Il tempo dei cani pazzi

This movie is really great! Has everything in it, one can want. Action, romance, fun. I would recommend it to everybody, who likes that kind of movies! The acting is excellent, too. (Jeff Goldblum in one of his best parts, next to JP and ID4!)

A modern metaphor for heaven, based around a single concept : "What if god was a gangster?". Directed by the son of the legendary Joey Bishop, Larry B has done an outstanding job with an outstanding cast.

Vic (Richard Dreyfuss), absent gang boss of a mythical copless city is getting out of the loony bin. His chief lieutenants (Gabriel Byrne & Jeff Goldblum) are busy vying for power in his absence, and his rivals (Kyle MacLachlan, Burt Reynolds & Gregory Hines) are busy trying to take over the entire city.

Where is the metaphor I hear you ask? Let me start you off, Dreyfuss is god..

Why this film was savaged when it was released is beyond me. It's a comedy for Pete's sake, not Macbeth. I'll admit the structure is a little strange and the characters are quirky to say the least. But it reminds me of Barton Fink in style. Maybe you have to be in a certain mood to really enjoy it. But give it a chance. There's a bit of everything here; Henry Silva doing a great Burt Reynold's laugh right to Burt's face; Ellen Barkin as sexy and nutty as ever; Richard Dreyfuss as the manic mob boss; and last but not least Gabriel Byrne as the flunky who would be king. Maybe I'm mistaken, but I think the critics got this one waaaay wrong. So, watch it and make up your mind.

I'm quite convinced that everyone who gave this a good review watched a completely different movie than I did. With odd filming choices, bad acting, stilted dialogue and a slow plot that is so thin it barely deserves to even be called a plot, this was just a hot (or rather lukewarm) smoky mess from start to finish, dead on arrival much like many of the main players in this movie, and a one note symphony of stand off after stand off conducted sitting down for some reason (would it then be called a sit off?).

I'm going to level with you, I bought this because I have a crush on Jeff Goldblum, (hey, he has some pretty eyelashes in this movie, though his lines are limited), but even with an all star cast, it'd take a whole lot of polishing for this movie to shine. Though I will admit Gabriel Byrne's character Ben has some moments of intrigue, it can't save the whole show, and besides, most of the best scenes are already seen in the preview and so it's all downhill from there.

I mean it's certainly nowhere near the worst movie I've ever seen, it has its few small huff a tiny bit of air from your nose marginally funny moments, but it's cutting it awfully close. That lucky son of a gun who gets shot in the the first few minutes of the movie and didn't have to sit through the rest of it though, one could envy him.

Despite the disparaging comments by other reviewers here, and the savaging this film received by mainstream critics, I've got stand by my original assessment of the piece which I made in 1996 on its release. This is a taut, sardonically funny, very well done flick, and I think it's detractor's may be missing the point a bit by pointing out that it plays like a rough draft. Were not many of the so called `Rat Pack' movies nothing more than hastily thrown together vehicles for whatever `Packer' happened to be starring? Of course it's rough around the edges! Of course it never seems to be getting its own joke! Unfortunately the joke ends up being on the film itself because it does its job too well. It looks at the genre from the coatroom, behind a row of smoke-scented overcoats. If it looks and feels like the reels were left on a smoky card table for a few weeks before being run - then it's doing its job. It's that very patina that gives Mad Dog Time it's credentials as a well done and mutli-faceted darkly funny movie that belongs not so much with it's erstwhile Rat Pack brethren as has been suggested so often, but rather with The Player and other movies whose joy, in part, is the fact that the players are so clearly having a ball making the thing. Goldblum and Dreyfuss stand out from an altogether superb cast. Goldblum for his ability to keep the audience guessing as to whether or not he really feels as confident as his character acts throughout and Dreyfuss for proving that nobody in the business can look both smugly amused and supremely confused at the same time as well as he. That's all I have to say. Now I think I'll hop home, pack my bags and leave town.