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IMDbPro

Lilies - Les feluettes

  • 1996
  • R
  • 1h 35min
VALUTAZIONE IMDb
7,3/10
3007
LA TUA VALUTAZIONE
Lilies - Les feluettes (1996)
CrimineDrammaFantasiaMisteroRomanticismo

Quando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme... Leggi tuttoQuando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme, sull'amore e il tradimento.Quando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme, sull'amore e il tradimento.

  • Regia
    • John Greyson
  • Sceneggiatura
    • Michel Marc Bouchard
    • Linda Gaboriau
  • Star
    • Ian D. Clark
    • Marcel Sabourin
    • Aubert Pallascio
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    3007
    LA TUA VALUTAZIONE
    • Regia
      • John Greyson
    • Sceneggiatura
      • Michel Marc Bouchard
      • Linda Gaboriau
    • Star
      • Ian D. Clark
      • Marcel Sabourin
      • Aubert Pallascio
    • 44Recensioni degli utenti
    • 11Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 8 vittorie e 14 candidature totali

    Foto24

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    Interpreti principali23

    Modifica
    Ian D. Clark
    Ian D. Clark
    • Chaplain…
    Marcel Sabourin
    Marcel Sabourin
    • The Bishop
    Aubert Pallascio
    Aubert Pallascio
    • Older Simon
    Jason Cadieux
    • Young Simon
    Danny Gilmore
    Danny Gilmore
    • Vallier
    Matthew Ferguson
    Matthew Ferguson
    • Young Bilodeau
    Brent Carver
    • Countess de Tilly
    Rémy Girard
    Rémy Girard
    • The Baroness
    Robert Lalonde
    Robert Lalonde
    • The Baron
    Gary Farmer
    Gary Farmer
    • Timothée
    Alexander Chapman
    • Lydie-Anne
    John Dunn-Hill
    John Dunn-Hill
    • Warden
    Paul-Patrice Charbonneau
    • Chauffeur
    Michel Marc Bouchard
    Michel Marc Bouchard
    • Photographer
    Khanh Hua
    Khanh Hua
    • Prison Ensemble
    Benoît Lagrandeur
    • Prison Ensemble
    • (as Benoit Lagrandeur)
    Pierre Leblanc
    Pierre Leblanc
    • Prison Ensemble
    • (as Pierre LeBlanc)
    Jean Lévesque
    • Prison Ensemble
    • (as Jean Levesque)
    • Regia
      • John Greyson
    • Sceneggiatura
      • Michel Marc Bouchard
      • Linda Gaboriau
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti44

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    Recensioni in evidenza

    9timleemail

    A haunting poetic tragic doomed love affair

    After a spate of disappointing gay films in the mid 90's, Lilies appeared from Canada as a fresh bouquet presenting a refreshing change of pace. Improving upon the play its based on, Lilies uses various cinematic conventions to its advantage, with cuts between prison re-enactments and the actual events given seamlessly and often artisticly breathtaking. The use of cross gender casting (this is an all male film) is humorous to a degree, but never in a mocking drag queen tone. We come to believe these men are really women. And the coming of age love story at the center of the plot, done to death by so many other films, is achingly tender.

    It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.
    carford

    Amazing use of "play" technique in a film.

    I have seen Lilies on more than one occasion, and am amazed each time at the intricate and ingenious use of the "theatrical" in the movie. When watching the movie from the beginning, it doesn't take a moron to realize that the "play" is being put on by inmates at a prison.

    Staying true to the "setting" of the play, the movie uses males to play all roles, including the roles of women. It is unique as the characters in the "play" react and respond to the female roles as if they were women and not men playing women's roles.

    There is an incredible depth to the movie that chronicles the life and love lost by Simone through the deception and lies of the "church." There is much more meaning here than just the plight of one man. The movie tell the story of many men and women around the world who are persecuted, imprisoned, and often sacrifice their lives for being true to their love of the same sex. It is good to see a movie that does not portray a same sex relationship as one of casual sex or one-night stands. The relationship is one of committment, of trust, of pain and caring, of going through the good and the bad together. Heterosexuals do not have the corner on good relationships. This movie tries to portray the love between two people and the struggles they faced, largely due to the intolerance and rigidity of the church.
    kinophil-1

    Beautiful and moving movie

    I am writing mainly because the one comment I saw on this site was negative. I just watched the movie and it was gorgeous. Gorgeous scenery. Gorgeous men. Wonderful music. Jason Cadieux is gorgeous beyond words.

    The movie is quite obviously set in a prison where there would be a lack of women. It is quite artistic. The use of men to play women is both campy, and artsy, hearkening back to Shakespeare. It is not done to get laughs however.

    The twist in the movie is that the man who is to give his confession, hears a confession. It ends in a way that you must make up your mind about the punishment.
    10fuxing626

    One of the best films ever created

    This film is proof that some of the most iridescent, incredible films never make it to mainstream America. Barely anyone I know has even heard of this movie, and it's quite saddening. Although it has won numerous awards and lots of prestige in Canada, where it was made, I've often seen it lying on the shelf untouched at Blockbuster or gay film shops.

    The movie begins with a prisoner named Simone who requests that a specific priest come to hear his confession. The priest, perplexed as to why he has been summoned, arrives at the prison, not knowing what to expect. It is soon divulged that the priest has some confessing of his own to be done when the prisoners trap him in his confessional box and begin to perform a play. This play is about Simone's childhood, when Simone was attending a Catholic all-boys boarding school and was in a gay relationship with his schoolmate, Valier. They keep their love clandestine until another schoolmate, Bilodeau (the priest as an adolescent), unearths something of what the two lovers have been doing. He confronts them about it, calling them a "disease," when it is revealed later that he is more insidious than they are.

    Things take another dramatic turn when Simone's father discovers his son has kissed a boy and mutilates his body with a whip. Out of searing rage, Simone succombs to arson. A Parisian woman (who is portrayed by a male actor because the play is being performed by male prisoners) visits the schoool and falls in love with Simone. Despite the distinctely male features on her which expose the actor's gender, the he does an excellent job of emulating a pristine, romantic woman desperately seeking love.

    Simone repudiates Valier, saying "it's time he started thinking about girls" and that he plans to marry the Parisian woman. Valier is devastated and runs to his mother, who is scorned by the rest of society because she believes herself to be a countess. She is shockingly compassionate and supportive when she learns of Valier's homosexuality. At the engagement banquet for Simone and his fiancee, Valier sabotages the celebration by dressing like a Greek God and reciting a monologue from the romantic Greek play he and his beloved were rehearsing together in the beginning of the film. And I can't tell you the rest. It'll ruin it. All I know is everyone should see this movie-especially gay Catholics. Incredible directing, eloquent dialogue, wonderfully abstract scenary-there's no way this movie could have been done better!
    10bob-504

    Excellent cinematography, musical score, casting and story.

    Luscious cinematography, soulful musical score, terrific casting, and limited use of revelatory flashbacks to dramatize the theme of societally-defined mores and criminal behavior. Artistic and judicious use of nudity and sexuality to illustrate the dilemmas of public versus private morality.

    Trama

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    • Citazioni

      Young Simon: [to Vallier] I shall be reborn. My breath in the heavens, bear witness. We shall be free. We'll we be loved. If you do truly love me, let your love be known unto me.

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    • How long is Lilies?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 16 agosto 1997 (Giappone)
    • Paese di origine
      • Canada
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Lilies
    • Luoghi delle riprese
      • Montréal, Québec, Canada
    • Aziende produttrici
      • Triptych Media
      • Galafilm Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.200.000 CA$ (previsto)
    • Lordo Stati Uniti e Canada
      • 301.548 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 28.781 USD
      • 12 ott 1997
    • Lordo in tutto il mondo
      • 301.548 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 35min(95 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 1.33 : 1
      • 1.85 : 1

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