Mosura

This is the first of 1990s Mothra trilogy after the death of '90s Godzilla in 1995. The tone of this trilogy is very different from that of Godzilla's. In this movie, Mothra is the protector of earth, and when a monster which threatens to destroy earth's habitat, Mothra comes to rescue.

I rather liked this movie because of its beautiful cinematography and a plot that was not based simply on destruction, but about the importance of protecting our environment. While American cinema was busy producing darker movies in the '90s, this series positively bucked the trend with its brilliant color and putting nature before humans.

Casting was okay. It had a good central focus for a change called the Elias. But for the most part, Toho can use better actors in all its movies. Watch this, and you'll be treated to the most beautiful colors you've ever seen.

When a logging company uncovers an ancient artifact in the mountains of Hokkaido, the Company's boss Mr. Goto finds a mysterious talisman. He prises it free from its resting place, thinking it would be a nice present for his daughter. Unfortunately he's unsealed the resting place of Desghidorah, a three headed, fire breathing beastie that's soon freed to run wild and destroy the local scenery, sucking Earth's precious energy.

Only a giant plush moth can save the day! A tired old Mothra - tending a lovely big egg - is reluctantly summoned (in a slightly more J-pop than usual fashion) by her tiny priestesses Moll and Lora. These cuties are from a race called the Elias, and they spend much of the movie astride a mini-Mothra called Fairy, battling their nemesis Belvera, who gets to fly a mini dragon thing and cackle a lot.

First in a trilogy of Mothra films for the nineties, while Godzilla was taking a well earned break. Clearly aimed at kids more than the average kaiju fan, this is still great fun, and while no cities get totalled in this offering, the countryside looks nice and there are some cool fight scenes between Death Ghidorah and Mothra.

There's a 'save the planet' theme going on that gets rammed down your throat a bit before the movie ends, but the more obvious beef many western fans are going to have with this flick is the lack of a Japanese language option on seemingly the only version available. Why do they do this? Yes, the film's been tarted up nicely, and the dubbing is lip-synched and not overly annoying, but some people will always prefer the original language and there seems to be little reason why it shouldn't be included.

Mothra in beast mode! People need to lighten up this movie was amazing kaiju action. If you didn't like this why are you even watching giant monster movies?

This movie was the first of three solo Mothra adventures following the Heisei Godzilla series. This movie was pretty good. It has some great points to it: fast pace, great looking monsters, great optical effects, lots of monster fights, as well as a cute looking actress as Lora. However, I thought the movie was too kid-oriented and that the final battle was too short. The monster battles lacked the ferocity of Godzilla battles and Mothra's powers seemed overkill. However, it is a fun movie for fans of the genre.

This film has many colorful and beautiful sceneries, especially the forest scenes. Mothra begins a new solo adventure, battling Desghidorah to save Earth's green landscape. She hatches an egg and out comes her son MothraLeo. To pick up where his mother left off, MothraLeo battles Desghidorah to the finish.

There are amusing battle scenes and great special effects by Koichi Kawakita. And, there is a fine score by Toshiyuki Watanabe.

This movie is a big change from the concepts of the original Mothra of the 1960s. The two tiny priestesses are not twins like the original one who were portrayed by The Peanuts, and each one in this movie is actually given a name: Mona and Lora (the "Elias"). They have an evil sister named Belvera who favors Desghidorah's mission to turn Earth into a barren landscape. The central character in this movie is a kid who helps Mona and Lora battle their evil sister. The scene where the Elias and Belvera riding on their "Mothra" pets and shooting rays at each other at the kid's home is too childish and took away to much time in the movie. The scene is more associated with kids' shows or cartoons. And, MothraLeo's powers are very excessive. Its releasing of rays and beams make MothraLeo act more like a robotic creature. Though all the creatures in this movie are worked out well, there are limited emphasis to the human characters and overall, the movie is more kid-oriented. The Mothras in this movie are not treated like the Sacred Goddess in the Mothra films from the 1960s, but more like superheros ready to defend Earth. And, there are no natives worshiping Mothra in this film as in the 1960s Mothra films, making Mothra seem less sacred, as it was suppose to be according to the original concept. But, the ever-so-popular "Mothra's Song" (sung in Malaysian as always) returns and is performed by the Elias. Some new songs are introduced also. A serviceable movie, otherwise, to spend 106 minutes on a boring day.

Grade C