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Larry Flynt - Oltre lo scandalo

Titolo originale: The People vs. Larry Flynt
  • 1996
  • VM14
  • 2h 10min
VALUTAZIONE IMDb
7,3/10
103.723
LA TUA VALUTAZIONE
POPOLARITÀ
4209
296
Woody Harrelson in Larry Flynt - Oltre lo scandalo (1996)
Trailer for The People Vs. Larry Flynt
Riproduci trailer2: 21
1 video
99+ foto
Dark ComedyLegal DramaPolitical DramaShowbiz DramaBiographyDrama

Un film parzialmente idealizzato e romanzato sul controverso editore di pornografia e su come è diventato un difensore della libertà di parola per tutti.Un film parzialmente idealizzato e romanzato sul controverso editore di pornografia e su come è diventato un difensore della libertà di parola per tutti.Un film parzialmente idealizzato e romanzato sul controverso editore di pornografia e su come è diventato un difensore della libertà di parola per tutti.

  • Regia
    • Milos Forman
  • Sceneggiatura
    • Scott Alexander
    • Larry Karaszewski
  • Star
    • Woody Harrelson
    • Courtney Love
    • Edward Norton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    103.723
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4209
    296
    • Regia
      • Milos Forman
    • Sceneggiatura
      • Scott Alexander
      • Larry Karaszewski
    • Star
      • Woody Harrelson
      • Courtney Love
      • Edward Norton
    • 166Recensioni degli utenti
    • 65Recensioni della critica
    • 79Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 22 vittorie e 35 candidature totali

    Video1

    The People vs. Larry Flynt
    Trailer 2:21
    The People vs. Larry Flynt

    Foto158

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    Interpreti principali99+

    Modifica
    Woody Harrelson
    Woody Harrelson
    • Larry Flynt
    Courtney Love
    Courtney Love
    • Althea Leasure Flynt
    Edward Norton
    Edward Norton
    • Alan Isaacman
    Brett Harrelson
    Brett Harrelson
    • Jimmy Flynt
    Donna Hanover
    Donna Hanover
    • Ruth Carter Stapleton
    James Cromwell
    James Cromwell
    • Charles Keating
    Crispin Glover
    Crispin Glover
    • Arlo
    Vincent Schiavelli
    Vincent Schiavelli
    • Chester
    Miles Chapin
    Miles Chapin
    • Miles
    James Carville
    James Carville
    • Simon Leis
    Richard Paul
    Richard Paul
    • Reverend Jerry Falwell
    Burt Neuborne
    • Roy Grutman
    Jan Tríska
    Jan Tríska
    • The Assassin
    Cody Block
    Cody Block
    • 10-Year-Old Larry
    Ryan Post
    • 8-Year-Old Jimmy
    Robert Davis
    • Old Hillbilly
    Kacky Walton
    • Young Ma Flynt
    John Ryan
    • Young Pa Flynt
    • Regia
      • Milos Forman
    • Sceneggiatura
      • Scott Alexander
      • Larry Karaszewski
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti166

    7,3103.7K
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    Recensioni in evidenza

    9great_sphinx_42

    Larry Flynt, Great American

    I went into this one fully expecting to like the heck out of it, and I wasn't disappointed. No one had to convince me the message was a valid one, but I still thought I'd drop a line to say that I thought it was a very well done movie. It shows how a right that is supposedly near and dear to us all is often skewed in favor of mollycoddling lots of hypocrites who has the ridiculous audacity to think they have the right and the obligation to tell the rest of the world what to think of as moral or immoral. I loved the scene where Woody Harrelson, who does an absolutely bang-up job, gives a speech about how explicit depictions of death, murder, and war are considered appropriate while sex is considered filthy. "Sex or war" indeed. The more of Harrelson I see, the more my respect for his work grows. I must also mention Courtney Love, who is terrific as Althea. Great movie, I thought. Most of the people who don't like it are probably also the very ones it portrays as being the "bad guys"-the religious right, of course. Larry Flynt may not be admirable in the type of lifestyle he and Althea lived, and his magazine is, to my mind, entirely repugnant. But if Larry and Althea truly had the sort of relationship portrayed they loved each other beyond all reason, and what he did makes him a great patriot. How many people would do what he did in defense of such an idealistic belief? Not all people who do great things for great reasons are great people.
    10Quinoa1984

    One of the best films of the Year

    Oscar Winning Milos Forman's The People Vs. Larry Flynt is a fascinating (if not too trashy) look at how without the first amendment, people like Flynt would not exist. We see an expose on the man, myth and legend of master porno publisher Larry Flynt (played to damn close perfection by Oscar nominated Woody Harrelson) who releases Hustler (in my opinion the best porno mag ever, but that's just me) and gets severe backlash from censors, church people and just people in general. But, we see his struggle to fight back at any cost (even his legs) to send a message- just because you don't like doesn't mean you can't let me publish what I want. Forman directs this pumped drama with 5-star performances from Harrelson, Love (as the tragedy queen girlfriend) and Especially Norton (as the suffering yet compelling lawyer). Never ashamed and always On the edge, this film has a place not only in film history, but in Hustler magazine's also. The real Flynt appears as a Cinncinatti judge and Norm MacDonald appears as a reporter. A+
    Khaled Yafi-01

    Shocking Expose

    Anyone familiar with Milos Forman's work will know how much he likes to discuss and examine controversial real-life characters and make them the focal point of his films. Amadeus for one was a powerful expose of the legendary composer; Forman was able to extraordinarily add so much spice to the script that the end result was a harrowing documentation that genuinely moved us. We didn't need to know anything about the composer or even like his work or personality; Forman craves on these sorts of challenges. He likes to make films about characters that the audience may not identify with because it heightens the overall achivement if the film is a hit. With Larry Flynt he's done it again.

    Flynt is the story of Porn magazine chairman larry Flynt who amidst an era of overwhelming decadance launched Hustler magazine, a porn magazine that broke all taboos and crossed all boundaries. The magazine was a huge hit that transformed Flynt into a powerful figure in the American Community. Needless to say though, Flynt (superbly played by Harrelson) faces insurmountable odds from everyone to keep the business running. Politicians, reverends, mass public opposition et.al.. Flynt is accompanied along the way by his junkie wife (played with real panache by Courtney Love) and a reluctant lawyer (dependable performance from Edward Norton Jr.). At the midway point of the film Flynt is shot and paralyzed and consequently the fight to stay on top is made even more challenging.

    This story is intriguing because is dares to break universal taboo's. It shows Flynt disassociating himself from the norms and traditions of society and really willing to take genuine risks that could blow up in his face. Before Hustler was formed, Playboy was the porno pioneer. Playboy was subtle in it's nudity, preferring to call itself a REAL magazine rather than something trashy. We notice that Playboy was afraid to overstep the barrier. Playboy was a magazine that was restricted in it's disclosure of barenaked ladies because of the shape of society at the time and the values the society had come to embrace. To call yourself a porno magazine was unthinkable with unthinkable consequences! Hustler dared to step over those lines and bear all the consequences. Flynt was not necessarily a likeable man but he cannot not be admired. He was a risk taker, an enterpeneur, a man with a vision, and a man who believed that oe should act on one's desires and ambitions.

    The mass hysteria the swamps the society as a consequence mainfests how powerful yet dangerous a little "acting on ambition" can bring. Flynt's idea is impossible to resist; the public cannot stay away from the controversial impact of the magazine. As the fan base grows, so does Flynt's empire, and so do the forces determined to suppress him. Flynt's meteoric rise is unprecedented, and made all the more shocking by the fact that the evnets are real. His opposition ranges from hypocritical politicians to dubious religious figures, all of whom are hell-bent on the abolition of Flynt and his tremendous reach.

    The film earns huge plaudits on the entertainment level. This is undisputed!! The acting demonstartes tremendous range from all involved and Flynt is an offensive yet endearing, and very funny figure. We grow to really love and root for him as the film develops. The points that necessitate discussion however are the legal and moral issues that are debated by Flynt, his lawyer, and the opposition. The freedom of press, of speech, and the freedom to exercise your FREEDOM are all fiercely debated. Flynt vehemently defends his position because he feels that the world is afraid to agree with him, that the world is afraid to speak out. The world is polluted by hypocrits; he's the only pure seed. This presents tremendous irony because Flynt is a low-class pervert up against scholars, and politicians, and bureaucrats, and yet he's claiming that he's the real deal and they are all phonies. He has a point; what's the point in looking presentable and being well-educated if you are banal, hollow, and insipid and cannot open your mind to new ideas?? The film asks that question; we see how closed off the men in power are to Flynt's ideas and we grow to hate them. Then we are torn because we are reluctant to accept the values of a porn fiend. The fact that we cannot resist Flynt's pulling power is the sign of the film's success. We start off opposing Flynt, unable to identify. Then we try and take a neutral stand as we discover the ugliness of Flynt's opponents. Finally, after Flynt is paralyzed and yet continues to defend his honour, we can no longer resist the seduction.

    The film has Flynt giving amazing speeches about why he is doing justice to himself and the people. He's giving them what they want,they are taking it,and yet they are determined to censor him. He debates this point to manifest the outstanding hypocrisy that lies at the heart of society. Flynt is such an important character because he speaks for all of us. On countless occasions, we all seek to expose the two-faced ugliness of those around us. We just can't because not enough people are listening. Flynt however gets eveyone's attention and defends his honour, preserves his integrity, and succeeds in winning over the justice system. The final speech given by Issacman, his lawyer is very insightful and very powerful for it argues this very point: 'We don't need to like what Larry Flynt does, but we should like and appreciate the fact that we have the right to make that decision on our own, and that's what makes our society great. We have the right to accept or reject the offer on hand. We may well reject it but we and we alone need to have the choice made available to us. If that right is taken away, then we wither away as a people and our individuality is nullified' The speech is amazing because it demonstrates how the right to accept a porn fiend and his work preserves the democracy of the Western World. Truly Shocking but brilliant!!!

    I haven't discussed the other characters all that much and I'm not going to except say this: All the characters are multi-dimensional because what we see on the outside is never what we get on the inside. Flynt for all his crude, perverted behaviour is an admirable, likeable, highly identifiable personality. His wife, for all her vulgarity and drug addiction is an endearing, loyal,intelligent personality. Issacman, the lawyer, for all his traditional, stiff boring work ethic, is an idealistic, shrewd, and deeply committed man....The list goes on and on

    I loved this movie because our hero is not perfect; he's anything but!!! Movies that depict the hero as a flawed individual stand a better chance of being embraced by critics and audiences alike. Flynt thrives on this! And exposing hypocrits for their true selves is every cynics (and I happen to be a huge one) dream. Flynt's journey is whopping emotional tour de force!!!! You don't have to like Larry Flynt as a film, but I love the fact that I had the right to make up my own mind!! Society, you ignore that at your peril!!!
    8fionapeters

    best ensemble cast in years

    it is unfortunate that when one thinks of the movie 'people vs. larry flynt' the first person to come to mind is courtney love. not that she does an less then stellar job, rather by focusing solely on her, the rest of the richly deserving cast are overlooked. woody harrelson is genius as larry flynt. despite my liberal leanings, before seeing this movie i had made peace with the fact the flynt was a scum, but i would support him on the basis of free speech. after seeing this movie i was able to gain insight into the parts of his character which make him whole person. instead of seeing what Christian-right zealots, or bleeding heart liberals, tried to force upon me, i saw the entire man and all he brought with him. granted this was shown primarily thru scenes written and directed by milos forman, however, it is harrelson who brings them to life and convinces me of their sincerity.
    tfrizzell

    Not Your Typical Patriot.

    Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.

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    Trama

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    Lo sapevi?

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    • Quiz
      Despite being portrayed in an Oscar-nominated movie, Larry Flynt was refused an invitation to the 1997 Academy Awards, so Woody Harrelson brought Flynt to the award shows as his "plus one".
    • Blooper
      In the oral arguments before the Supreme Court, there are nine Justices. Those arguments took place on 2 December 1987, when there were only 8 Justices on the Supreme Court bench: Justice Lewis F. Powell Jr. had retired on June 26, 1987 and his successor, Justice Anthony Kennedy, would be sworn in on 18 February, 1988. Kennedy took no part in the consideration or decision of the case.
    • Citazioni

      Larry Flynt: Who is this magazine for, anyway? I mean, you know, it's like if you don't make twenty thousand plus a year - you don't jerk off. Seven million people buyin' it, and nobody's readin' it. Gentlemen, "Playboy" is mocking you.

    • Versioni alternative
      The film was cut by 18 minutes to remove sex references, pornographic images, drugs, and language for television to grant a 'U' (unrestricted) certificate by the CBFC in Chennai in 2007. The uncut version is rated 'A' (adults) in Mumbai for video release in 2009.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Michael/Mother/The People vs. Larry Flynt/The Evening Star/The Portrait of a Lady/I'm Not Rappaport (1996)
    • Colonne sonore
      Hello Walls
      Written by Willie Nelson

      Performed by Faron Young

      Courtesy of Capitol Nashville

      Under license from EMI-Capitol Music Special Markets

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    Dettagli

    Modifica
    • Data di uscita
      • 28 febbraio 1997 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • El eslabón perdido
    • Luoghi delle riprese
      • Flynt Publications Building - 8484 Wilshire Boulevard, Beverly Hills, California, Stati Uniti(Flynt Publications building/Jimmy's office)
    • Aziende produttrici
      • Columbia Pictures
      • Filmhaus
      • Illusion Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 36.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 20.300.385 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 523.295 USD
      • 29 dic 1996
    • Lordo in tutto il mondo
      • 20.300.385 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 10 minuti
    • Colore
      • Color
    • Mix di suoni
      • SDDS
      • Dolby Digital
    • Proporzioni
      • 2.39 : 1

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