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Schegge di paura

Titolo originale: Primal Fear
  • 1996
  • T
  • 2h 9min
VALUTAZIONE IMDb
7,7/10
266.921
LA TUA VALUTAZIONE
POPOLARITÀ
391
76
Richard Gere in Schegge di paura (1996)
Trailer
Riproduci trailer2:28
6 video
94 foto
CrimineDrammaMisteroThrillerThriller legaleThriller psicologico

Un chierichetto accusato di aver assassinato un prete che lo ha molestato rivela di avere una seconda personalità, che sembra essere la vera colpevole del crimine.Un chierichetto accusato di aver assassinato un prete che lo ha molestato rivela di avere una seconda personalità, che sembra essere la vera colpevole del crimine.Un chierichetto accusato di aver assassinato un prete che lo ha molestato rivela di avere una seconda personalità, che sembra essere la vera colpevole del crimine.

  • Regia
    • Gregory Hoblit
  • Sceneggiatura
    • William Diehl
    • Steve Shagan
    • Ann Biderman
  • Star
    • Richard Gere
    • Laura Linney
    • Edward Norton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    266.921
    LA TUA VALUTAZIONE
    POPOLARITÀ
    391
    76
    • Regia
      • Gregory Hoblit
    • Sceneggiatura
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Star
      • Richard Gere
      • Laura Linney
      • Edward Norton
    • 430Recensioni degli utenti
    • 73Recensioni della critica
    • 47Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 10 vittorie e 12 candidature totali

    Video6

    Primal Fear
    Trailer 2:28
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Clip 0:59
    Primal Fear
    Primal Fear
    Clip 0:46
    Primal Fear
    Primal Fear
    Clip 0:44
    Primal Fear
    Primal Fear
    Clip 0:54
    Primal Fear

    Foto94

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 87
    Visualizza poster

    Interpreti principali55

    Modifica
    Richard Gere
    Richard Gere
    • Martin Vail
    Laura Linney
    Laura Linney
    • Janet Venable
    Edward Norton
    Edward Norton
    • Aaron…
    John Mahoney
    John Mahoney
    • Shaughnessy
    Alfre Woodard
    Alfre Woodard
    • Shoat
    Frances McDormand
    Frances McDormand
    • Molly
    Terry O'Quinn
    Terry O'Quinn
    • Yancy
    Andre Braugher
    Andre Braugher
    • Goodman
    Steven Bauer
    Steven Bauer
    • Pinero
    Joe Spano
    Joe Spano
    • Stenner
    Tony Plana
    Tony Plana
    • Martinez
    Stanley Anderson
    Stanley Anderson
    • Rushman
    Maura Tierney
    Maura Tierney
    • Naomi
    Jon Seda
    Jon Seda
    • Alex
    Reg Rogers
    Reg Rogers
    • Connerman
    Kenneth Tigar
    Kenneth Tigar
    • Weil
    Brian Reddy
    Brian Reddy
    • Woodside
    Christopher Carroll
    • M.C.
    • Regia
      • Gregory Hoblit
    • Sceneggiatura
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti430

    7,7266.9K
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    Recensioni in evidenza

    9jjnxn-1

    Exceptionally good all around

    If you want to see excellent acting in the service of an involving well told story this is a good place to start. Across the board there is not one weak performance. Gere has one of his very best roles as a fame loving attorney who chases a headline case that is more than he bargained for. He and the Laura Linney spar and parry both in and out of court with wonderful brio, she is his equal even if he is loath to admit it and the actress's personal strong persona fits the role perfectly. In a star making performance Edward Norton grabs his part by the throat and runs with it, a brilliant job and one that marked him as a true talent to watch. Each secondary roles is filled with top drawer character actors-Frances McDormand as an understanding therapist, Maura Tierney and Andre Braugher as Gere's assistants and on and on all deliver quality work. Alfre Woodard deserves special mention as the no nonsense slightly cantankerous judge who tipples a little on the side. She takes what could have been a throwaway part and makes her both memorable and humorous. A little overlong you won't notice so good is the acting and once it gets going the story keeps the interest level high.
    8Maverick1962

    My first opportunity to comment on a film

    Riveting courtroom drama, starring Richard Gere, with occasional flashes of action. New to me faces that impressed are Laura Linney and Edward Norton, both of whom give outstanding performances against the ever reliable Gere, a sometimes underated star actor.

    Kept me on the edge of my chair throughout. One of the best of the courtroom genre films that I have seen.

    A coherent script, well directed and edited, leaving me guessing to the end, with a really neat twist in the final stage. Excellent.
    9bkoganbing

    The Smartest Guy In Town

    Although Richard Gere has one of his juiciest roles in Primal Fear, the best performance by far is that of Edward Norton who got the film's only Oscar nomination for Best Supporting Actor in a stunning debut picture. It's the kind of debut that any player would like to make and the trick is to keep up a high standard you've already set for yourself. Which Norton to his credit certainly has in his career.

    But as to Gere he plays Martin Vail, a top criminal defense attorney who will let everyone know it if they haven't figured it out. It's a tricky part because a guy this arrogant has to maintain some kind of surface likability or else you'd never believe he'd ever win a case in front of a jury. As for movie viewers they must have a rooting interest for him as well. But Gere's definitely a guy who they make lawyer jokes about.

    A young altar boy has murdered the archbishop of Chicago, a mush mouth kid with a Kentucky twang played by Edward Norton. He's part of a choir of street kids that the Chicago archdiocese shows off on many an occasion. It was a particularly brutal murder, multiple stabbings and the carving of a cryptic message in the chest of the deceased.

    Gere makes no bones about it, he's wanting this case because of the headlines it will bring him. But when F. Lee Bailey or Johnnie Cochran offers to defend you for nothing, you don't ask questions.

    Which brings us to Norton who has you might have gathered is not all he seems. He's a street kid and he's used to getting over on people himself. It's one of the darkest characters ever done on screen, maybe a bit too dark for Academy tastes. That might have been the reason that Cuba Gooding beat out Norton for Best Supporting Actor with his much lighter role in Jerry Maguire.

    One in this film you will notice are Laura Linney as the Assistant District Attorney who Gere was once involved with and is getting a lot of pressure to bring in a guilty verdict for understandable political reasons. I also liked Alfre Woodard as the very patient judge at Norton's trial and Frances McDormand as the psychiatrist who examines Norton.

    If you think you've figured out what's behind Primal Fear, rest assured you haven't from this description. Let's just say everyone gets good and played here.

    Which brings to mind the dedication for this review. Gere's attorney character is likable, but arrogant. Back in the day I knew an attorney who was arrogant without any real reason for the arrogance. He'd love to have been Richard Gere, I'm sure he saw himself that way. So to you Ron D'Angelo this review is dedicated to.
    tweeterbirdy

    Edward norton does an excellent job

    I had just gotten done seeing the movie Fight Club when a relative of mine said " If you like that movie, you'll like Primal Fear." I didn't believe him, because I had believed that Fight Club was the best movie on the face of the planet. Well, he just so happened to have a copy of Primal Fear with him. I watched it and was amazed. I was speechless.The movie has so many twists! I was convinced that it was one of the best movies I had ever seen. Gere's performance is average. I say this because it seems that in many movies he plays the same cocky character. Linney's monologue in the courtroom is mesmerizing . It was just great. And Norton? Well this may be one of his best performances ever. The fact that this was made during the starting of his acting career was unbelievable. It was a great film and Edward norton does an excellent job
    8TBJCSKCNRRQTreviews

    Excellent film

    My fiancée suggested I watch this, and when we found it for sale at a good price, we bought it right away. I must say, this is a marvelous and quite well-crafted film. The acting is top-notch all the way. Gere manages to make us care about a type of person that few like. O'Quinn is somewhat underused, as he is a magnificent actor, but apart from that, everyone gets a good chance to perform well, and they all live up to it. I would have to say that I now have a completely new-found respect for Norton... and I had a great deal of respect for him before even knowing of this movie. The plot is well-written and has good layers to it, especially for a movie of two hours(running time does put quite a limitation on the level of detail and intricacy of the plot). The pacing is really good, the movie never moves neither too fast nor too slowly. This is the second film I've seen that was directed by Gregory Hoblit... and the second that I've really, really liked(both have received 8's by yours truly, and very deservedly so), so I will most definitely keep an eye out for any future works by the man. I haven't read the book of the same title that this is based on, so I can't comment on how accurate and true to the tone this film is. I urge anyone intending to watch this to steer clear of any spoilers on it, because the plot is too good to ruin. I won't detail it here, I'll just say that the film has many court-room scenes, and deals with a very violent crime(and it's not the only occurrence in the film of a violent nature). For that same reason, since it is depicted graphically in the film(but not too much... there was nothing gratuitous about it), I urge anyone who believes they may not be able to handle seeing such to consider if they should watch it or not. There is also quite a bit of language, as well as a brief scene of sexual nature, so if such bother you, you may want to watch a censored version, if you are interested in seeing it. I recommend this very warmly to any fan of court-room dramas and thrillers. If you enjoy an engaging and involving thriller with surprises, this is the movie for you. 8/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This is Edward Norton's motion picture debut.
    • Blooper
      It is stated by several characters that a plea cannot be changed mid-trial. However, it is entirely possible to change a plea before sentencing.
    • Citazioni

      [last lines SPOILER]

      [while in a holding cell in the back of the courthouse]

      Roy: Mr. Vail?

      Martin Vail: Yeah?

      Roy: [stammering] Will you t-tell Miss Venable I'm sorry? Tell her I hope her neck is okay.

      Martin Vail: Yeah... I will.

      [begins walking away, then turns back]

      Martin Vail: Wait... What did you just say? What? You told me just a few minutes ago that you didn't remember. You blacked out. You "lost time" yet again. So, how do you know about her neck?

      Roy: [slow clapping sardonically; sneers] Well... good for you, Marty. I was going to let it go at that. You was looking so happy just now. I was thinking, hmmm God. But to tell you the truth, I'm glad you figured it out, because I have been dying to tell you. I just didn't know who you'd wanna hear it from, you know? Aaron or Roy... or Roy or Aaron. Well, I'll let you in on a little secret. A sort of a client-attorney-privilege type of a secret, you know what I mean? It don't matter who you hear it from. It's the same story.

      [stammering as Aaron]

      Roy: [in a southern accent] I j-j-just... had to kill Linda, Mr. Vail.

      [normal voice as Roy]

      Roy: That cunt just got what she deserved. But... cutting up that son of a bitch Rushman? That was just a fucking work of art.

      Martin Vail: You're good. You are really good.

      Roy: Yeah. I did get caught, though, didn't I?

      Martin Vail: So there never... there never was a Roy?

      Roy: Jesus Christ, Marty. If that's what you think, I am disappointed in you, I don't mind telling you. There never was an Aaron... counselor! Come on, Marty! I thought you had it figured, there at the end. The way you put me on the stand like that? That was fucking brilliant, Marty! And that whole thing like "act-like-a-man"? Jesus, I knew exactly what you wanted from me. It was like we were dancing, Marty!

      Martin Vail: Guard!

      Roy: [as Vail walks away] Oh come on, don't be like that, Marty. We did it, man. We fucking did it! We're a great team, you and me. You think I could've done this without you? You're just feeling a little angry here, because you started to care about old Aaron, I can understand that, but... you know, love hurts, Marty. What can I say? Hey, I'm just kidding, bud! I didn't mean to hurt your feelings! What else was I supposed to do? Hey, you're gonna thank me down the road, because this is gonna toughen you right up, Martin Vail! You hear me? That's a promise!

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Sgt. Bilko/Jack and Sarah/A Family Thing/Carried Away/From the Journals of Jean Seberg (1996)
    • Colonne sonore
      Introitus: Cibavit Eos
      by William Byrd

      Performed by The Voices of Christ Church Cathedral Choir

      Conducted by Stephen Darlington

      Courtesy of Nimbus Records

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    Dettagli

    Modifica
    • Data di uscita
      • 17 maggio 1996 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • La raíz del miedo
    • Luoghi delle riprese
      • Chicago, Illinois, Stati Uniti
    • Aziende produttrici
      • Paramount Pictures
      • Rysher Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 30.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 56.116.183 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 9.871.222 USD
      • 7 apr 1996
    • Lordo in tutto il mondo
      • 102.616.183 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 9min(129 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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