Quando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme... Leggi tuttoQuando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme, sull'amore e il tradimento.Quando un vescovo arriva in prigione per ascoltare la confessione di un vecchio amico è costretto a guardare uno spettacolo teatrale, interpretato dai detenuti, sulla loro giovinezza insieme, sull'amore e il tradimento.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 14 candidature totali
- Prison Ensemble
- (as Benoit Lagrandeur)
- Prison Ensemble
- (as Pierre LeBlanc)
- Prison Ensemble
- (as Jean Levesque)
Recensioni in evidenza
It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.
Staying true to the "setting" of the play, the movie uses males to play all roles, including the roles of women. It is unique as the characters in the "play" react and respond to the female roles as if they were women and not men playing women's roles.
There is an incredible depth to the movie that chronicles the life and love lost by Simone through the deception and lies of the "church." There is much more meaning here than just the plight of one man. The movie tell the story of many men and women around the world who are persecuted, imprisoned, and often sacrifice their lives for being true to their love of the same sex. It is good to see a movie that does not portray a same sex relationship as one of casual sex or one-night stands. The relationship is one of committment, of trust, of pain and caring, of going through the good and the bad together. Heterosexuals do not have the corner on good relationships. This movie tries to portray the love between two people and the struggles they faced, largely due to the intolerance and rigidity of the church.
The movie is quite obviously set in a prison where there would be a lack of women. It is quite artistic. The use of men to play women is both campy, and artsy, hearkening back to Shakespeare. It is not done to get laughs however.
The twist in the movie is that the man who is to give his confession, hears a confession. It ends in a way that you must make up your mind about the punishment.
The movie begins with a prisoner named Simone who requests that a specific priest come to hear his confession. The priest, perplexed as to why he has been summoned, arrives at the prison, not knowing what to expect. It is soon divulged that the priest has some confessing of his own to be done when the prisoners trap him in his confessional box and begin to perform a play. This play is about Simone's childhood, when Simone was attending a Catholic all-boys boarding school and was in a gay relationship with his schoolmate, Valier. They keep their love clandestine until another schoolmate, Bilodeau (the priest as an adolescent), unearths something of what the two lovers have been doing. He confronts them about it, calling them a "disease," when it is revealed later that he is more insidious than they are.
Things take another dramatic turn when Simone's father discovers his son has kissed a boy and mutilates his body with a whip. Out of searing rage, Simone succombs to arson. A Parisian woman (who is portrayed by a male actor because the play is being performed by male prisoners) visits the schoool and falls in love with Simone. Despite the distinctely male features on her which expose the actor's gender, the he does an excellent job of emulating a pristine, romantic woman desperately seeking love.
Simone repudiates Valier, saying "it's time he started thinking about girls" and that he plans to marry the Parisian woman. Valier is devastated and runs to his mother, who is scorned by the rest of society because she believes herself to be a countess. She is shockingly compassionate and supportive when she learns of Valier's homosexuality. At the engagement banquet for Simone and his fiancee, Valier sabotages the celebration by dressing like a Greek God and reciting a monologue from the romantic Greek play he and his beloved were rehearsing together in the beginning of the film. And I can't tell you the rest. It'll ruin it. All I know is everyone should see this movie-especially gay Catholics. Incredible directing, eloquent dialogue, wonderfully abstract scenary-there's no way this movie could have been done better!
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- Citazioni
Young Simon: [to Vallier] I shall be reborn. My breath in the heavens, bear witness. We shall be free. We'll we be loved. If you do truly love me, let your love be known unto me.
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Dettagli
Botteghino
- Budget
- 2.200.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 301.548 USD
- Fine settimana di apertura Stati Uniti e Canada
- 28.781 USD
- 12 ott 1997
- Lordo in tutto il mondo
- 301.548 USD