard dive into gang territory to save the ex-girlfriend of Daniels, seems our English hero's girlfriend(Also English)is the daughter of an ambassador and the IRA are looking to hold her for ransom and well you can guess pretty much what happens next. I saw this a couple months ago on HBO (or was it Showtime, in any-case thank goodness I take notes) and this was pretty much what I expected it to be. Of course the movie was a PM effort so this meant that there was tons of mindless action and plot threads which make no sense, of course all of this is made acceptable by the fact that Gary Daniels is a good martial artist and that the the action sequences deliver the expected punch that you would hope for. However much more disappointing is the lack of Sugar Ray Leonard who only gets one big action sequence. Also on the wasted front are Charles Napier and Patrick Kilpatrick. Good old Patrick Kilpatrick, he's made a living playing these type of roles (From Death Warrant to Substitute IV) and he is always convincing. So basically I give it a two star rating because I derived some mild enjoyment from this title, however it's only for fans of this genre. I can't imagine anyone else deriving much from this movie. Of course I'm a fan of the genre and this while not great, was a pretty watchable movie. Perfect with Beer and Pizza. Then again what isn't perfect with that combo?
* * out of 4-(Fair)
* * out of 4-(Fair)
Good action movie. It may start out a little slow the first 10 or 15 minutes, but once Gary enters the riot zone, the movie becomes a non stop action fest! Lots of shooting and fighting to keep action fans happy. The stunts are good as well. The last one in particular is amazing! See the movie. I bet you will be amazed as well. Another winner from PM! Keep up the good work guys!
'Riot' stands out in PM Entertainment's catalog. First it was part of a collection of titles the company decided to put more money behind. You'll notice it first as a studio lot subs for a real city street where the heart of the film's set pieces go down. Then the quality of explosions, pyro work is above & beyond for a dtv pix. Solid stunt work too. Shame the story is largely a bore.
SAS Maj. Alcott (Gary Daniels) in the States helping to train troops is called upon when the UK Ambassador's daughter Anna (Paige Rowland) is kidnapped during an LA riot. She's not only being held for ransom, but a well known fashion model and his ex girlfriend too. As the city burns and goes into lockdown, Shane battles thugs by fist or guns at night to both get in, get the girl and then get out.
You get a straight laced government suit role from Charles Napier and in a bit of stunt casting Sugar Ray Leonard as fellow US army man and Alcott's friend Maj. Williams. Unfortunately for second billing he only gets one sole fight scene and pops up at the start and a little towards the end. It's really Daniels film and he does a fine job of what's asked of him. Likable and good with the martial arts. Patrick Kilpatrick is here playing another baddie, but his role and how it ties in is very disjointed.
I wanted a better time with 'Riot' than what I received. Few pieces of unintentional funny dialog, cheesy fake accents and decent fight scenes that'll make you think about 'The Warriors' with a 'Escape From NY' vibe keep it from every being a pain. Christmas theme complete with tunes as dudes get the brakes beat off of 'em is memorable. All this wasn't enough to overcome an uninteresting plot though.
SAS Maj. Alcott (Gary Daniels) in the States helping to train troops is called upon when the UK Ambassador's daughter Anna (Paige Rowland) is kidnapped during an LA riot. She's not only being held for ransom, but a well known fashion model and his ex girlfriend too. As the city burns and goes into lockdown, Shane battles thugs by fist or guns at night to both get in, get the girl and then get out.
You get a straight laced government suit role from Charles Napier and in a bit of stunt casting Sugar Ray Leonard as fellow US army man and Alcott's friend Maj. Williams. Unfortunately for second billing he only gets one sole fight scene and pops up at the start and a little towards the end. It's really Daniels film and he does a fine job of what's asked of him. Likable and good with the martial arts. Patrick Kilpatrick is here playing another baddie, but his role and how it ties in is very disjointed.
I wanted a better time with 'Riot' than what I received. Few pieces of unintentional funny dialog, cheesy fake accents and decent fight scenes that'll make you think about 'The Warriors' with a 'Escape From NY' vibe keep it from every being a pain. Christmas theme complete with tunes as dudes get the brakes beat off of 'em is memorable. All this wasn't enough to overcome an uninteresting plot though.
This TV Movie is one of many aimed towards the martial-arts action market, the type that goes straight to video and has clearly been done on a budget, but can nevertheless be reviewed critically. Riot sets out to do one thing: provide a platform for the butt-kicking skills of its star, Gary Daniels. He may not be Robert De Niro in the acting stakes but within his own domain, that of the B-list actioner, he is king of all he surveys.
The "plot": When his ex-fiancé, the daughter of the city's (we don't know which) British ambassador is kidnapped in an inner city riot zone on Christmas Eve, stateside stationed SAS man Shane Allcott has to come to the rescue by delivering the money to her ransomers. In doing so he comes face to face with his past, in the form of IRA terrorists.
I would imagine that fans of this kind of low budget action fest would not go far wrong with Riot. I do not count myself in their number, but sticking with this film for its 80 minutes was no chore, especially given some very competently made stunts, fight sequences, and chases. These are especially good when they are taken seriously, because at times the film can be quite powerful, specifically the scene where Sugar Ray Leonard's character falls from Shane Allcott's (Daniels) grip and onto the pavement some twenty storeys below. Seeing that sequence was a real surprise in what I took to be a mindless action fest, and showed that even in simple or even plain silly movies, you can get great moments of film. Many of the scenes in the film have a nightmarish and excited feel, as the viewer is taken into the heart of the riot zone with Allcott. That part was well done, but unfortunately the rest of the film is a mixed bag.
Realism seems to have been sacrificed for simplicity, as the writers take the complex dynamic of the conflict between the SAS and IRA and turn it into a bunch of caricatures of various stereotypes, especially in the case of the two main villains the (get this) o'Flaherty brothers, Brian and Paddy. One of them even looks like Vernon Wells in Commando. You would not find a more clichéd stereotype in an Irish theme bar. Same goes for the black gang members in the riot zone, who are built up as running things on a racial ideology, despite the very obvious multi-ethnic nature of the rioters. Although the fight scenes are well done, any pretence that the IRA are represented accurately must surely be dispensed with. The acting is generally good, with the exception of Paige Rowland, who should have been blacklisted for her attempts. The film at times feels like a cheap spoof, but as I mentioned it does have its moments, and these are when Gary does what he does best - flex his muscles and dispatch armies of villains.
All the action is handled well, not surprisingly as this is a specialist production by an experienced team. The climax is well done on a technical level, but lacks the spectacle which a few camera angles could have changed. Charles Napier, Sugar Ray Leonard, and Dex Elliot Sanders all put in good performances, but in Napier's case this is just for a cameo. I'll ignore the lack of logic in the plot and accept this is a made for video Gary Daniels action flick.
In all, fans of this type of thing will feel at home. Anyone else, if they can put aside the simplicity of this picture, may find something they like too.
5.5/10
The "plot": When his ex-fiancé, the daughter of the city's (we don't know which) British ambassador is kidnapped in an inner city riot zone on Christmas Eve, stateside stationed SAS man Shane Allcott has to come to the rescue by delivering the money to her ransomers. In doing so he comes face to face with his past, in the form of IRA terrorists.
I would imagine that fans of this kind of low budget action fest would not go far wrong with Riot. I do not count myself in their number, but sticking with this film for its 80 minutes was no chore, especially given some very competently made stunts, fight sequences, and chases. These are especially good when they are taken seriously, because at times the film can be quite powerful, specifically the scene where Sugar Ray Leonard's character falls from Shane Allcott's (Daniels) grip and onto the pavement some twenty storeys below. Seeing that sequence was a real surprise in what I took to be a mindless action fest, and showed that even in simple or even plain silly movies, you can get great moments of film. Many of the scenes in the film have a nightmarish and excited feel, as the viewer is taken into the heart of the riot zone with Allcott. That part was well done, but unfortunately the rest of the film is a mixed bag.
Realism seems to have been sacrificed for simplicity, as the writers take the complex dynamic of the conflict between the SAS and IRA and turn it into a bunch of caricatures of various stereotypes, especially in the case of the two main villains the (get this) o'Flaherty brothers, Brian and Paddy. One of them even looks like Vernon Wells in Commando. You would not find a more clichéd stereotype in an Irish theme bar. Same goes for the black gang members in the riot zone, who are built up as running things on a racial ideology, despite the very obvious multi-ethnic nature of the rioters. Although the fight scenes are well done, any pretence that the IRA are represented accurately must surely be dispensed with. The acting is generally good, with the exception of Paige Rowland, who should have been blacklisted for her attempts. The film at times feels like a cheap spoof, but as I mentioned it does have its moments, and these are when Gary does what he does best - flex his muscles and dispatch armies of villains.
All the action is handled well, not surprisingly as this is a specialist production by an experienced team. The climax is well done on a technical level, but lacks the spectacle which a few camera angles could have changed. Charles Napier, Sugar Ray Leonard, and Dex Elliot Sanders all put in good performances, but in Napier's case this is just for a cameo. I'll ignore the lack of logic in the plot and accept this is a made for video Gary Daniels action flick.
In all, fans of this type of thing will feel at home. Anyone else, if they can put aside the simplicity of this picture, may find something they like too.
5.5/10
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