Un giorno... per caso

I always expect the worst when I will see a romantic comedy. It's all very much the same, ultra sweet and incredibly predictable. One Fine Day does confirm this, however it isn't as bad as most of the movies in the genre. It's actually a quite enjoyable and funny film.

Michelle Pfeiffer and George Clooney did a very good job playing two people who are divorced, with a child, afraid to commit to someone else and with a hectic life. One day, they accidentally meet at the school where their kids go to school and during the day they keep meeting, however they hate each other and don't want to see the other ever again. But as the movie progresses, the relationship between the two changes from hating each other, to liking, to ... (this is a romantic comedy, I don't have to explain everything I hope).

Even though some parts aren't excellent, the entire movie is actually quite good and enjoyable. It shows a lot of stereotypes of course like the ex-husband who doesn't want to help his ex-wife when she drowns in all the work and who needs him to take care of the kid, the man who still seems to act like a little child... But when you can see past that, it's an excellent movie to watch together with your wife or girlfriend. You'll both enjoy it. I give it a 7/10.

Pleasant romantic comedy stars Pfeiffer and Clooney as two divorced, overworked parents whose children are bickering classmates. They meet, and don't exactly see eye to eye, but then circumstances force them to put aside their differences and try to help each other out as they struggle to balance their job priorities with their parental obligations, all during a hectic day in New York City. Predictable setup made worthwhile by two very appealing leads, believable situations, and well-drawn characters. Youngsters Whitman and Linz are especially likable as the two children who reluctantly get dragged from one place to the next. ***

A charming if forgettable romantic comedy aided immeasurably by two attractive leads. Michelle Pfeiffer is irresistable, although at this period in Clooney's career his range was precisely one character deep, and he played that same character whether that role was Batman or any other. Lately, however, he's broadened out with roles like O Brother, Where Art Thou? But he's pleasant enough in One Fine Day and clicks with Pfeiffer in a way that keeps your attention. Rather recalls Neil Simon, and if you enjoy movies like Seems Like Old Times, you'll enjoy this one.

Film buffs will note a few appearances here by actors who would join Clooney later in O Brother, Where Art Thou.

When movies of today try and capture that "old-fashioned" feeling, usually it's the "values" that they're trying to recapture, forgetting that if you don't make a good movie, what you're left with is two hours of preaching. This movie, on the other hand, may be trying to capture that "old-fashioned" feeling, but the values it's after are the values of craftsmanship and intelligence, two things rarely seen in comedies these days. Oh, yes, and chemistry; Clooney and Pfeiffer have it in spades here. The fact that it's set among the world of working parents and, for the most part, tries to get the details right, also helps. And, oh yeah, it's funny. It is a little cloying at times, and the end feels abrupt, but overall this is a pleasing movie.

In "One Fine Day" Jack Taylor (George Clooney) and Melanie Parker (Michelle Pfeiffer) meet when their children miss a school field trip, and after much bickering they finally agree to take shifts in watching their kids. Over the course of the day they run into countless mishaps and misadventures, and come close together, to understand each other in a sort of non-romantic romantic way.

The first time I saw "One Fine Day" it was 1996 and I was seven years old. I didn't like it. I found it tedious and boring. Now I'm fourteen, and I just finished watching, and I love it? I get all the jokes I didn't get now, all the clever one-liners spoken with a bright, witty confidence that is reminiscent of Frank Capra films.

And clever they are! I have to say, when you subtract a few (very few) somewhat cheesy lines from the script, it becomes perfect. I'd go as far as to say Oscar worthy. Yes, you may think its cheesy that Jack's a famed newspaper columnist bringing down a mob member and the mayor, and Melanie's an architect working on what we imagine is a multi-million dollar deal with big businessmen, but the way it's presented is not that it makes sense, it's that you don't care. And that's not the focus of the film either, the movie would rather be about the minglings of the two leads.

And I have to say, Clooney and Pfeiffer have great, perfect chemistry. Clooney is his usual cool, intense self whereas Pfeiffer is an uptight, worrisome hard worker. They play off each other perfectly. It's not just their chemistry either, their performances stand alone as emotional, funny and smart. I'd go as far as to call Pfeiffer's Oscar worthy.

The style and direction in the film is also notable. There are split-screen conversations, some long steadicam shots, the whole placing of the camera fits perfectly with the light-hearted nature of the film.

A fun, witty, lovable family film, 7.5/10.