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James and the Giant Peach is a stop motion/live action adaptation of the late Roald Dahl's book in the early 60s when being transitioned into film (like Charlie and the Chocolate Factory, The BFG, The Witches, Matilda, and The Fantastic Mr. Fox) about a young boy named James, who climbs into the peach and meets anthropomorphic stop-motion insects and stumbles upon an adventure of a lifetime. Many critics and fans of Roald Dahl alike were amazed about how faithful this movie was to the book, but there are two problems that I do have with this adaptation.

1) The beginning was quite dark and might frighten younger kids along with other scenes.

2) The rhino in the sky and the scene where James battles it wasn't explained enough. That's it for the criticism.

The positive aspects of this movie were excellent. The live action sets and the stop-motion animation have an astounding charm to the book. The character designs are pretty unique and the Jack Skellington cameo as the captain of the skeletons was amazing. The acting is very superb. The stop-motion insects were good, the two mean aunts named Spike and Sponge were tolerable, and the main character James is very likable. Even the action is very good. Music/songs written by Randy Newman (The Toy Story trilogy, The Princess and the Frog) were surprising good. Although not a masterpiece, James and the Giant Peach is an enjoyable family entertainment that stays faithful to the story from a great author.

8/10

True, it isn't as good as the book, which is a childhood favourite of mine, but it is still a delightful and charming film. The look of the film is splendid, with bright colours in most scenes and some very memorable scenes such as the killer sharks, and the peach was stupendous. The script is very clever and funny, especially with Centipede, who has some truly hilarious lines. The performances are exceptional, Paul Terry is very appealing as James and Pete Postelthwaite delights as the mysterious man, who is responsible for changing James's life forever. There is also a terrific voice cast, including Simon Callow, Richard Dreyfuss, Susan Sarandon and David Thewlis who breathe fresh air into the screenplay, but it is certainly Miriam Margoyles and Joanna Lumley as the ghastly aunts who steal the show. I do however have two complaints of the film. I did find Randy Newman's songs forgettable, and they occasionally mar the film's pacing, and Paul Terry's singing voice just was a bit weak. Other than that, it is a delightful film, with an 8/10. Bethany Cox

As a child James and the Giant Peach was one of my favorite books, so it was interesting to see how it would be formatted into a film. They actually did a pretty good job, although the book is much better. The animation was nicely done, and I liked the way the characters changed from life form to animated form- it gave the film a real surreal type of film. The songs were quite poor, and were obviously aimed at the kids to 'liven' things up a bit, after all some may say the story ventures on the dark side of things. It's nice to see a film aimed at children that can also appeal to adults as well, although it does help that many of us are very familiar with Roald Dahl's stories. In summary quite a good effort.

I really enjoyed it, and so did my 3- and 5-year-old (and yes, we read the book). The animation and live-action scenes showed a lot of love. Though elements of the story seemed a bit hurried or neglected, they weren't anything a fairy-tale fantasy couldn't absorb in stride. The music works well enough for this non-fan of musicals, and I prefer serviceable and inoffensive tunes to the treacly jingles and melodramatic scores of the usual Disney classics.

My only real complaint would be with the ending, as it really is unclear how the aunts drove across the ocean (did they obtain their own crocodile tongues?), and the slice of NY upon landing has a grim, Munchkin-town quality. Still, everything up to that point has left you with lots of goodwill towards the movie's makers.

The visual style is a bit "freaky" and the characters are a bit offbeat but that gives it some charm. I loved the banter between all the different insects who have a rivalry but are all good people. Their adventure is very engaging. The only downside is that sometimes the film is a bit over the top which makes it hard to empathise with James because his struggles can seem a bit comedic.

I remember that I first learned of Roald Dahl's "James and the Giant Peach" when I saw a stage production of it, shortly after which I read the book. I liked both very much. The movie version isn't any kind of masterpiece, but still worth seeing as a way to pass time. I always find it interesting when years later I see who all does the voices: Richard Dreyfuss, Susan Sarandon and David Thewlis, to name a few (Miriam Margoyles also stars).

So, I would say that this movie does have a Tim Burton feeling (Roald Dahl plus Tim Burton; imagine that!). As long as we understand that this is pretty much intended as a children's movie, it's quite enjoyable.

The team of Henry Selick and Tim Burton ("The Nightmare Before Christmas") was the right choice for adapting this Roald Dahl book, or any Roald Dahl book for that matter, to the screen. What Dahl needs is someone who can appreciate the dark and morbid humor to be found in his stories -- they DON'T need to be given the sanitized Disney treatment.

Still, this is only a so-so version of the book, one of my absolute favorites when I was a child. The animation is cool, but there was no way the filmmakers were going to be able to compete with my childhood memories of reading this book over and over again.

It's probably not even fair for me to review the movie for that very reason.

Grade: B

There is sooo much I like with this movie. It has imagination, a sense of wonder and characters you either love or hate. And the blend of live action and stop-motion animation is a delight. The songs incorporated in this story is not very memorable but sweet and fit their purpose. And you simply have to love to hate Margoyles and Lumley in their parts as the aunts from hell. They treat poor James so horribly that I thought that "Cinderella had it easy"! Compared to "nightmare before Christmas" I actually liked this movie better. It has more of a heart even if the story itself may be just a bit less interesting and inventive. There are so many good scenes but among the highlights is the arctic adventure and the New York sequence. But, mind you, the opening is very deceptive and might scare younger parts of the audience. Otherwise, a must-see!!!

I wanted to watch this movie for a while. There are not many around animated this way and I did love The Nightmare before Christmas and Coraline. So, I finally gave it a try. I was not particularly impressed. I found the story somehow bland and uninspiring. Also, any little moral message in it is basically lost in a number of events that I presume are supposed to be exciting but are rather dull. The songs are not really bad, although they don't save the film. Perhaps I'm just too old for this, although I still love other family films like the ones mentioned at the beginning. I find this film just OK, I wouldn't watch it again.

The 1996 Disney filmization of Roald Dahl's first book for children, 1961's "James and the Giant Peach," is a delightful confection that, like its original, should prove as much fun for the adults as the kiddies. The film hews fairly closely to its source material, with some important differences, and really is quite the exemplar of modern-day animation arts. In it, we are introduced to James Henry Trotter, an orphaned boy whose miserable existence with his two witchlike aunts takes a decided turn for the better when a mysterious old man gives him a bagful of magical green crystals. These crystals cause the previously barren peach tree in his front yard to grow the titular giant fruit, and James soon meets, inside the stone of the fruit, six new friends, giants all: a grasshopper, a spider, an earthworm, a glowworm, a ladybug and a centipede (the book's silkworm character, for some reason, has been omitted). The seven make a hazardous trans-Atlantic journey to NYC aboard the peach, a journey that tests the mettle of each of the team indeed. The film differs from Dahl's book in that the journey to NYC is a goal, rather than a happy accident. The film also tones down the book's violence (James' aunts are not killed in the film), turns the shark into some kind of killer robot, and, most unwisely, drops the entire sequence with the Cloud Men in favor of a haunted pirate ship not at all present in Dahl's text. The nature of the rhino that ate James' parents is also, strangely, much altered. The filmmakers have added some musical numbers to the mix, and although Randy Newman's charms are usually lost on me, I found his five contributions here to be quite entertaining. The picture blends live action, stop-motion animation and what looks to be (in James' dream) animated collages seamlessly and effectively, and the whole production really is something of a technical marvel. Despite the changes, this is one very winning entertainment indeed.

An orphan with terrible aunts for guardians, befriends human like bugs who live inside a giant peach, who take the boy on a journey to New York City.

Although I am not the biggest fan of "Nightmare Before Christmas", I love the aesthetic that Tim Burton and Henry Selick have. We get another taste of that here. Selick directs, Burton produced... it may be a bit less Burtonesque because it is based on a Roald Dahl book, but I feel like some of their sensibility still got in there, especially with the aunts.

Owen Gleiberman of Entertainment Weekly gave the film a positive review, praising the animated part, but calling the live-action segments "crude." I would have to agree with that. I liked the live-action bits, but they seemed out of place and it might have been best to go full-animation.

I was surprised that people thought this film was average, or so-so. I found it to me a movie that was so much fun to watch.

Starts out live-action, than it seagues into stop-motion animation. Some of the scenes are very memorable (the pirate attack) and the voices are delightful. Not as good as Nightmare Before Christmas, but every bit as imaginative.

It's very sweet and cute, but kind of gets a bit stale/boring after some time. Those two aunts were absolutely disgusting in every way. And I really loved when he sang my name is James. That was so sweet, emotional and adorable.

I watched this movie because somewhere I ran into comparison with Nightmare Before Christmas. It is far from bad movie, but Tim Burton is just a producer here and comparing this with movies Burton wrote and directed is nothing but blasphemy. My main objection to this movie are pretty much boring songs. It's unbelievable that this movie was nominated for Best Music Academy Award. Out of all Disney animated movies I saw so far this one has definitely the worst soundtrack and not even one song that became evergreen hit. Overall, I have no objections, but no commendations either. Average Disney flick suitable for children only.

6/10

Nowadays, the concept of stop-motion animation is quite unpopular. Thankfully it hasn't died but it is unfortunately not resorted to that often anymore. During the early 1990s, this classic and unique animation technique began getting dropped from film projects because of its "next best" replacement - CGI. With the demonstration of Terminator 2: Judgement Day (1991), that CGI could be controlled and used correctly, many movie studios want it to be in their upcoming projects. For that reason alone, stop-motion animation was left behind when it came to live-action films. But there were others who thought differently. Also in the early 1990s The Nightmare Before Christmas (1993) was released to the public and became one of the greatest holiday films of its decade. Behind the wheel of this vehicle was a small time filmmaker named Henry Selick. Since then his filmography has been quite small but to this day has made sure his films contained stop-motion in it. His second feature would be just as memorable to kids who grew up during this time and that was this.

Based on a children's book by Roald Dahl, the story is about a English youth named James (Paul Terry) who looks to visit New York City but lives under the strict rule of his aunts Sponge and Spiker (Miriam Margolyes & Joanna Lumley) after the death of his parents. Then, unbeknownst to him, a stranger (Pete Postlethwaite) appears and gives him magical trinkets that'll help make his dreams come true. This arrives in the form of a giant peach that harbors future insect friends. These characters are Mr. Grasshopper (Simon Callow), Mr. Centipede (Richard Dreyfuss), Mrs. Ladybug (Jane Leeves), Ms. Spider (Susan Sarandon) and Mr. Worm (David Thewlis). The adaptation of Dahl's book was written by Karey Kirkpatrick (Chicken Run (2000)), Jonathan Roberts (The Lion King (1994)) and Steve Bloom (Jack Frost (1998)) and for the majority of the film, it's practically the same. Plus, the character development and overall message of the story is well thought out and optimistic.

The character development focuses on learning to accept one's differences and understand how each individual brings unique benefits to certain situations. The overall message in the story is to never stop believing and always look on the positive side of things. These are life lessons that everyone needs to know about no matter how old you are when viewing this film. For acting, although Paul Terry quit the profession not long after this film, for a child actor he's not bad (or annoying). His appearance is innocent and feels genuine in physical form and voice work. Miriam Margolyes and Joanna Lumley as James' aunts are quite the opposite and they do it well. Being gross and greedy is their shtick. The supporting cast of voice actors who bring James' bug friends to life are enjoyable too. Simon Callow as Mr. Grasshopper plays quite the upperclassmen that isn't snooty enough to talk to someone below his level. Richard Dreyfuss as the wisecracking centipede has a number of funny lines either when it comes to himself or certain situations he's in.

Jane Leeves as Mrs. Ladybug is sweet and also shows feminine strength when called for. David Thewlis as Mr. Worm plays with a Scottish accent and sometimes fears the worst but too learns to cope. Lastly Susan Sarandon as Ms. Spider uses a Russian accent and although she's a bit colder than her counterparts, she too has a charming attitude. However even with these positives the writing isn't perfect. One of the screenplays biggest blunders is its continuity. There were moments where claims are made about certain dangers and yet a minute later, the labeled danger will no longer be a threat for unexplained reasons. Another example is how James and co. weren't able to find their way to NYC without a compass, yet a map that James has clearly shows them which direction they are traveling as they move. Seems a little pointless to go find something that'll help you when you already have what you need. The other problem is that the way this story was written is the strange reality that James' lives in feels illogical.

For this, there are certain things that should have an expected facial reaction but the exact opposite is portrayed. It just doesn't look right. For animation, as mentioned before stop-motion was used and it looks great. The jagged and tangible like edges to the characters give them a likable visual appeal. The live-action is also well done too. This also goes hand-in-hand with both live-action and animated cinematography provided by Hiro Narita and Pete Kozachik respectively. Narita's work efficiently shows the contrast between James' past and current life and how all the fun was sucked out of it. Kozachik on the other hand effectively conceals the illusion of various matte painting backdrops to help make the animated world feel bigger than life. Lastly Randy Newman composed the film score a year after the massive success of his work on Disney's Toy Story (1995). Here Newman's music feels like his, but also has bits that sound like Danny Elfman got in on a few areas too. Either way it is fun to listen to and with its catchy songs.

The script has decent character development and has important life lessons for people to reacquaint themselves with despite it having some noticeable continuity errors. Also some characters react oddly to certain implausible situations as if they were entirely acceptable. This aside, the characters are charming, the music is enjoyable and the visuals are delightfully engaging with the help of stop-motion animation.

James and the Giant Peach may not have the cult status of Nightmare Before Christmas, but, aside from mixing live-action bookends with the all-animated center of the film (not a great idea; should have been all-animation), it's a faithful and wonderful adaptation of Roald Dahl's classic dream-like story. The animation is superb, the voice talent wonderful (Susan Sarandon's sexy Eastern European Miss Spider takes the cake), and, as Time Magazine said, the film in many ways surpasses the book. Though there are flaws in the screen story by Karey Kirkpatrick, their effect on the overall emotional ride of the film is negligible. After seeing it again recently (first time in several years), I was amazed at what an incredibly beautiful film it is, beautiful colors and design and effects like teacup clouds and the cloud rhino. I especially loved the mechanical shark and the ships' arctic graveyard sequence where Centipede redeems himself by diving into the water to find a compass to get the peach back on course. Overall, a great film.

I can't believe the high rating that the movie "James and the Giant Peach" received. Obviously the people that rated it high have not read the book. Even so, looking at the film from the view of never having read the book, I still think this peach is rotten. For anybody who hasn't read the Roald Dahl book, do it. It is a wonderful story, and the movie pales beside it.

What a pleasant feel good film this little gem is !

After the sugar and sweet opening, including a hair raising song in the very worst Disney Style, Burton and Dahl break in and off we go, on an adventure that is fun and cheeky and in which not all the sharp edges have been blunted, thank Goodness.

Before we can go on a journey with the Giant Peach however, first Little James have to be orphaned. And he is, in a matter of fact voice-over that makes for a surprise element here. A bold way to get the plot in motion, and it works ! Many keep on wandering what or who that rhino was, that took the life of the parents just like that, on a whim. Well, anybody can be swept away by the rhino in the sky, or so the nasty aunties will have you believe anyway...

The visuals are stunning, the dialogues are bubbling fizzing electrical fun and brought wonderfully and lovingly by a great cast, and direction is clear cut, sharp and focused.

A lovely film, that makes you wonder what is Selnick & Burton and what's genuine Roald Dahl.

A splendid film that makes you go out and want to read a great book (again). What more can we possibly ask of a peach?

Hmmm, well ... about that Rhino in the stormy clouds ... Maybe ... If it's based in Britain, couldn't we tempt it to take a holiday somewhere in, say, Bora Bora or the Halls of Montezuma ? The English are quite accustomed to their climate, but their rhino gives us, here in the Lowlands, more than our share of rain and sleet too !!!

James' happy life at the English seaside is rudely ended when his parents are killed by a rhinoceros and he goes to live with his two horrid aunts. Daringly saving the life of a spider he comes into possession of magic boiled crocodile tongues, after which an enormous peach starts to grow in the garden. Venturing inside he meets not only the spider but a number of new friends including a ladybug and a centipede who help him with his plan to try and get to New York.

This film is truly delightful for the whole family. It's sweet, funny, and has a great musical score. I liked the stop-motion animation, which was fantastic in this film. It really had a lot of imagination to it, too.

There are even some great action scenes, although some might scare little children. The characters are lovable in the film. This isn't a masterpiece, but it sure is just a film to watch with the family if you have nothing else better to do.

I was an enormous fan of Roald Dahl's books when I was kid. I think of him as the Hands Christian Anderson of the 20th century. I didn't read all of Dahl's books but I read most of them. I've also seen most of the movies based on his books. Out of all the Roald Dahl books I read as child I would say that 'Charlie And The Chocolate Factory' is my favorite but 'James And The Giant Peach' is my second favorite.

The reason why I would say these two books are my favorites is because they're both about children who live miserable lives until a magical experience changes their lives forever and both end up becoming the luckiest kids in the world. For Charlie, his life changes with a tour of Willy Wonka's Chocolate Factory, but for James it's with a magical giant peach and group very friendly creatures.

I first remember hearing about this movie back in late 1996 when it was released in America during the Christmas holidays and I was very excited about it, but unfortunately I had to wait until the Easter Holidays before this movie arrived in Australia. I certainly loved it. James's two horrible aunt's who are nothing except cruel and nasty. Are as horrible in the movie as they are in the book.

I really loved the creatures from the peach which I remember (from the book) James describing them as "The friendliest creatures in the world". These creatures include Grasshopper, Earthworm, Centipede, Ladybug, Spider and Glowworm. My two favorite character's are Spider because her French accent made her a very smooth character and Centipede because of his sense of humor.

I also liked the songs. My favorite was "We're Family" which the creatures use to express how much they love James. I certainly believe these creatures are the best family any child could have. So for anyone who loved Roald Dahl's books as a child, you must...must see this film!