Alla ricerca della valle incantata 4 - La terra delle nebbie
Titolo originale: The Land Before Time IV: Journey Through the Mists
VALUTAZIONE IMDb
5,7/10
5710
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen Littlefoot's grandfather falls ill, the only way to cure him is with a flower from the forbidding land of the mists, which holds unexpected perils and danger.When Littlefoot's grandfather falls ill, the only way to cure him is with a flower from the forbidding land of the mists, which holds unexpected perils and danger.When Littlefoot's grandfather falls ill, the only way to cure him is with a flower from the forbidding land of the mists, which holds unexpected perils and danger.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
John Ingle
- Narrator
- (voce)
Candace Hutson
- Cera
- (voce)
Heather Hogan
- Ducky
- (voce)
Rob Paulsen
- Spike
- (voce)
Jeff Bennett
- Petrie
- (voce)
- …
Scott McAfee
- Littlefoot
- (voce)
Kenneth Mars
- Grandpa
- (voce)
Linda Gary
- Grandma
- (voce)
Carol Bruce
- Old One
- (voce)
Juliana Sloan
- Ali
- (voce)
- (as Juliana Hansen)
Tress MacNeille
- Ali's Mother
- (voce)
- …
Charles Durning
- Archie
- (voce)
Frank Welker
- Tickles
- (voce)
Recensioni in evidenza
This movie despite what others say is actually quite good. In my opinion this is the best Land before time. It does not fail in the plot and it does not fail in the entertainment value. This is overall a solid movie and I cannot get enough. I think anyone who is a true Land Before time fan will fully and whole-heartedly love The Land Before Time: Journey through the mists. This has more of a mature plot than the others,seeing that it has something to do with a potentially fatal situation, not just because of sharp teeth but also because of a journey they must take and a deadly illness. I cannot believe that people are saying this movie blows mad chunks when it really is not bad at all.
Shortly after a herd of migrating Longnecks enter the Great Valley, Littlefoot befriends one his age named Ali (who is afraid of Littlefoot's other friends Ducky,Petrie, Cera and Spike). Littlefoot's Grandpa falls ill shortly after the arrival of the migrating herd. The Herd's leader, The Old One, says there's a special flower that grows in their previous land that can cure those afflicted with illness (which is given no name) but because the land from whence they came has changed into a marshland of vermin and predators the her refuses to help. Littlefoot must now travel to the Land of Mists to find the "Night Flower" and save his grandpa.
The final Land Before Time sequel to be directed by Roy Allen Smith and written by Dev Ross, The Land Before Time IV keeps itself mostly in line with its predecessors II and III. It's really no better nor worse than the previous two, though maybe it gets a few points for having slightly more stakes than the first entries. With the crux of the movie being a ticking clock to save Littlefoot's Grandpa it definitely feels like it has more weight than the previous two entries with II teaching the moral of obeying your parents, and III being a vehicle for Bullying, resource conservation, and fire safety advice. I can say that IV feels more like an actual movie rather than an extended TV episode.
The movie's villains this time around, crocodile like creature Dil and bird like Ichi, are basically like Ozzy and Strut from the first film except rather than eggs they're trying to eat our heroes (also in a break from the norm, unlike other "Sharpteeth" in the series they can talk). The defining shtick is basically them complaining to each other that one does more work in their food gathering relationship than the other. It's not particularly endearing or amusing but I suppose it does try to shake itself up.
The songs are mostly forgettable. Grandma's Lullaby was probably the best by virtue of tying itself to Grandpa's illness and having a decent enough melody. Other songs were either annoying like the villain song "Who Needs You?" or a filler song "It takes all sorts" which basically retreads the message of the original Don Bluth movie without subtlety. Otherwise pretty much anything said of the other two sequels can apply here.
Land Before Time IV is basically more of the same. It's slightly better than the other two sequels by virtue of having a plot with heftier stakes and slightly more drive and focus, but it doesn't have much in the way of emotional or tonal weight.
The final Land Before Time sequel to be directed by Roy Allen Smith and written by Dev Ross, The Land Before Time IV keeps itself mostly in line with its predecessors II and III. It's really no better nor worse than the previous two, though maybe it gets a few points for having slightly more stakes than the first entries. With the crux of the movie being a ticking clock to save Littlefoot's Grandpa it definitely feels like it has more weight than the previous two entries with II teaching the moral of obeying your parents, and III being a vehicle for Bullying, resource conservation, and fire safety advice. I can say that IV feels more like an actual movie rather than an extended TV episode.
The movie's villains this time around, crocodile like creature Dil and bird like Ichi, are basically like Ozzy and Strut from the first film except rather than eggs they're trying to eat our heroes (also in a break from the norm, unlike other "Sharpteeth" in the series they can talk). The defining shtick is basically them complaining to each other that one does more work in their food gathering relationship than the other. It's not particularly endearing or amusing but I suppose it does try to shake itself up.
The songs are mostly forgettable. Grandma's Lullaby was probably the best by virtue of tying itself to Grandpa's illness and having a decent enough melody. Other songs were either annoying like the villain song "Who Needs You?" or a filler song "It takes all sorts" which basically retreads the message of the original Don Bluth movie without subtlety. Otherwise pretty much anything said of the other two sequels can apply here.
Land Before Time IV is basically more of the same. It's slightly better than the other two sequels by virtue of having a plot with heftier stakes and slightly more drive and focus, but it doesn't have much in the way of emotional or tonal weight.
As a child, I loved this film! I didn't like any of the others besides the first one, and my opinion stands 10 years later. There was something magical about this one, and I still remember all of the exciting and fantastic elements that made this my second favorite. The first one had some scary moments(for a kid, that is) but this one was much more upbeat and friendly. It will always have a special place in my heart, and my children's hearts as well. I can't believe the people who've panned this film! You need to re-live your childhoods again, or lighten up!
10/10
10/10
Scrutinize as we may, the original film of 1988 is a classic. The first sequel was still enjoyable but was a notable step down as the presentation was even more simplified, appealing directly to the very youngest of viewers; the second sequel of 1995 was much the same, but at least a small step back up as meaningful themes and ideas were broached. It's safe to say that my expectations for the fourth film overall, released in 1996, were mixed, but of course there's always the possibility that such a subsequent sequel may claim real value all its own. For better and for worse, it doesn't take long after it begins that we can discern 'Journey through the mists' to be very much in line with the past couple direct-to-video releases. If nothing else, with the same cast and crew involved once more - with only piecemeal changes in personnel, if any, from one to the next - we can trust in consistency.
It's hardly as if these later installments, bereft of original filmmaker Don Bluth, aren't any good there is lasting value here, however we might measure it. There's much to appreciate in the visuals, including vibrant color and rich detail in the painted backgrounds, and certainly in character designs, effects, and other active elements. Returning composer Michael Tavera provides a score which doesn't leave much of an impression in and of itself, but which is lovely nonetheless. Whatever we might say about the performances into which they were guided, the voice cast is reliably splendid, ably demonstrating their skills. And while not nearly with the same strength as in the progenitor, the flick boasts some good ideas to play with in the writing: the continued adventures of diminutive dinos Littlefoot, Cera, Ducky, Petrie, and Spike, and other friends, while learning much about life at the same time as the youngest audience members who would be watching.
Be that as it may, it's all too easy to find points to criticize in these TLBT sequels. The visuals are nice, but while the colors are sharper there's less nuance, and character movement is prone to awkward, unnatural stiltedness (e.g., heads bobbing). The voice actors cannot be faulted, including icons like Jeff Bennett and Rob Paulsen, yet they are guided into performances that lean into being extra cutesy, simplistic, and childish. Some original songs in these sequels are kind of catchy, but even the best of them are rather gauche, and the worst are altogether cringe-worthy (such as, in this case, "Grandma's lullaby"). Above all, the writing is reduced and unsophisticated, reflecting an apparent mind for basic aphorisms, forced science lessons, and flavorful, uncomplicated fun over earnestness, heartfelt storytelling, or especial substance. The ideas are there, yes, but rendered in a streamlined manner meant not for six- or nine-year olds, but for two- and three-year olds. This applies in varying degrees to the dialogue, scene writing, and revised characterizations, and to the narrative at large, and the result is quite plainly a lesser creation.
'The land before time IV' is still a good time. It's still worthwhile, and various tidbits are particularly well done, including much of the animation, some mild humor, and underlying story ideas. Even the song "Who needs you?" is a tiny delight, demonstrating again that antagonistic figures benefit from some of the most clever and creative writing in the sequels (see also "Eggs" in 'The Great Valley adventure'); similarly, appearing in a guest role as giant turtle Archie, Charles Durning enjoys some splendid writing. Ah, but would that the thought that went into this were more consistent. Would that the sequels were approached less like frivolous Saturday morning cartoons, and more like the sincere theatrical feature that the progenitor was. As something very light and modestly entertaining, 'Journey through the mists' is deserving on its own merits. Don't go out of your way for it, however, and enter knowing fully well that it's a picture existing on a lower stratum than too many other family-friendly flicks that are more significant and impactful. Maybe that's the best way to get the most out of this.
It's hardly as if these later installments, bereft of original filmmaker Don Bluth, aren't any good there is lasting value here, however we might measure it. There's much to appreciate in the visuals, including vibrant color and rich detail in the painted backgrounds, and certainly in character designs, effects, and other active elements. Returning composer Michael Tavera provides a score which doesn't leave much of an impression in and of itself, but which is lovely nonetheless. Whatever we might say about the performances into which they were guided, the voice cast is reliably splendid, ably demonstrating their skills. And while not nearly with the same strength as in the progenitor, the flick boasts some good ideas to play with in the writing: the continued adventures of diminutive dinos Littlefoot, Cera, Ducky, Petrie, and Spike, and other friends, while learning much about life at the same time as the youngest audience members who would be watching.
Be that as it may, it's all too easy to find points to criticize in these TLBT sequels. The visuals are nice, but while the colors are sharper there's less nuance, and character movement is prone to awkward, unnatural stiltedness (e.g., heads bobbing). The voice actors cannot be faulted, including icons like Jeff Bennett and Rob Paulsen, yet they are guided into performances that lean into being extra cutesy, simplistic, and childish. Some original songs in these sequels are kind of catchy, but even the best of them are rather gauche, and the worst are altogether cringe-worthy (such as, in this case, "Grandma's lullaby"). Above all, the writing is reduced and unsophisticated, reflecting an apparent mind for basic aphorisms, forced science lessons, and flavorful, uncomplicated fun over earnestness, heartfelt storytelling, or especial substance. The ideas are there, yes, but rendered in a streamlined manner meant not for six- or nine-year olds, but for two- and three-year olds. This applies in varying degrees to the dialogue, scene writing, and revised characterizations, and to the narrative at large, and the result is quite plainly a lesser creation.
'The land before time IV' is still a good time. It's still worthwhile, and various tidbits are particularly well done, including much of the animation, some mild humor, and underlying story ideas. Even the song "Who needs you?" is a tiny delight, demonstrating again that antagonistic figures benefit from some of the most clever and creative writing in the sequels (see also "Eggs" in 'The Great Valley adventure'); similarly, appearing in a guest role as giant turtle Archie, Charles Durning enjoys some splendid writing. Ah, but would that the thought that went into this were more consistent. Would that the sequels were approached less like frivolous Saturday morning cartoons, and more like the sincere theatrical feature that the progenitor was. As something very light and modestly entertaining, 'Journey through the mists' is deserving on its own merits. Don't go out of your way for it, however, and enter knowing fully well that it's a picture existing on a lower stratum than too many other family-friendly flicks that are more significant and impactful. Maybe that's the best way to get the most out of this.
Like the original, an well crafted heatwarming tale. This storyline is full of morals and lessons from envy, jealousy, prejudice, teamwork, friendship and much more.
The animation is traditional and simplistic with some innccuracies of depictions of species' features and some inaccuacies between Mesozoic and Cenozoic periods. However the dubbing is amazing with characters vocal patterns and use of language being correlative to the species presumed intelligence.
Unlike the original this has several musical numbers which seem dubious in the context of the series. The songs seem to get marginally better throughout the series.
However a must watch for kids
The animation is traditional and simplistic with some innccuracies of depictions of species' features and some inaccuacies between Mesozoic and Cenozoic periods. However the dubbing is amazing with characters vocal patterns and use of language being correlative to the species presumed intelligence.
Unlike the original this has several musical numbers which seem dubious in the context of the series. The songs seem to get marginally better throughout the series.
However a must watch for kids
Lo sapevi?
- QuizThis is the last film where Candace Hutson voices Cera. She was the longest-remaining original cast member in the series.
- BlooperAs the duck is thrown into the air by the crocodile, it reaches the peak of the arc after 5 seconds. The duck then takes 18 seconds to fall which means that the crocodile threw the duck upwards at around the speed of sound. This is impossible for a crocodile to achieve and would also result in the duck being killed by extreme g-forces.
- ConnessioniEdited from Alla ricerca della valle incantata (1988)
- Colonne sonoreIf We Hold On Together
Music Composed by James Horner
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- Tempo di esecuzione1 ora 14 minuti
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