Moll Flanders

When I watched "Moll Flanders", it was impossible not to cry... it's just one of those movies. A sweet and sad film, the title character was excellently played by Robin Wright. Some might find it overly emotional, but I found it very enjoyable in its tenderness.

My only displeasure with this movie is that it is not true to the story in Defoe's wonderful novel "Moll Flanders"; it is true to the novel only in the spirit of the character Moll Flanders. To say the movie was a loose interpretation is not adequate; it's much more of a new story using the old character of Moll Flanders.

Defoe's work has a different (and I find, more entertaining) style as well as a richer plot line. Mobil Masterpiece's presentation of "Moll Flanders" (with Alex Kingston in the title role) is much truer to the novel. I found it much more entertaining and much less sentimental. However, it doesn't have the gut-wrenching emotion of this "Moll Flanders". Each viewer will have to pick their own favorite.

Nothing like Defoe's book, this simply uses the character of Moll Flanders to create a completely different story - true, there is still the thieving and the prostitution, but that's where the similarities end.

Robin Wright is a spirited Moll and is well supported by Morgan Freeman as a slave she meets on her travels who looks out for her from then on, and Stockard Channing as a scheming brothel madam. Aisling Corcoran plays Flora, the daughter Moll abandoned, and who she leaves her story to inform her of her origins.

A little muddled, and no doubt a disappointment for those wishing to see an adaptation of the book (for this, see the excellent version with Alex Kingston made the same year), this 'Moll Flanders' nevertheless looks great and benefits from a great performance from Wright. Well worth a look.

Daniel Defoe would be mortified if he knew that his delightful novel, full of energy and wisdom, was the basis for this plodding, sentimental film. Stockard Channing is delightful to watch in her role... if you mute the sound, so that you aren't forced to endure the dialogue.

Other fine actors are wasted also, including Morgan Freeman looking like he's costarring in Battlefield Earth and knows it. Use this film only as a cure for insomnia. Watch the 1995 British made-for-tv adaptation instead; it does everything right that this film does wrong.

This film, though nothing like the Daniel Defoe novel, was remarkably good. The tale begins with Flora, an orphan removed from her home in a convent in Europe, who is told that she is being taken to the Americas to become the ward of one Mrs. Allworthy, who is credited to have been the woman her mother served. Mrs. Allworthy's manservant and confidant, Hibble, is the one who is to both bear her to his employer, and also to read to Flora the diary of her mother, Moll Flanders, to explain her life to her.

Robin Wright shines as the lost and ever soul-searching innocent Moll Flanders, who despite making many wrong choices in life seems to find her way to kind places again and again. Her unconditionally loving future husband, credited "The Artist" on screen but listed as John Fielding on this site, is played by John Lynch. Stockard Channing is Mrs. Allworthy, who we come to discover is the owner of a Bordello and is a manipulative woman who can sway any man into her power. Lastly, Morgan Freeman plays the part of gentle and world-wisened Hibble, and I think this is one of his best roles, as he interacts so swimmingly with Robin on camera.

The movie is rated PG-13 for sexual situations, nudity and some violence. Despite the subject matter, the film charms the soul. I recommend lovers of Gothic literature to read it, and for people who love the book to give this story a chance as a separate entity.

Morgan Freeman uses his immense talent to give varied facets to Mr. Hibble, Stockard Channing is deliciously evil as Mrs. Allworthy, and Robin Wright Penn shines like a diamond in the role of Moll Flanders. Even the child playing Flora does a charming job with her limited part. Some viewers complained that the film was slow moving, but i felt the transitions from "modern day" to "flashbacks" from the memoir written by the title character kept things moving along quite nicely. Having not read Defoe's book, I cannot compare it to this version, but members here seem about equally divided between hating the movie for not being true to the book, and feeling that the changes made are an improvement on the original. Personally, I'd recommend this movie highly to anyone who has time to watch it.