Appuntamento col ponte

Don't tune into this film if you are looking for the sparkling actress, Sarah Jessica Parker. In this film she is "angst" ridden and her male room mate "Joe" is well a, frustrated (in every since of the word), struggling artist.

They were best college pals and have shared a rather large NYC apartment, until one or both find "the one" for them.

Wish, I could find something positive to say, but it just isn't there. An interesting, if rather trite, premise, completely misses the mark in every area. Are they supposed to be "avant garde?" The "edgy" soundtrack, and weird performance/character "Blick" played by Ben Stiller, tips me off that they were aiming for "hip or black comedy." Elle Macphearson was completely wasted, and half of her screen time, she was wearing some "hunter in the great white north hat." Terrible.

Whatever. None of it works, and parts of the script were so pathetic and embarrassing (i.e. "would you drink my spit?" and the hug test), it seems that someone would have objected.

By the way, who is the actor portraying the faithful room mate, Joe. Hope the casting directors are hanging their heads in shame, along with the wardrobe department, and script writers.

Too much time spent on his pathetic weirdness, would have been better spent fleshing out the relationship between Lucy and her father. Did most of end up on the editing room floor, in favor of more screen time for "Joe?"

All around sad, check out episodes of "Sex and the City," to see what this film was trying to capture, but missed by a mile. What makes it worse, are the few glimpses of "what could have been." This will only make you more disappointed, in the overall film.

Essentially, I found this movie meaningless. Even though I do like Sarah Jessica Parker, Joe (played by Eric Schaeffer) seemed like an unnecessary jerk. He who has been watching through a telescope supermodel Elle MacPherson, suddenly becomes turned off by her when she admits to having fantasized about him. Dissapointing ending.

I rented this movie some time ago, thinking it would be great, especially with Sarah Jessica Parker and Ben Stiller. However, I found the movie very disappointing . It did not keep my attention and I kept waiting for it to "get good". It never did. I ended up falling asleep. Unlike other movies I have fallen asleep on, I did not feel the need to try to watch it again, especially when spending money to rent it. In fact, I could not wait to get the tape back video store. However, whenever I have trouble sleeping, I do consider purchasing a copy of this movie to help me fall asleep.

After reading other comments, I see that some people liked this movie and thought it was clever and smart, so it must have some enjoyable and entertaining value from a view point I am either lacking or just have not applied. However, it is definitely no Something About Mary, or You Got Mail which are wonderful romantic comedies, yet very different from each other.

...to Eric Schaeffer, but he's not the leading man type. He's a decent actor, writer, and director, but should stick to acting parts that fit his persona. The handsome, desirable leading man is not his strong suit.

Beyond that, the movie is predictable. We knew the ending right from the beginning. It is an inoffensive, puff piece of a movie, easily forgotten once it is over.

The only slightly interesting part is seeing Scarlett Johansson in one of her earliest roles. Beyond that, there's nothing original here.

Platonic best friends and roommates Sarah Jessica Parker (a New York City therapist bored with her clients) and Eric Schaeffer (a struggling artist who also teaches art to kids) are frustrated over their lackluster love lives and recall a pact they made years before: if they're both without partners at the age of 30, they will jump off the Brooklyn Bridge together. Romantic comedy alternates between being jaded and sentimental; it has flashes of satirical wit--but only flashes. Parker doesn't have much of a character here; perhaps sensing this, she compensates for the lack of substance by doing silly bits of business (stretching, giggling, making faces). The most natural performance in the film is turned in by Elle Macpherson as Schaeffer's dream girl; the role is an enigma, but Macpherson's offhand appeal and easy manner gives this fantasy figure some personality, whereas Parker is stuck in a vacuum. Ben Stiller overdoes his small part as a celebrity artist and a young Scarlett Johansson turns up as one of Schaeffer's students (looking like a pint-sized Lolita). Schaeffer, who also wrote the screenplay and directed, runs hot and cold as an actor; wearing funny hats and talking in different rhythms, he doesn't overplay or underplay--he's just a goofy mensch, but not a dynamic one like Albert Brooks or Woody Allen. He's careful to give his character some shading, yet all the little quirks--like much of the serious dialogue--are strictly superficial. *1/2 from ****