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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30min
VALUTAZIONE IMDb
8,2/10
18.983
LA TUA VALUTAZIONE
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Riproduci trailer3: 51
1 video
60 foto
Crime DocumentaryCrimeDocumentary

Aggiungi una trama nella tua linguaA horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Regia
    • Joe Berlinger
    • Bruce Sinofsky
  • Star
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    18.983
    LA TUA VALUTAZIONE
    • Regia
      • Joe Berlinger
      • Bruce Sinofsky
    • Star
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88Recensioni degli utenti
    • 42Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Primetime Emmy
      • 9 vittorie e 10 candidature totali

    Video1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Foto60

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    Interpreti principali58

    Modifica
    Tony Brooks
    • Self - KAIT-TV
    • (filmato d'archivio)
    Diana Davis
    • Self - KAIT-TV
    • (filmato d'archivio)
    Terry Wood
    • Self - KAIT-TV
    • (filmato d'archivio)
    Dick Clay
    • Self - KAIT-TV
    • (filmato d'archivio)
    Jenna Newton
    • Self - KAIT-TV
    • (filmato d'archivio)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Regia
      • Joe Berlinger
      • Bruce Sinofsky
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti88

    8,218.9K
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    Recensioni in evidenza

    10SnakesOnAnAfricanPlain

    Paradise Lost: The Child Murders at Robin Hood Hills (1996)

    I always believed that a case needed only reasonable doubt to find people innocent. Apparently I was very wrong. I am in no way claiming my support for the three found guilty, but I for one could never convict them based on this evidence. The film shows just how unstable people can be when faced with those that don't conform. I was amazed by how much I disliked the parents of the murdered boys. They ramble and scream about killing these three, already convinced of their guilt. They seem more unstable and threatening to me, and not just because their children have been murdered. No real physical evidence is brought up against the boys, whom should probably start training professional killers on how not to leave evidence at a murder site. I know for a fact that a lot of details were left out of this documentary, and the celebrity worship that has followed the accused since is a bit too much. However this film is terrifying. It shows that just because of the way you look, and what people say about you, can take away your entire life. Make sure to check out all the evidence for yourself.
    annenk38

    Beyond "Deliverance"

    Truth may be stranger than fiction, but the American courtroom is stranger, still. For the two hours during which I've watched this film I've gained a valuable insight into the nature of the witch trials. I feel powerless, as there is not much I can do to help these kids. But perhaps there is a lesson in it for us, and everyone who has seen the film should have taken some mental notes. First -- never name youself or your children 'Damien' -- especially if you live in the Bible Belt. And, as a general survival strategy, do not be the black sheep of the local community. There may come the time when your eccentric behavior alone will be used against you to sentence you to death.
    9snakejenkins

    A Modern Tragedy

    The question at hand in the film Paradise Lost is not as much did these three teenagers commit this heinous act, but rather was there enough evidence to convict them for the murders. The answer, presented by material in the film, is an unflinching no. There was only speculation and rumor to convict the three.

    The film's strengths are that it doesn't preach, at least not in an overly wrought narrative, and it contains intimate moments with the accused and their families as well as the families of the victims. Being a victim of a violent crime to something of this degree I understand the pain and confusion of the victim's families. What is hard to understand is the bloodlust and need for revenge and retribution that immediately takes hold of them. The victims' families are the most terrifying aspect of this film. At one point the mother of the Byrnes child says in a hateful and spiteful tone "I hate them... I hate them and the mother's that bore them."

    Is there anything wrong with being hellishly angry with someone who has butchered your child? No, quite natural really. But the point of this film is that judgment was passed on these kids long before the trial even started. I imagine the Bible belt is a very scary place to be raised in... I'll have to ask Brad Pitt what he thinks about it some time.

    On the issue of the prosecution. They had next to nothing. A very questionable confession from a terrified kid, Jessie, with a 72 IQ, hearsay from a couple of kids who claim they heard Damien bragging about the murder but have no proof, a knife found behind Damien's house which doesn't match the wounds on the bodies, and the assertion that because Damien read about Wicca, he must be a Satanist.

    To look at the three kids is also an interesting aspect of the film. Jessie, a very small and slow kid seems a bit lost in the world. His IQ is low but he has no previous records of any type of behavior that would associate him with murder. Jason speaks in short breathless words and seems also to suffer from a low IQ. Damien is the key to everything in this film though. The defense made the key mistake of letting Damien take the stand for two reasons. The first reason is that Damien appears to have ADD and after the first 10 minutes of questioning he sort of fades away and answers in bland yes and no's. The second reason, and the most important, is that Damien is obviously extremely bright. Normally this wouldn't seem to be a problem but judging from every single person the filmmakers put on camera, smart people are hard to come by in that area of the world. Damien scared them.

    All of this adds up to the fact that there was not enough evidence to put these kids away and there were other, more sinister and shocking, suspects that needed to be pursued. The war rages on for the West Memphis Three and it is indeed frightening to think that they did it, and terrifying to think they didn't.
    billybrown41

    Great Documentary

    I'll admit that I've never been too crazy about documentaries. For one thing, I think that they are generally biased and you are only seeing what the film-makers want you to see. Now, I watched Paradise Lost for several reasons. One, I've always been intrigued by peoples' ignorance and I'm still amazed at how quick they are to point a finger at something they know nothing about. Several years ago, I remember this story being all over the news, and the way it was presented then, it was very easy to believe that these three outcasts were the killers. I've been through West Memphis numerous times since the killings and I still get the chills everytime I pass by the Blue Beacon truckwash.

    I sat down to this three hour film with a pretty open mind. While the film doesn't really answer any questions, it does bring a lot to mind and never takes sides on whether the boys did or didn't do it. That's what I admire about the film-makers. They managed to stay almost completely neutral, no matter what their feelings or opinions may have been on who the actual murderer(s) were.

    Watching this movie is scary. I've polluted my mind over the years with just about every junk-horror movie that I could find and nothing has given me that icy feeling quite like this has. I've seen it three times now and it never loses its impact.

    For those who don't know, here's the story: In West Memphis, three young children are found mutilated in a patch of woods just off the interstate. For no real reason whatsoever, three nonconformist teens are brought to trial, one of which has an I.Q. that is somewhere in the 70s. When he gives a very phony sounding confession, the trials begin with absolutely no other evidence to prove that the boys are guilty. Throughout the film, we meet each of the deceased boys parents, the defendents, and the defendents' families. Most angry of all are the parents of the Byers boy who was murdered. Now, before I get started on the step-father Mark Byers, I really want to say that I can totally empathize with the guy and his rage is completely understandable. However, what I really can't get past is the guy's bizarre behavior and the impression that he left me with. The guy takes up a lot of screen time. I know that the guy is a jeweler by trade and acting may not be his thing, but this is a DOCUMENTARY and while watching him, on more than several occasions I got a little confused. Yeah, the guy has some mental problems, he's on numerous medications, he's suffering from a brain tumor and he's going through some major grieving. But why does he act like he's been watching TOO much WWF? His lines are straight out of a BAD movie and if this is how the guy really is, I'm staying the hell out of this guy's way. Throughout the film there are several subtle (or not so subtle) indications that he may be a suspect. The fact that he gave one of the film-makers a bloody knife as a Christmas present more than proves that the guy is a little off his rocker. He even admitted to having beat the child the day that he was murdered.

    Remember, there is absolutely NO physical evidence to pin on the accused and the only thing that got them there was a false confession given by a legally retarded teenager who had been interrogated for hours. Oh, and did I mention that his story KEPT changing? Listening to Jesse Misskelly, the time that the boys were murdered takes place all over the clock. Once, he states that the boys were murdered in the A.M. hours, then during broad daylight, then at night. I don't get it. It didn't matter to the jury. Two of the boys still got life sentences and the other (Damien Eckols) got the death sentence. His crime is that he had a fondness for wearing black, had a bad haircut, and a slight interest in Wicca...Not a whole lot different from myself. Anyway, there is also mention of another mysterious person who made an appearance in a Bojangles restaurant restroom, covered in blood. Oh yeah, that is another issue that is barely mentioned, and then dropped.

    After seeing this movie, I was still terribly confused and my questions were still unanswered, but I guess that is the sign of a good documentary. I'm really glad that the film-makers stuck with the facts and never let their opions get in the way of making the film. The sequel is also very good, but still leaves nothing answered. Now, it's been several years since the first time I watched this but the boys are still in prison, still trying to get out. I reccomend this film to anyone who has ever been criticized for their appearance. It'll make you realize just how lucky you are, while questioning the justice system at the same time.
    7Chrissie

    Raises good questions, leaves others unasked.

    This film left me with a bad taste in my mouth. Not that it was gruesome -- it is, but I've done research involving reading coroner reports, so gruesome I can cope with. It was the unanswered questions and the unasked questions.

    It seems so utterly implausible that a jury could have convicted any of the suspects that I wonder what the filmmakers did not show us. Specifically, I wonder about the fiber evidence, which was the only real physical evidence at all.

    I could only rate this documentary a 7 out of 10 because of the unasked questions and the evidence we were not shown. I would like to have come away from watching Paradise Lost with a clearer understanding of what those jurors heard and saw that led them to their verdicts. Mind you, I don't think those boys did it -- I think that even fiber evidence could have been too flimsy to convict them. But I wish I had been left convinced.

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    Trama

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    Lo sapevi?

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    • Quiz
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Blooper
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citazioni

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Colonne sonore
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    Dettagli

    Modifica
    • Data di uscita
      • 10 giugno 1996 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • arabuloku.com
    • Lingua
      • Inglese
    • Celebre anche come
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Luoghi delle riprese
      • West Memphis, Arkansas, Stati Uniti
    • Aziende produttrici
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.37 : 1

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