La promesse

This film was a gem and I look forward to seeing "Rosetta" by the same filmmakers, although I missed it back in '99.

The story has a gritty documentary feel in its depiction of lower-class immigrant experience in Belgium, but nonetheless is dramatically compelling because of the tension between the father and the son.

I haven't seen this side of modern European urban life treated in film this well.

I tend to think of any film in a foreign language as an 'artsy' movie, and avoid them like the plague. However, I had the good luck to catch "La Promesse" and I might have to change my thinking. The story is the kind that catches your interest quickly and never lets go. The film never adopts a high air...in fact, it's very gritty, which makes it that much more enjoyable. The characters are so believable you might think you're actually watching a documentary. To top it off, the morality play at the heart of the movie is done remarkably well. If you're in the mood for something different, see this movie.

La Promesse is one of the best films of this decade. With its simple style and character-driven plot, one may think that the film comes from one of the Dogma 95 manifesto directors but it doesn't. The film's strengths lie in its theme of morality and responsibility and in its no-nonsense portrayal of the immigrant situation in Belgium (with reverberations reaching all across Europe). One can say that it's a coming-of-age tale--and in some ways it is--but when one thinks of the usual film categorized as such, the moniker doesn't match. Even the scene where Igor is being seduced by an older woman, while his father and his father's girlfriend look on, has no follow-up, no clumsy bedroom scene where we see Igor lose his virginity. The film makers just cut from the seduction scene in the bar to Igor the next morning back to his "job" at the dilapidated building site. Clearly, the directors are unconcerned with the staples of the "coming-of-age" genre. More precisely, I think it should be called a "coming-of-conscience" film. The final scene is at the same time heartbreaking and thought-provoking. The way they end the movie is a masterstroke because it forces the viewer to ponder what will come next, thus prompting self-reflective questions on what the viewer himself or herself would have chosen to do.

The performance of Jérémie Renier is memorable. (He's also great in L'infant). The Dardennes are obviously influenced by Robert Bresson and have a similar interest in use of realistic sound, and observation of everyday tasks. They especially like workshops, and woodworking tools. Like Bresson, they eschew incidental music and produce a very naturalistic view of events. And they do it so well. This film will remain in your conscience for a long time after you have seen it, and should satisfy those who need a resolution and a conclusion in their movies, by offering at least an answer to one "will he - won't he?" dilemma.

These guys are making some of the best cinema of the present era.

LA PROMESSE is a coming of age story of sorts. The young teenaged protagonist works for his father, who loves him deeply. The father is sleazy exploiter of illegal aliens, and the boy is learning the trade of preying on the defenseless of society that includes theft from the elderly and extortion from the immigrants. And it seems to be suiting him just fine until he helps his father cover up a fatal accident at his construction site. The accident that did not have to be fatal, but the father does not want to risk the scrutiny of the authorities. The boy promises the dying immigrant that he will take care of the man's wife and baby. Slowly the youth begins to question his and his father's morality.

Shot in a documentary style without music score, the urban Antwerp setting as well as the story are uniformly gray and grim. Nonetheless this is an excellent film that tells a terrific moral tale to which there are no easy answers. An excellent rental.