Michael Sanford e sua moglie si spostano nella loro vecchia città per cui possono fare affari con la famiglia. Senza embargo, comienzan a ocurrir horribles asesinatos de niños.Michael Sanford e sua moglie si spostano nella loro vecchia città per cui possono fare affari con la famiglia. Senza embargo, comienzan a ocurrir horribles asesinatos de niños.Michael Sanford e sua moglie si spostano nella loro vecchia città per cui possono fare affari con la famiglia. Senza embargo, comienzan a ocurrir horribles asesinatos de niños.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
The biggest problem with the film lies in the fact that two of the victims appear to survive by the end of the film, when there's no chance of that happening. The human body can take a lot of abuse, but not that much. Plus, the film ends too soon to let us know what happened to Sanford and his wife.
Still, it's a taut, well-made film, with the actors giving some gritty performances. Cullen, Tomita, and Bower do a great job with their roles.
It's obviously not for every taste (what movie is?), but I sure liked it!
This film is directed by Evan Crooke, in his directorial debut, and stars Brett Cullen (The Dark Knight Rises), Tamlyn Tomita (The Karate Kid Part II), Wes Studi (Heat), Brion James (Blade Runner), and Frank McRae (48 Hrs).
The film has a made-for-television feel to it. The premise has potential, and the cast isn't bad, but neither is well utilized. The main characters were just average, but Studi delivers a solid supporting performance. Brion James as a hypnotist was odd, and although I generally love McRae's comedy, he was more of a miss than a hit here. There are no standout kills, except for a creative use of a fishhook while driving. Overall, there were few redeeming elements.
In conclusion, The Killing Jar had some potential but suffers from poor execution. I would score this a 3/10 and recommend skipping.
The real problems here are the slow, uneven pacing, the even more uneven atmosphere, and the often amateurish direction that makes the actors stand around and deliver dialogue in extended chunks of stagey-looking shot-reverse shot and too much camera motion. The editing doesn't seem to have helped, but it's hard to tell what's an editing error and what was a failed attempt to fix the direction. The script and story could have been punched up a bit, too.
Tamlyn Tomita is luminous, and a lot of the cast is working hard here, but it doesn't come together.
Lo sapevi?
- QuizIn a tragic bit of parallel, 17 years after the movie was made, Jordan Oschin was fatally struck as pedestrian by a car. In this movie, Sean Evans, the character played by Oschin, is the only one among the three adolescent passengers to die when the station wagon they are in tumbles and overturns down a shallow hill. This film is also his last known film role.
- Citazioni
Dr. Vincent Garret: Essentially, the eyes are a sort of a camera, in which you can figure the brain is a roll of film. Everything we see, feel, touch, is stored for an indefinite period of time. The key is being able to retrieve it.
- Colonne sonoreTHE DAME IN RED
Composed by Robert Farnon
Courtesy of Zomba Music Services
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Dettagli
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1