Il tempo dei cani pazzi

... his version of "My Way" is hysterical (especially after I read somewhere that he truly thought - before he heard himself later - that it was Paul Anka that was out of tune and not himself!) and he gets all the best lines. That said, I thought Jeff Goldblum was also excellent - more understated than the rest of the characters which was a good foil for them.

The film is just simply great fun. It's not a classic, clever masterpiece of its time, but it is immensely enjoyable and well worth seeing at least once.

Despite the disparaging comments by other reviewers here, and the savaging this film received by mainstream critics, I've got stand by my original assessment of the piece which I made in 1996 on its release. This is a taut, sardonically funny, very well done flick, and I think it's detractor's may be missing the point a bit by pointing out that it plays like a rough draft. Were not many of the so called `Rat Pack' movies nothing more than hastily thrown together vehicles for whatever `Packer' happened to be starring? Of course it's rough around the edges! Of course it never seems to be getting its own joke! Unfortunately the joke ends up being on the film itself because it does its job too well. It looks at the genre from the coatroom, behind a row of smoke-scented overcoats. If it looks and feels like the reels were left on a smoky card table for a few weeks before being run - then it's doing its job. It's that very patina that gives Mad Dog Time it's credentials as a well done and mutli-faceted darkly funny movie that belongs not so much with it's erstwhile Rat Pack brethren as has been suggested so often, but rather with The Player and other movies whose joy, in part, is the fact that the players are so clearly having a ball making the thing. Goldblum and Dreyfuss stand out from an altogether superb cast. Goldblum for his ability to keep the audience guessing as to whether or not he really feels as confident as his character acts throughout and Dreyfuss for proving that nobody in the business can look both smugly amused and supremely confused at the same time as well as he. That's all I have to say. Now I think I'll hop home, pack my bags and leave town.

This movie is an allegory. Formally, an allegory is a representation of abstract ideas by elements in narrative, dramatic, or pictorial form; in this case, the screenplay, the set design, and especially the actors are the elements by which the abstract is portrayed.

If you look for cool narrative structure and are familiar with, well, the Bible, you'll probably enjoy this tongue-in-cheek view of why "heaven is such a mess."

I'll just describe the characters: have fun with the rest of the analysis.

Vic -> God

Grace ->The grace of God

Rita, Grace's sister -> Justice (akin to God's grace is God's justice, and Rita means right)

Nick Falco -> Lucifer (Old Nick is a synonym for the devil, and don't forget the imposter). His philosophy was "to hell with every God d*mn thing".

Mickey -> the archangel Michael (Nick sees him as weak)

Gabriella -> the archangel Gabriel (just hangin' out until it's time to blow the horn)

Wacky Jacky Jackson -> chaos, which seeks to dismantle God's world ("I don't give a f*ck")

Mr. Gottlieb -> When you die, you will be in the hands of Gott Lieb--God's Love-- represented by an undertaker.

Ben London -> Man (ballsy, but rather slow and full of himself)

Finally, the title itself is a play on words itself: Mad Dog Time -> God

D*mn time.

Don't be so hard on this movie until you watch it for what it really is.

A modern metaphor for heaven, based around a single concept : "What if god was a gangster?". Directed by the son of the legendary Joey Bishop, Larry B has done an outstanding job with an outstanding cast.

Vic (Richard Dreyfuss), absent gang boss of a mythical copless city is getting out of the loony bin. His chief lieutenants (Gabriel Byrne & Jeff Goldblum) are busy vying for power in his absence, and his rivals (Kyle MacLachlan, Burt Reynolds & Gregory Hines) are busy trying to take over the entire city.

Where is the metaphor I hear you ask? Let me start you off, Dreyfuss is god..

I love this movie. It's wacky, funny, violent, surreal, played out in a madman's head, and definitely not your usual comedy.

If you don't find the film amusing then I guess it's just not for your tastes, so this is a tough one to write a review for.

For reference, some other comedies I love are The Big Lebowski, The Princess Bride, and Zoolander (that one only got me the second time around). There are others, but my taste is definitely for the unusual, and I am willing to accept that most people just don't tend to like that kind of thing. I make no apologies for having an unusual sense of humour - at least I have one.

The scenes and characters of this particular movie are well put together, the verbal humour is hilarious, the situations are intriguing, the acting is very good (as you would expect of the cast), though the acting demands made of the cast by the script are not particularly high. The overall package makes for fun, funny, watchable yet violent entertainment.