VALUTAZIONE IMDb
6,6/10
24.490
LA TUA VALUTAZIONE
Un riservato professore di mezza età intraprende una relazione romantica, ma non fisica, con una collega sfortunata in amore.Un riservato professore di mezza età intraprende una relazione romantica, ma non fisica, con una collega sfortunata in amore.Un riservato professore di mezza età intraprende una relazione romantica, ma non fisica, con una collega sfortunata in amore.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 4 vittorie e 11 candidature totali
Lucy Avery Brooke
- Felicia
- (as Lucy Avery Brooks)
Howard S. Herman
- Rabbi
- (as Rabbi Howard S. Herman)
Recensioni in evidenza
Love this movie because it is a how single professor found her love, which I felt so related to my life.
The surprising fact is when I want to rated it, it turned out I have rated it before! For me now it's an 8, while my previous rating was 7. I think for a movie which had released for almost 30 years ago, it's still so good.
I was curious and checked when I watch this before, because I have no idea during watching. Thankfully IMDB has history record! I found out watched it on February 2009, it's about 12 years ago and the rating getting higher 1 star 😆
The surprising fact is when I want to rated it, it turned out I have rated it before! For me now it's an 8, while my previous rating was 7. I think for a movie which had released for almost 30 years ago, it's still so good.
I was curious and checked when I watch this before, because I have no idea during watching. Thankfully IMDB has history record! I found out watched it on February 2009, it's about 12 years ago and the rating getting higher 1 star 😆
THE MIRROR HAS TWO FACES **** There are close to no gentlemen callers who are waiting to romance professor Rose Morgan (Barbra Streisand), so she's learning to settle for a life with no man by her side. To her surprise, she is eventually pursued by a Math teacher (Jeff Brydges) who seeks a platonic marital relationship. Needlessly appreciative of the fact that any man - much less an attractive man - wants her, she becomes frustrated with the lack of intimacy between them as they draw together and eventually wed. The role-playing between Streisand and her antagonistic mother (Lauren Becall) adds intensity to the story. A fine work by Streisand.
I just want to begin by saying that, yes, I am a Barbra Streisand fan. However I am not the type of fan that regards everything she does as perfect. For instance I can safely say that "Yentl", while a very good idea and a noble effort was overindulgent and in desperate need of editing. Now as far as this film is concerned I never went to see it because I was told that all it was about was some ugly Jewish girl who in order to get her man bleaches her hair and loses weight. But after a spontaneous rental I was surprised to find myself actually enjoying it. At the end I realized that it wasn't as "sexist" and "anti-woman" as I had initially believed. Instead, it took seeing the "made-up" Barbra for Jeff Bridges to realize how beautiful the "un-made" Barbra was. The film was well acted all around, and well directed by Ms. Streisand.
About the only redeeming characteristics are that Jeff Bridges' character realizes that he has been a schmuck, and Lauren Bacall's character realized how hurtful the cumulative effect of words can be. Otherwise, I found myself becoming annoyed at the overall message.
First off, why must a woman re-make herself totally in order to be seen as sexually attractive? Rose looked far better at the start of the movie than she did at the end. Secondly, What was wrong with the way "Rose" looked at the start of the movie? Totally comfortable, quirky, and sensible. And the idea that a size eight is considered "fat" .... well, I just rolled at that one.
Rose does repudiate sheer looks by the end of the film, but the moment is almost too tiny to be noticed. The bulk of the film shows a woman thinking she's ugly, when she is far from it (but that's a Streisand trope: Babs, you have a big nose, and who cares? You look fine and very attractive), and thinking that comfortable clothes mean frumpiness. It encourages the over-awareness of body--since when has a size eight been "too fat"?????? Basically, Rose's re-awakening to the importance of mind and self, not external standards of beauty, is too little to compensate for all the rest of the film.
First off, why must a woman re-make herself totally in order to be seen as sexually attractive? Rose looked far better at the start of the movie than she did at the end. Secondly, What was wrong with the way "Rose" looked at the start of the movie? Totally comfortable, quirky, and sensible. And the idea that a size eight is considered "fat" .... well, I just rolled at that one.
Rose does repudiate sheer looks by the end of the film, but the moment is almost too tiny to be noticed. The bulk of the film shows a woman thinking she's ugly, when she is far from it (but that's a Streisand trope: Babs, you have a big nose, and who cares? You look fine and very attractive), and thinking that comfortable clothes mean frumpiness. It encourages the over-awareness of body--since when has a size eight been "too fat"?????? Basically, Rose's re-awakening to the importance of mind and self, not external standards of beauty, is too little to compensate for all the rest of the film.
Let me just say that despite mixed reviews and public jesting, if it weren't Barbra Streisand that made this movie and it were someone else, no one would make fun of it like they do. Everyone just likes to pick on Barbra. But this movie is actually good! This film, about a man (Jeff Bridges) who goes looking for a nonsexual relationship and finds it with a middle-aged dateless professor (Barbra Streisand). As the two leads, these actors shine immensely! Mimi Rogers and Brenda Vaccaro are equally good in their supporting and often comic roles, as is George Segal. But the star of this movie, I must say, is Lauren Bacall as Streisand's beautifully aging mother. Bacall, who is not really known for her comedy roles, took the role and ran with it, making her character hilarious at times, heart-pouring at others. She is terrific! As for the actual storyline of the movie, it is somewhat predictable in its final outcome, but the routes it takes along the way are always interesting. The music is terrific; who doesn't like Luciano Pavarotti's "Nessun Dorma"? A very delightful romantic comedy!
Lo sapevi?
- QuizDudley Moore was originally cast in the role that went to George Segal. He was fired by Barbra Streisand for not remembering his lines. These were the first symptoms of Progressive Supranuclear Palsy, a brain disorder that would later kill Moore. Conversely, in the earlier 10 (1979), Segal was replaced by Moore.
- BlooperCamera operator visible when Rose rejects Alex.
- Citazioni
Gregory Larkin: But I love the old Rose! The one with no makeup and baggy clothes who loves 'the perfect bite'! She eats carrots now, isn't that tragic?
- ConnessioniFeatured in HBO First Look: The Mirror Has Two Faces (1996)
- Colonne sonoreI Finally Found Someone
Performed by Barbra Streisand and Bryan Adams
Written by Barbra Streisand, Marvin Hamlisch, Mutt Lange (as R.J. Lange) and Bryan Adams
Produced by David Foster
Bryan Adams appears courtesy of A&M Records, Inc.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Mirror Has Two Faces?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Mirror Has Two Faces
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 42.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 41.083.864 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.210.868 USD
- 17 nov 1996
- Lordo in tutto il mondo
- 41.083.864 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti