Il giurato

Annie Laird (Demi Moore) is a sculptress and single mother to Oliver (Gordon-Levitt) who essentially talks her way onto the jury of a major Mafia trial. That leads to her being targeted and manipulated by a hit-man(Baldwin) who demands that Annie produce a not guilty verdict……

Baldwin and Moore trying their best, and are compelling to a point, it all eventually unravels due to over-length and implausibility of the characters, whose actions over the course of the film are increasingly unlikely.

This film is a great demonstration of Demi Moore's lacking of facial expression. She's a capable performer, but she lacks the ability to project either vulnerability or likability. Moore fails at playing the victim.

Moore is played away by Heche (one with great facial expressions). Heche in the leading role And Moore in the role of best friend, could have raised this movie up from being slightly better than average into an exciting thriller.

This is a pretty good movie up until the ending, that goes way over-the-top.

Excellent: Demi Moore, cinematography. The suspense-parts are generally well done, for example where it is not clear whether the boy on the bicycle will be killed or not.

General plot: Unfortunately the genre where the good person does nothing right and the bad person does nothing wrong. And innocent friends also get killed in the process. Then suddenly in the last 5 minutes the good person amasses incredible logistics and action, and the bad guy dies. Better would have been some more intellectual input throughout the film from the heroin, such as that she gradually finds out where he hid microphones, and realises that he has her address list, and so warns her friends what is going on.

This movie is enough to recommend on the strength of the acting from Moore, Gandolfini, and especially Alec Baldwin but it is a shame that some of the excesses and superfluousness (especially the unsatisfying escapade in Guatemala) could not have been cut out. Instead of more action it would have been interesting if the ethical aspect of a compromised juror (albeit unwillingly) could have been explored in the spirit of 12 Angry Men. Anyway, this movie still rates a 7/10 on the strength of some undeniable suspense and very strong acting especially from Baldwin.

A movie with this much pedigree should have been better. Solid acting all around, competent direction, a better than average script from Ted Tally, somewhat fresh off his Oscar win for Silence of the Lambs.

It's just that nothing really happens. Or not much, at least. The beginning is taut and engaging. But then it plods through until the extremely predictable ending. And how they missed the opportunity not to hang the bad guy at the end, given the San Simon reference earlier, I don't know. I guess they wanted one less than obvious thing in there. Pacing is the biggest problem here, along with the lack of action. 20 minutes should have been hacked off the final product and this could have been quite a bit better.

Alec Baldwin comes on quoting from the Tao Te Ching, making me think he's my kind of anti hero. He's urban, sophisticated and seemingly very safe since he's an art curator, or seems to be. Demi Moore as Annie Laird, a gifted and original sculptor (she sculpts works of art that you feel with your hands by reaching up into them: it's all tactile), is thrilled when he offers to buy her work and sell it to the Japanese. Wow. She has arrived as an artist.

Thus we have an intriguing and original premise for a thriller. One almost wishes that there weren't this little matter of her agreeing to serve on the jury in the case of a Mafia boss on trial for murder..

I will gloss over the excellent, if unlikely, plot since it would be preemptive to reveal any of it, and concentrate on Demi Moore who is gorgeous, strange and riveting.

It might seem impossible to give an 'heroic' performance in a thriller, since the point of a thriller is pure entertainment, but this movie manages to look into the nature of good and evil a bit more than most, and Moore plays her part like our dream of a true heroine. Her character has strength and cunning; she's sharp without pretension. I always thought Moore was better than her reputation, but somehow she always seemed a little on the not entirely bright side, the kind of actress who would never presume to play Shakespeare. But now I think she's a 'natural,' like a gifted athlete-I'd almost say an 'animal'-as an actress, which is probably why some people don't like her. She can project the beautiful woman, an ordinary woman, or herself as a matronly woman with just a turn of her head. She can display a wide range of emotions and be, by turns, both a masculine and a feminine entity; but she is not androgynous. The role she plays here is, in a sense, the feminine counterpart of many Harrison Ford roles, the ordinary person elevated to heroic action by compelling circumstances. I would not say that Demi Moore is a great actress, but she is close, and I could be wrong.

Alec Baldwin combines megalomania with a seductive cynicism. He fills the screen with his presence like something you can't get rid of. He is so compelling you want to push him away or just give up. And he is charming-evil, but charming.

Brian Gibson's direction is unobtrusive and clever, and he pays attention to detail. The script is relatively free of the implausibilities that usually mar the genre, and the editing is crisp without jarring. The story practically transcends the genre by making us feel the evil of violent crime and how it perverts society, the sort of revelation not usually attempted in a thriller. I was especially delighted to see the Mafia demeaned and defeated, even if it's only by a new breed of international criminal. This is a superior thriller.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)