VALUTAZIONE IMDb
7,7/10
2534
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 3 candidature totali
Kanwaljeet Singh
- Inspector Vohra
- (as Kanwaljit)
Jimmy Shergill
- Jaimal 'Jimmy'
- (as Jasjiet Shergill)
Navnindra Behl
- Veeran's Mother
- (as Navninder Behl)
Recensioni in evidenza
Gulzar's 'Maachis' depicts the tension and terror in Punjab post the 1984 riots. During this period tension exacerbated as terrorist actions took place and alleged suspects were tortured and murdered during fake encounters. 'Maachis' follows Kripal and Veera as circumstances force them to walk the path of crime. Poet that he is, Gulzar's storytelling is lyrical and this effectively highlights the harsh irony and tragedy of the situations. Not for one moment does the story feel unreal.
The sets and costumes look authentic. The landscape is brilliantly captured. The cinematography is superb. Manmohan Singh makes efficient use of the camera as he alters between various techniques such as long shots, static and hand-held. Vishal Bharadwaj's score (that includes Gulzar's own lyrics) beautifully contributes to the film.
The performances are topnotch. Om Puri, Raj Zutshi, Kulbhushan Kharbanda, Suneel Sinha and Jimmy Shergill are excellent. Chandrachur Singh is very good. But, it is Tabu who steals the show with a transcendent heartbreaking performance. Even in the simpler moments, like a particular scene during the song 'Paani', within seconds her face subtly changes from smile to tears and it looks so natural.
1996 saw at least four other such cinematic treasures in the form of Shyam Benegal's 'The Making of the Mahatma', 'Sardari Begum', Mahesh Bhatt's 'Tamanna' and Sanjay Leela Bhansali's 'Khamoshi: The Musical'. During a time when Bollywood was churning out trash, few directors like Gulzar, would give us some gems. I wish he would make a comeback like Shyam Benegal.
The sets and costumes look authentic. The landscape is brilliantly captured. The cinematography is superb. Manmohan Singh makes efficient use of the camera as he alters between various techniques such as long shots, static and hand-held. Vishal Bharadwaj's score (that includes Gulzar's own lyrics) beautifully contributes to the film.
The performances are topnotch. Om Puri, Raj Zutshi, Kulbhushan Kharbanda, Suneel Sinha and Jimmy Shergill are excellent. Chandrachur Singh is very good. But, it is Tabu who steals the show with a transcendent heartbreaking performance. Even in the simpler moments, like a particular scene during the song 'Paani', within seconds her face subtly changes from smile to tears and it looks so natural.
1996 saw at least four other such cinematic treasures in the form of Shyam Benegal's 'The Making of the Mahatma', 'Sardari Begum', Mahesh Bhatt's 'Tamanna' and Sanjay Leela Bhansali's 'Khamoshi: The Musical'. During a time when Bollywood was churning out trash, few directors like Gulzar, would give us some gems. I wish he would make a comeback like Shyam Benegal.
Set post 1984, when the "tree had fallen and the earth had shook", resulting in the lynchings of thousands of innocent Sikhs and the subsequent thirst for revenge against the complicit policemen, this is realistic, raw and brilliantly acted.
The dialogues are hard hitting. I remember that I could not watch this 24 years ago, as it had been rated A, fit only for adults because of some lines that compare and criticise Gandhian means of getting independence with the more revolutionary means.
The acting is stunning, with Tabu and Om Puri being the standout performers. The songs have become classic over the last quarter of a century. There is only one criticism. The other side , the police / law makers' side is never shown.
Highly recommended. It is a very brave film. Meant for lovers of world class Indian cinema. _Streaming on Amazon Prime_
The dialogues are hard hitting. I remember that I could not watch this 24 years ago, as it had been rated A, fit only for adults because of some lines that compare and criticise Gandhian means of getting independence with the more revolutionary means.
The acting is stunning, with Tabu and Om Puri being the standout performers. The songs have become classic over the last quarter of a century. There is only one criticism. The other side , the police / law makers' side is never shown.
Highly recommended. It is a very brave film. Meant for lovers of world class Indian cinema. _Streaming on Amazon Prime_
I liked this film because apart from the songs (which were excellent) everything was so realistic, almost understated. The film dealt with a very emotional subject in a practical and logical way and brought to screen the misery caused to everyone concerned in this tragic conflict. All the major points were well handled, including references to false "encounters", the guilt of some Hindu friends of the Sikhs, the routine brutality of the police. There was also some balance in the film - not all police were the baddies, some were ordinary family men doing their jobs. Everyone had their frailties, even the hero wasn't a true film Hero, just a man caught up in a conflict not of his making
Excellent, more please
Excellent, more please
10milind
This movie is gulzar's most personal film till date. It depicts the terrorism in punjab after Mrs.Indira Gandhi's assassination. Chandrachur singh gives a fantastic performance as a young man who is forced to join a terrorist group run by kulbushan kharbanda and om puri. Its hard to believe that this was the first film of chandrachur singh. Tabu gives a performance which changed her career. She got a national award for this film. Om puri, raj zutshi, jimmy shergill and kulbushan kharbanda give superb performances in the supporting cast. The screenplay/story/dialogues are written by gulzar. As with most gulzar's films , maachis too has story told in form of flashbacks. The script is very engrossing and does not let the viewer move till the end. This movie was banned in some places in punjab & kashmir. It was also send for a re-censor. A cinema hall strike in january 1997 and good publicity of songs meant that this became india's second biggest word-of-mouth hit. This record was only recently beaten by "Satya". The first one being "Sholay". Gulzar won filmfare award for Best story and Best dialogues. Gulzar also won a national award for the most popular film of the year. This is a must see movie. Like most of gulzar's film this is a CLASSIC.
... noone gains anything out of terrorism! And no better movie to portray this stark reality than Maachis! It truly depicts the circumstances that have forced many-an-innocent and ordinary men and women into terrorism in Punjab and Kashmir only to be slain by the police and/or by their own counterparts. The mixed feelings of a person on the borderline of becoming a terrorist are brought out beautifully. Except the part about how Kirpal Singh is finally caught, a very well made movie!
Lo sapevi?
- QuizJimmy Sheirgill, who was known as Jasjit Sheirgill in this film christened himself Jimmy after the character in this film
- ConnessioniReferenced in Fanney Khan (2018)
- Colonne sonoreChhoddh Aaye Hum
Music by Vishal Bhardwaj
Lyrics by Gulzar (as Sampooran Singh Gulzar)
Performed by Hariharan, Suresh Wadkar, Vinod Sehgal, Krishnakumar Kunnath
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Dettagli
- Tempo di esecuzione2 ore 40 minuti
- Colore
- Mix di suoni
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