VALUTAZIONE IMDb
6,7/10
1922
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.A paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.A paroled murderer returns to the Staten Island home of his youth, where a poignant friendship blossoms with the restrained wife of his temperamental-- and jealous-- brother.
- Premi
- 1 candidatura in totale
Michael Cambridge
- Jason
- (as Brian Burke)
Recensioni in evidenza
Tim Roth (Hoodlum, Reservoir Dogs) stars as a recently paroled prisoner who goes home to his older brother who has gotten married when he was in prison. His brother, played by James Russo (Donnie Brasco, Panther) lets him live with them which doesn't please his wife, very well-played by Deborah Kara Unger (The Game, The Hurricane). Soon Unger discovers that Roth is actually a pretty nice guy who is slow in the head, but wants to go legit. His brother continues to sell drugs and may bring Roth back into trouble. The film's main story is the relationships among these three people with the most focus on the brother's relationship. This relationship is especially compelling as you see the love, but also much strain and pain between these two that is revealed later. James Russo creates a very interesting character in the older brother. He isn't a standard bad brother, he obviously cares for Roth, but also will do whatever it takes to make his own life better. Russo is great from start to finish in the role. The always-reliable Tim Roth gives a powerful lead performance as the slow-minded and easily influenced, but nice younger brother. Roth very quickly gains sympathy while creating a compelling character. Highly recommended, but not a feel-good movie.
Let me just get this outta the way. *ahem* This movie has two scenes where someone gets kicked in the nuts. Two! For someone like myself, that's reason enough to check it out. But if you wanna know what it's about and blah blah blah, I suppose keep reading.
After spending some time in the cooler Joey is now released and is looking to get his life back on track. He ends up heading home, and reunites with his brother. Staying at his bro's until he finds steady work all seems fine, that is until he begins realizing the outside world is still as unforgiving and selfish as it was before.
No Way Home was a good flick. It had a lowkey and unpredictable Tim Roth running the show with a decently solid supporting cast bringing up the rear. At first the movie tends to feel like it's trying too hard (overacting), but it hits a pretty serious groove and it begins becoming a very solid flick. Most probably due to the increase in sex, adult-themed conversations and gritty violence.
With some surprising developments, some nice attention to realism, and a couple kicks in the groin, this should be a nice viewing for anyone who enjoys serious drama. Tim Roth being the lead doesn't hurt the flick much either.
After spending some time in the cooler Joey is now released and is looking to get his life back on track. He ends up heading home, and reunites with his brother. Staying at his bro's until he finds steady work all seems fine, that is until he begins realizing the outside world is still as unforgiving and selfish as it was before.
No Way Home was a good flick. It had a lowkey and unpredictable Tim Roth running the show with a decently solid supporting cast bringing up the rear. At first the movie tends to feel like it's trying too hard (overacting), but it hits a pretty serious groove and it begins becoming a very solid flick. Most probably due to the increase in sex, adult-themed conversations and gritty violence.
With some surprising developments, some nice attention to realism, and a couple kicks in the groin, this should be a nice viewing for anyone who enjoys serious drama. Tim Roth being the lead doesn't hurt the flick much either.
It's Tim Roth, who steals the show in No Way Home. The film in itself is very good, and it manages to balance emotion and action very nicely. But it wouldn't be anything special without Roth. I believe he is in a role which he can act the best, an "awkward" guy. This is a film which deserves a DVD-release, and hopefully so will happen.
It was late at night, I was bored, and am a Tim Roth fan, so I decided to watch it. I didn't expect much. Maybe that's why I enjoyed it so. It was very interesting. It presented you with questions about these characters and gave pieces of the puzzle slowly. It kept you engrossed, wanting more. It had various different sub-plots, all entertaining. It had this build up of a true great film and a truly great drama and character study with a uniqueness to it. However towards the end it falls into the standard, predictable plot points, transforming from a character piece and drama, to the cliche crime drama Tim Roth is most known for. That is truly a shame since, when given the chance, Roth can give great comedic and dramatic performances only if given the chance. While Roth made this film what it is, it featured good performances by Russo and Unger, those two should be watched in the future, they could easily go places.
Joey gets out of prison after six years. What crime he has served we don't know yet. He goes to his parental home and rings on the door. A blonde opens. Joey asks for his brother Tommy, troubled the blonde goes to get him. A surprised Tommy invites his younger brother. Against his wife's (the blonde) wish Tommy and Joey agree that Joey should live at their home a while, until he get a job and can get a place of his own.
Tommy sells grass and Lorrain works as stripper at private parties. Joey is determined to not get in to jail again and begins to work as a window cleaner. Something that Tommy think is stupid, because there's more money to earn on drugs.
Joey - who according to himself, is a bit 'slow' since a incident in childhood - develops with time a special relationship with Lorrain, who's at first is skeptical to Joey's stay in the house. Tommy appears the longer the film goes as a real a**hole - he doesn't do anything home, is unfaithful and lies to his wife. When Joey asks Lorrain is happy with her situation he explain, in the key scene of the film, that marriage doesn't have any benefits; "You get marry when you're in love, then you get tired with each other". Lorrain is in any case grateful of that Tommy haven't during their more than four years together never have beaten her once. Something that her former husband did.
No Way Back (the title unfortunately sounds like an inferior action flick.) is a traditional film, without too many clichés. The director manages to work up scenes and solutions we recognize to something natural. Powerful, with an every day tone (e.g. when Joey visits his former girlfriend).
The actors in the three leading roles are exquisite: Tim Roth as Joey does a typical Tim Roth role without because of that it would be too much Tim Roth of the role. James Russo (Tommy) makes a role portrait who resembles that kind of things he done before, but I want to rank this performance as the best I've seen from him. Deborah (Kara) Unger as Lorrain, who placed the centre of gravity on the acting and not to look sexy, convinces with her restrained acting style in her study of a woman who's become tired.
Tommy sells grass and Lorrain works as stripper at private parties. Joey is determined to not get in to jail again and begins to work as a window cleaner. Something that Tommy think is stupid, because there's more money to earn on drugs.
Joey - who according to himself, is a bit 'slow' since a incident in childhood - develops with time a special relationship with Lorrain, who's at first is skeptical to Joey's stay in the house. Tommy appears the longer the film goes as a real a**hole - he doesn't do anything home, is unfaithful and lies to his wife. When Joey asks Lorrain is happy with her situation he explain, in the key scene of the film, that marriage doesn't have any benefits; "You get marry when you're in love, then you get tired with each other". Lorrain is in any case grateful of that Tommy haven't during their more than four years together never have beaten her once. Something that her former husband did.
No Way Back (the title unfortunately sounds like an inferior action flick.) is a traditional film, without too many clichés. The director manages to work up scenes and solutions we recognize to something natural. Powerful, with an every day tone (e.g. when Joey visits his former girlfriend).
The actors in the three leading roles are exquisite: Tim Roth as Joey does a typical Tim Roth role without because of that it would be too much Tim Roth of the role. James Russo (Tommy) makes a role portrait who resembles that kind of things he done before, but I want to rank this performance as the best I've seen from him. Deborah (Kara) Unger as Lorrain, who placed the centre of gravity on the acting and not to look sexy, convinces with her restrained acting style in her study of a woman who's become tired.
Lo sapevi?
- QuizTim Roth couldn't stand Deborah Kara Unger during filming, which wasn't easy as they were supposed to get close to each other. She felt it, and the director reassured her as he could when he knew very well that it was true.
- BlooperWhen Tommy's house is surrounded by police, the head officer can be seen wearing a watch with a black leather or rubber band, then a few minutes later, in another shot, he is wearing a watch with a silver band.
- ConnessioniFeatured in The Movie Show: Episodio datato 15 giugno 1997 (1997)
- Colonne sonoreI Want You To Move
Written by Jamie Carter and Luis Ruiz
Performed by Jamie Carter
Produced by Michael J. Clouse
Courtesy of MJC3 Music/GinStar Ent.
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Dettagli
Botteghino
- Budget
- 4.000.000 USD (previsto)
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