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IMDbPro

Un giorno... per caso

Titolo originale: One Fine Day
  • 1996
  • T
  • 1h 48min
VALUTAZIONE IMDb
6,5/10
49.904
LA TUA VALUTAZIONE
George Clooney and Michelle Pfeiffer in Un giorno... per caso (1996)
Home Video Trailer from 20th Century Fox Home Entertainment
Riproduci trailer2:26
1 video
99+ foto
CommediaCommedia romanticaDrammaRomanticismoRomanticismo a lieto fine

Le vite di due estranei e dei loro bambini si incrociano inaspettatamente in una giornata frenetica e stressante a New York City.Le vite di due estranei e dei loro bambini si incrociano inaspettatamente in una giornata frenetica e stressante a New York City.Le vite di due estranei e dei loro bambini si incrociano inaspettatamente in una giornata frenetica e stressante a New York City.

  • Regia
    • Michael Hoffman
  • Sceneggiatura
    • Terrel Seltzer
    • Ellen Simon
  • Star
    • Michelle Pfeiffer
    • George Clooney
    • Mae Whitman
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    49.904
    LA TUA VALUTAZIONE
    • Regia
      • Michael Hoffman
    • Sceneggiatura
      • Terrel Seltzer
      • Ellen Simon
    • Star
      • Michelle Pfeiffer
      • George Clooney
      • Mae Whitman
    • 109Recensioni degli utenti
    • 33Recensioni della critica
    • 56Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 4 vittorie e 6 candidature totali

    Video1

    One Fine Day
    Trailer 2:26
    One Fine Day

    Foto103

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    Interpreti principali64

    Modifica
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Melanie Parker
    George Clooney
    George Clooney
    • Jack Taylor
    Mae Whitman
    Mae Whitman
    • Maggie Taylor
    Alex D. Linz
    Alex D. Linz
    • Sammy Parker
    Charles Durning
    Charles Durning
    • Lew
    Jon Robin Baitz
    Jon Robin Baitz
    • Yates, Jr.
    Ellen Greene
    Ellen Greene
    • Elaine Lieberman
    Joe Grifasi
    Joe Grifasi
    • Manny Feldstein
    Pete Hamill
    Pete Hamill
    • Frank Burroughs
    Anna Maria Horsford
    Anna Maria Horsford
    • Evelyn
    Gregory Jbara
    Gregory Jbara
    • Metro Reporter
    Sheila Kelley
    Sheila Kelley
    • Kristen
    Barry Kivel
    Barry Kivel
    • Yates, Sr.
    Robert Klein
    Robert Klein
    • Dr. Martin
    George Martin
    George Martin
    • Smith Leland
    Michael Massee
    Michael Massee
    • Eddie
    Amanda Peet
    Amanda Peet
    • Celia
    Bitty Schram
    Bitty Schram
    • Marla
    • Regia
      • Michael Hoffman
    • Sceneggiatura
      • Terrel Seltzer
      • Ellen Simon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti109

    6,549.9K
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    Recensioni in evidenza

    philipdavies

    Just occasionally, Hollywood still lets us have a grown-up entertainment ...

    The headlong screwball comedy of this breakneck romance of two stressed-out single parents is a delight from beginning to end. It has scenes as quick witted - and often as wackily off-kilter! - as the adults must be just in order to survive their average day. Stir love into this mess of two increasingly desparate modern lives and you get a miraculous souffle of a film, at once sharp and sweet.

    No scene is laboured, no point is telegraphed, and - phenomenally for a modern American film - neither kids nor kittens are allowed to smother the audience in the nauseous layers of cutesiness that are usually applied. The scene with the analyst, where Clooney must obscure his account of his sex-life in an ever-more-surrealistic periphrasis involving iced cakes and fish, since his little daughter has to accompany him into the presumably crecheless analyst's surgery, and her dad is embarassed to expose her to such adult matters as he is obliged to reveal during the session, is a scene which is a model of intelligent and stylish comedy writing. The dialogue of both himself and his analyst finally founders on the increasingly strained comparisons and metaphors being attempted. The analyst begins to construct an alarmingly kinky lifestyle for his client out of what he takes to be Freudian suggestions - but which are, as noted, merely the product of old-fashioned seemliness - whereupon Clooney is forced to bring the whole towering edifice back down to earth when his version of the morning's business with the goldfish gets mixed up in the heady brew of symbolism: 'No. I mean fish. You know - 'Fish' fish?'

    The humour is all good, never strained, and beautifully played by all the principals, including the wonderfully un-sentimentalised children. The transformation, stage-by-stage, of the harsh mutual competition and resentment that exists at first between these harassed adults, into an exhausted truce, by way of barely-restrained irritation, grudging gratitude, reluctant respect, and growing affection, is handled with considerable dramatic finesse throughout.

    To produce the unlikely union of such an ill-assorted pair under such utterly unpropitious and unromantic circumstances is a comedic challenge of considerable proportions, and the makers of this film do an excellent job to bring it off at all. The spirits of Grant and Hepburn - even Beatrice and Benedict - are not too far away.

    The only disappointment is to see how many people in the audience have gone home just as sour as when they arrived, judging from some of the comments here. But then, love curdles in any mean-spirited breast.

    One particularly admires the fact that, at its conclusion, the film's romantic clincher - when the tired-out couple have to settle for just falling asleep together, despite their by now clearly desparate need for each other, - insists upon the importance of exactly this: Love, rather than merely lust, as the basis for an adult relationship.

    Just occasionally, Hollywood still lets us have a grown-up entertainment. It makes a pleasant and wholesome change from the usual fare of adolescent dreams.
    9fofml

    One fine movie !!!

    Okay, I LOVE romantic comedies so this is probably not too objective but... gee, I loved this movie. It follows an old formula that has worked so many times and that is still working: 2 people who can't stand each other at first happen to spend some time together and eventually find each other attractive. This requires 2 main things: 1.) Two great actors with wonderful chemistry 2.) An original and funny script We have seen this in so many movies like 6 Days 7 Nights with Anne Heche and Harrison Ford or You've Got Mail with Tom Hanks and Meg Ryan or recently in The Runaway Bride with Julia Roberts and Richard Gere. I loved all these movies for they simply worked to charme me. One Fine Day fits perfectly to this list. George Clooney ( who proves that he can be a very funny guy) and Michelle Pfeiffer ( who gives a great performance in this movie) have very good chemistry and the script is very funny and romantic with some really great one-liners. This movie entertained me very much and it wasn't boring as I saw it the second time. For it's charme and fun, I give this movie 9/10.
    6hcandersonliu

    One Fine Film

    Personally, Michelle Pfeiffer has always been a brilliant actress who makes truly two-thumps-up films. After the innocent Madame de Tourvel in "Dangerous Liaisons"; graceful Susie Diamond in "The Fabulous Baker Boys"; Confucius-like Louanne Johnson in "Dangerous Minds" ; ambitious Tally Atwater in "Up Close & Personal", it's undoubtedly wonderful to see her portray a real normal role that clings to real life, which makes me feel so close to her. George Clooney has the unique looks to play both normal man like Jack Taylor in this film and others like Daniel Ocean in "Ocean's Eleven", Ulysses McGill Everett ("O, Brother, Where Art Thou?"), Billy Tyne ("The Perfect Stor"), Thomas Devoe ("The Peacemaker") and so on. It's a great enjoyment to see these two talented actors star together in this story which gives just the wonderful description to the busy lives of modern people in big cities.

    This is not a love story to me, but a story of modern busyness and love between parents and chidlren. Nowadays, people're busy with works and big events, and neglect the importance of spending time with their children, or can't be perfect at both. This film interpert the truth in a funny and warm way. It not just point out what modern people are really like, but all the potential problems (like in this film, a cellular phone mix-up, cat-eaten classroom fish, a crushed architectural model, a marble that has to be surgically removed from a small nostril, a lost child and various other crises). But even though all these catastrophes which may end up both Melanie and Jack's careers all add up in this hectic day, they finally go through all of them and it turned out to be one fine day.

    I have three favorite films of all times, this is one of them. I fall in love with it when I first saw it, and till now, it remains my favorite one. "One Fine Day", a truly real, convincing, interesting, and close-to-life ONE FINE FILM!
    7philip_vanderveken

    Not too sweet and some good humor in it.

    I always expect the worst when I will see a romantic comedy. It's all very much the same, ultra sweet and incredibly predictable. One Fine Day does confirm this, however it isn't as bad as most of the movies in the genre. It's actually a quite enjoyable and funny film.

    Michelle Pfeiffer and George Clooney did a very good job playing two people who are divorced, with a child, afraid to commit to someone else and with a hectic life. One day, they accidentally meet at the school where their kids go to school and during the day they keep meeting, however they hate each other and don't want to see the other ever again. But as the movie progresses, the relationship between the two changes from hating each other, to liking, to ... (this is a romantic comedy, I don't have to explain everything I hope).

    Even though some parts aren't excellent, the entire movie is actually quite good and enjoyable. It shows a lot of stereotypes of course like the ex-husband who doesn't want to help his ex-wife when she drowns in all the work and who needs him to take care of the kid, the man who still seems to act like a little child... But when you can see past that, it's an excellent movie to watch together with your wife or girlfriend. You'll both enjoy it. I give it a 7/10.
    8SKG-2

    For once, a throwback which doesn't grate

    When movies of today try and capture that "old-fashioned" feeling, usually it's the "values" that they're trying to recapture, forgetting that if you don't make a good movie, what you're left with is two hours of preaching. This movie, on the other hand, may be trying to capture that "old-fashioned" feeling, but the values it's after are the values of craftsmanship and intelligence, two things rarely seen in comedies these days. Oh, yes, and chemistry; Clooney and Pfeiffer have it in spades here. The fact that it's set among the world of working parents and, for the most part, tries to get the details right, also helps. And, oh yeah, it's funny. It is a little cloying at times, and the end feels abrupt, but overall this is a pleasing movie.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When Maggie Taylor forgets the kitten's name, it was not a part of the script. Mae Whitman actually forgot the kitten's name and stayed in character. The director thought that it was so cute that he kept it in the movie.
    • Blooper
      When Michelle Pfeiffer is in the taxi with George Clooney's phone, he calls her up to give her messages. She then acts totally surprised that they mixed up their cell phones and she has his, but then continues to say he has a meeting at 4, indicating she already knew she had his phone by mistake because she took a phone call for him.
    • Citazioni

      Jack Taylor: I just want to find a fish who isn't afraid of my dark chocolate layer... and of course she'd have to love my cookie too.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Evita/Beavis and Butt-Head Do America/One Fine Day/My Fellow Americans/Scream/Ghosts of Mississippi (1996)
    • Colonne sonore
      One Fine Day
      Written by Gerry Goffin and Carole King

      Performed by Natalie Merchant

      Natalie Merchant appears courtesy of Elektra Entertainment Group

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    • What does it mean when Jack gives his telephone number as Pennsylvania 3317?

    Dettagli

    Modifica
    • Data di uscita
      • 18 aprile 1997 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • A Day by Chance
    • Luoghi delle riprese
      • Serendipity 3 Restaurant, Manhattan, New York, New York, Stati Uniti
    • Aziende produttrici
      • Fox 2000 Pictures
      • Rosa Productions
      • Sprockets Music
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 46.151.454 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6.226.430 USD
      • 22 dic 1996
    • Lordo in tutto il mondo
      • 97.529.550 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 48min(108 min)
    • Mix di suoni
      • Dolby Digital
      • DTS
      • SDDS
    • Proporzioni
      • 1.85 : 1

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