VALUTAZIONE IMDb
7,1/10
35.195
LA TUA VALUTAZIONE
La vita sul rivoluzionario irlandese Michael Collins, l'uomo che guidò una guerriglia contro il Regno Unito e aiutò a negoziare la creazione dello Stato libero irlandese.La vita sul rivoluzionario irlandese Michael Collins, l'uomo che guidò una guerriglia contro il Regno Unito e aiutò a negoziare la creazione dello Stato libero irlandese.La vita sul rivoluzionario irlandese Michael Collins, l'uomo che guidò una guerriglia contro il Regno Unito e aiutò a negoziare la creazione dello Stato libero irlandese.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 4 vittorie e 17 candidature totali
Jer O'Leary
- Thomas Clarke
- (as Ger O'Leary)
Mike Dwyer
- James Connolly
- (as Michael Dwyer)
Recensioni in evidenza
What worries me about films based on historical characters and events, is that a lot of people take them at face value and accept them as fact whereas very few of them are completely accurate, and this film is no exception. However, despite the inaccuracies and speculations, it's a good film. Liam Neeson in particular gives a great performance in the title role, really bringing the complexities of the character to life. Rickman is also good as DeValera. Julia Roberts is horribly miscast and I can only think she was in it to boost box office ratings - although I would have hardly thought that necessary with Neeson and Rickman as the main characters. To be fair her character was pretty superfluous anyway and only included to add some romantic interest.
Overall it's worth a watch, although if you really want to know about the British/Irish conflict read a book!
Overall it's worth a watch, although if you really want to know about the British/Irish conflict read a book!
Fiction heavy bio-pic of the man who lived and died for Irish independence.
History on film is a difficult beast at the best of times and no one - and I mean no one - could produce an uncontentious film about Michael Collins: The Irish rebel rouser and politician who helped (the key word) form the first Irish Free State.
Sadly writer/director Neil Jordan takes the view that the history book can be tossed away if it goes against his own agenda or hampers audience sympathy. He created a stick for reviewers to hit him with - and boy did the blows rain down on his head. These blows, alone, might have killed any chance this "difficult" film had at the box office.
(It went down like a lead balloon in America which shows that behind the bluster and flag waving most Irish-American's aren't really interested in their own history.)
If only they had stuck more closely to the uncontested facts film writers would have focused on the good things. Which include excellent cinematography (good use of filters) and first class performances from all bar the all-at-sea (and mostly unneeded) Julia Roberts.
A perfect example of the Hollywood of today: All perfect teeth and good looks, but no ability to do characters or accents. I actually cringed while she was speaking in her "Irish" accent!
(The producers don't help much either by dressing her in a range of expensive outfits that change between shots: Destroying any sense of her being a poor country girl! Indeed scenes of poverty seems to be avoided rather than played upon.)
Liam Neeson was born to play Collins both physically and temperamentally, a dream part for him. There isn't a second that I don't believe in him. Shame there isn't more parts like this for him to play.
I don't mind my country being the bad guy in this movie, because we deserve it. What we did in Ireland will always be a stain on our history, but where is the context? The two countries have always been closely intertwined - not only due to geography but also due to wealth and technology reasons.
Also to be understood is that British troops had no experience of civil war or terrorism. They had been fighting wars against a uniformed enemy that stood in front of them. The people that joined up were often criminals or people that couldn't find alternative employment; or even wanted a bit of adventure in their lives.
Here their enemy dressed in civilian clothes and shot at them in the street (often from point blank range) and then ran. The people they killed were often Irish police or suspected informers. It was very ugly, but it was ugly on both sides.
There was also plenty of infighting (of the literal variety) that was more about gangsterism than Irish politics: A side road this film doesn't want to wander down.
The film also takes the view that "violence was the only path." South African apartheid crashed without the blacks winning any kind of civil war - indeed theirs probably extended the run of the white elite. Times move on, to quote Ghandi, "all tyrannies must fall.... however strong they appear at the time."
Despite everything this is an important film and Neil Jordan's best so far. It has too many little truths about power and real politics to be ignored easily and it does expose one "Irish hero" as a weasel. Watch the film to see which one.
A lot of responsibility fell on Neil Jordan's shoulders making this. It is a one-off deal. It isn't like a book, there won't be another Michael Collins film next year. More people - world-wide- will gain information about him from this film than any other medium. Therefore the hodgepodge mix of fact and fiction makes me uneasy - especially when so many of the debates and politics that are raised here are still ongoing.
History on film is a difficult beast at the best of times and no one - and I mean no one - could produce an uncontentious film about Michael Collins: The Irish rebel rouser and politician who helped (the key word) form the first Irish Free State.
Sadly writer/director Neil Jordan takes the view that the history book can be tossed away if it goes against his own agenda or hampers audience sympathy. He created a stick for reviewers to hit him with - and boy did the blows rain down on his head. These blows, alone, might have killed any chance this "difficult" film had at the box office.
(It went down like a lead balloon in America which shows that behind the bluster and flag waving most Irish-American's aren't really interested in their own history.)
If only they had stuck more closely to the uncontested facts film writers would have focused on the good things. Which include excellent cinematography (good use of filters) and first class performances from all bar the all-at-sea (and mostly unneeded) Julia Roberts.
A perfect example of the Hollywood of today: All perfect teeth and good looks, but no ability to do characters or accents. I actually cringed while she was speaking in her "Irish" accent!
(The producers don't help much either by dressing her in a range of expensive outfits that change between shots: Destroying any sense of her being a poor country girl! Indeed scenes of poverty seems to be avoided rather than played upon.)
Liam Neeson was born to play Collins both physically and temperamentally, a dream part for him. There isn't a second that I don't believe in him. Shame there isn't more parts like this for him to play.
I don't mind my country being the bad guy in this movie, because we deserve it. What we did in Ireland will always be a stain on our history, but where is the context? The two countries have always been closely intertwined - not only due to geography but also due to wealth and technology reasons.
Also to be understood is that British troops had no experience of civil war or terrorism. They had been fighting wars against a uniformed enemy that stood in front of them. The people that joined up were often criminals or people that couldn't find alternative employment; or even wanted a bit of adventure in their lives.
Here their enemy dressed in civilian clothes and shot at them in the street (often from point blank range) and then ran. The people they killed were often Irish police or suspected informers. It was very ugly, but it was ugly on both sides.
There was also plenty of infighting (of the literal variety) that was more about gangsterism than Irish politics: A side road this film doesn't want to wander down.
The film also takes the view that "violence was the only path." South African apartheid crashed without the blacks winning any kind of civil war - indeed theirs probably extended the run of the white elite. Times move on, to quote Ghandi, "all tyrannies must fall.... however strong they appear at the time."
Despite everything this is an important film and Neil Jordan's best so far. It has too many little truths about power and real politics to be ignored easily and it does expose one "Irish hero" as a weasel. Watch the film to see which one.
A lot of responsibility fell on Neil Jordan's shoulders making this. It is a one-off deal. It isn't like a book, there won't be another Michael Collins film next year. More people - world-wide- will gain information about him from this film than any other medium. Therefore the hodgepodge mix of fact and fiction makes me uneasy - especially when so many of the debates and politics that are raised here are still ongoing.
I didn't know if Hollywood was distorting history but someone who knows the story of Michael Collins assured me this was a pretty accurate portrayal of him in here, which makes this film go even higher in my ratings, because it's definitely entertaining and is spectacularly photographed. There is more blue color in here - beautiful blue - than in any movie I've ever seen. It looks just gorgeous on DVD.
Liam Neeson's charismatic portrayal of Collins keeps you riveted to the screen, even though it's a fairly long movie. Julia Roberts and Alan Rickman seemed a bit miscast. Being American and British, respectively, they weren't quite believable as Irishmen, perhaps because I'm used to hearing them as they normally talk. I also don't like to hear the Lord's name in vain so often as what was in here, but that seems commonplace among the Irish, at least in all the movies I've seen and books I've read (and my relatives, half of whom are Irish!)
Anyway, this is a very interesting story with a nice combination of drama, action and romance. Very much recommended regardless of anyone's stance on Irish-English relations.
Liam Neeson's charismatic portrayal of Collins keeps you riveted to the screen, even though it's a fairly long movie. Julia Roberts and Alan Rickman seemed a bit miscast. Being American and British, respectively, they weren't quite believable as Irishmen, perhaps because I'm used to hearing them as they normally talk. I also don't like to hear the Lord's name in vain so often as what was in here, but that seems commonplace among the Irish, at least in all the movies I've seen and books I've read (and my relatives, half of whom are Irish!)
Anyway, this is a very interesting story with a nice combination of drama, action and romance. Very much recommended regardless of anyone's stance on Irish-English relations.
This is a very touching film. I was shocked to see the IMDb score of 6.8. The only major fault of this film is Julia Roberts. She really takes a wonderful film and turns it down a few notches. She can't keep an Irish accent, switching back and forth with her American accent throughout the duration of the film.
Anyway, Michael Collins is great to watch. The story is heartfelt, and the nuances between personal battles and patriotic duty are displayed in a very mature fashion - - to what extent will you go for your country? What will you lose? Who will you fight? Why will you do any of it? Who are your true friends? etc.
The music is FANTASTIC. Worth renting just for the listen. Of course Neison is great. So is Aidin Quinn (when I first saw this movie I thought Quinn was Irish given his name and his performance here). Alan Rickman is Alan Rickman - - which is great, though he doesn't pull off the Irish thing too well. However, given his character, Eamon de Valera, it isn't really a miscast, just takes time to get in.
If you can ignore how horrible Julia Roberts is and think about the heart and emotion behind this film while enjoying the awesome score you're in for a treat. A jewel in the rough. (my favorites)
Anyway, Michael Collins is great to watch. The story is heartfelt, and the nuances between personal battles and patriotic duty are displayed in a very mature fashion - - to what extent will you go for your country? What will you lose? Who will you fight? Why will you do any of it? Who are your true friends? etc.
The music is FANTASTIC. Worth renting just for the listen. Of course Neison is great. So is Aidin Quinn (when I first saw this movie I thought Quinn was Irish given his name and his performance here). Alan Rickman is Alan Rickman - - which is great, though he doesn't pull off the Irish thing too well. However, given his character, Eamon de Valera, it isn't really a miscast, just takes time to get in.
If you can ignore how horrible Julia Roberts is and think about the heart and emotion behind this film while enjoying the awesome score you're in for a treat. A jewel in the rough. (my favorites)
I really enjoyed this film. I didn't enjoy Julia Roberts in it and thought that was about the worst attempt at an Irish accent I had ever heard. Being British and a Protestant, I didn't know how I would feel about the film, but I found it very enlightening. It has really changed my views on the British position on Ireland. The bloodshed and death seems so wasteful. Michael Collins seems like a very brave man and I think the worst decision De Valera made was not going himself and negotiating for the independence of Ireland. That was a very cowardly decision to send Collins. He was not a negotiator and De Valera would have done better, and that seemed like a very cowardly move. Anyway, the film really opened my eyes and gave me some perspective. I lived in Northern Ireland for five years and I am a Protestant, but to see what my people did in Ireland is really shameful. Nevertheless, a very enjoyable film.
Lo sapevi?
- QuizThe Treaty ports were returned to Ireland in 1938, ensuring the country could remain neutral throughout World War II.
- BlooperEamon de Valera is shown surrendering with the General Post Office garrison after the Easter Rising. However, he was actually Commandant of the garrison at Bolland's Mills, which surrendered after the GPO upon receiving orders to stand down. He was never at the GPO during the Rising.
- Citazioni
[Michael Collins arrives at the ceremony to take down the British flag]
British officer: You're seven minutes late, Mr. Collins.
Michael Collins: You've kept us waiting 700 years. You can have your seven minutes.
- Curiosità sui creditiOpening scroll: At the turn of the century Britian was the foremost world power and the British Empire stretched over two-thirds of the globe. Despite the extent of its power its most troublesome colony had always been the one closest to it, Ireland For seven hundred years Britain's rule over Ireland had been resisted by attempts at rebellion and revolution, all of which ended in failure. Then, in 1916, a rebellion began, to be followed by a guerrilla war which would change the nature of that rule forever. The mastermind behind that war was Michael Collins. His life and death defined the period, in its triumph, terror and tragedy. This is his story.
- Colonne sonoreLow whistle and Uilleann pipes
Played by Davy Spillane
Courtesy of Sony Music Entertainment (U.K.) Limited
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Michael Collins, el precio de la libertad
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.092.559 USD
- Fine settimana di apertura Stati Uniti e Canada
- 182.221 USD
- 13 ott 1996
- Lordo in tutto il mondo
- 11.136.590 USD
- Tempo di esecuzione2 ore 13 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Michael Collins (1996) officially released in India in English?
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