VALUTAZIONE IMDb
7,6/10
10.135
LA TUA VALUTAZIONE
La recessione economica colpisce duramente una coppia di sposi di Helsinki.La recessione economica colpisce duramente una coppia di sposi di Helsinki.La recessione economica colpisce duramente una coppia di sposi di Helsinki.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 2 candidature totali
Matti Pellonpää
- Child in the Photo
- (filmato d'archivio)
Recensioni in evidenza
The movie has a feeling of sinking ship. Yes, you heard right. The setbacks which haunts the maincharacters are so cruel that only real life can do something like this to people. I happen to live quite close to places where this has made, and friend of mine wondered how Kaurismaki had found such a ruined places from Helsinki! This looks like some dirty streets in NY! The actors and actresses are magnificent. And the music has it's melancholic feeling of autumn as ever. Yes, definably this is something you should see.
Let Americans be Americans. Let them have their explosions, action, mainstream movie-making. Kaurismäki's film "Kauas pilvet karkaavat" is a slight parody, of course, but it contains a little Finland in it. Feelings are irrelevant, we Finns are more like Borg than "civilized" people, who can discuss about weather in every possible situation. I think everyone who comes to Finland, should see this film. It helps to understand.
10picaboo
I saw Drifting Clouds at a film festival, and I was truly blown away by the intense and true-to-life emotions this movie portrayed. Formerly being a Hollywood-action film kind of a guy, seeing Drifting Clouds has made me more open to artistic and especially foreign films. Director Kaurismaki is in my opinion one of the best directors in the world.
I particularly liked Man Without A Past, by the same director, and this is much in the same vein. A couple having financial difficulties tries to make their way. Sounds like all of us. Only this couple delivers delicious witty dialogue in a deadpan style that cracks me up every time. Even their fights and make ups are so understated that it's a style all it's own. Don't look for the obvious here, it's hidden under a layer of Finnish humor so opaque that you have to watch very closely to see even a glimmer of laughter in anyone's eye.
The film is gloomy, depressing, bleak, but somehow it does your heart good. Even when things seem to be at their worst, you can't help but feel that the hardworking and honest couple will manage to somehow get back on solid ground and right with the world. You want them to. You need them to. They simply must, or your poor little heart will break.
It's hard to describe this film because nothing much seems to happen, there are only the normal setbacks of life in the low income zone, but by the end you realize that you've seen a great movie and are happy with it. What helps keep you interested are the dialogue and the understated style. For example, why do all the men wear their hair the same way? Does anyone own clothes that aren't drab? Why does all the furniture look like it's from the 1950's? All these questions and more will occur to you while watching the film and wondering if anyone will ever crack a smile.
The film is gloomy, depressing, bleak, but somehow it does your heart good. Even when things seem to be at their worst, you can't help but feel that the hardworking and honest couple will manage to somehow get back on solid ground and right with the world. You want them to. You need them to. They simply must, or your poor little heart will break.
It's hard to describe this film because nothing much seems to happen, there are only the normal setbacks of life in the low income zone, but by the end you realize that you've seen a great movie and are happy with it. What helps keep you interested are the dialogue and the understated style. For example, why do all the men wear their hair the same way? Does anyone own clothes that aren't drab? Why does all the furniture look like it's from the 1950's? All these questions and more will occur to you while watching the film and wondering if anyone will ever crack a smile.
To truly understand and appreciate Kauas pilvet karkaavat (Drifting Clouds)you need to understand something of the Finnish mindset, and to understand something of the Finns I would recommend this film. Kaurismaki is able to encapsulate and embody the Finns and Finland in his work. I have lived 10 months of my life in Finland, and I was therefore able to identify immediately with this film through my experiences of Finland and the Finns themselves (my dear friends there). This film captures the sense of space that Finland itself has, the sense of space that the Finns create around themselves (Finns appear to me to be somewhat unseasy with urban and city living, hence everyone's desire to escape to a kesamokki, summer cottages at the earliest possible time) and the understated, no-BS nature of the Finns themselves, it is the only country I know where it is truly possible to have confortable silences when conversing with people.
Silent despair, brought on by the extremes of the climate, Finland's relative isolation, the social problems that DO exist there (despite being a Scandinavian country with all the images of a freedom and social support that that may conjure), the expectation of conformity that exists within such small societies, and yet the strong innate desire of every Finn to truly assert an individual identity over within the framework of this 'organised freedom' are all apparent in this film and are how I observed Finland. The 'national' sport of drinking until one passes out, particularly during the dark days of winter, and when coping with depression or despair. To any Finns out there, this is not meant to cause offense, my apologies if these comments do.
Kaurismaki's use of long shots and one takes for a sequence of action (or non-action), and the sense of time and anticipation that they create, until you realise that the anticiption amounts to nothing, which is so in line with the Finnish sense of humour. It is always difficult to generalise about a particular nation and make sweeping statements that are meant to be applicable to all who live within the confines of those national boundaries. But as a small country (in terms of population) with a closely homogenous people, these traits are quite discernable, especially with the impact that the environment and climate brings...Drifting Clouds and the Leningrad Cowboys are two sides of the same coin...
I make this disclaimer, the film is actually gloomier than life there.
Silent despair, brought on by the extremes of the climate, Finland's relative isolation, the social problems that DO exist there (despite being a Scandinavian country with all the images of a freedom and social support that that may conjure), the expectation of conformity that exists within such small societies, and yet the strong innate desire of every Finn to truly assert an individual identity over within the framework of this 'organised freedom' are all apparent in this film and are how I observed Finland. The 'national' sport of drinking until one passes out, particularly during the dark days of winter, and when coping with depression or despair. To any Finns out there, this is not meant to cause offense, my apologies if these comments do.
Kaurismaki's use of long shots and one takes for a sequence of action (or non-action), and the sense of time and anticipation that they create, until you realise that the anticiption amounts to nothing, which is so in line with the Finnish sense of humour. It is always difficult to generalise about a particular nation and make sweeping statements that are meant to be applicable to all who live within the confines of those national boundaries. But as a small country (in terms of population) with a closely homogenous people, these traits are quite discernable, especially with the impact that the environment and climate brings...Drifting Clouds and the Leningrad Cowboys are two sides of the same coin...
I make this disclaimer, the film is actually gloomier than life there.
Lo sapevi?
- QuizDedicated to the memory of Matti Pellonpää (who was frequently cast by director Aki Kaurismäki) for whom the main role was originally intended. The child who can be seen in the photo is Pellonpää, a homage.
- Citazioni
Restaurant chief: [Ilona is applying a new job] To be honest, you're beginning to be too old.
Ilona: I'm 38.
Restaurant chief: You can pass away at any time.
- Curiosità sui creditiClosing credits begin with dedication to the late actor (and frequent collaborator) Matti Pellonpää: "Omistettu Matti Pellonpään muistolle."
- ConnessioniEdited into Välittäjä (1996)
- Colonne sonorePathetique
Composed by Pyotr Ilyich Tchaikovsky (as Pjotr Tshaikovski)
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Dettagli
- Data di uscita
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- Sito ufficiale
- Lingue
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- Drifting Clouds
- Luoghi delle riprese
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Botteghino
- Budget
- 5.562.154 FIM (previsto)
- Tempo di esecuzione
- 1h 35min(95 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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