Omicidio a New Orleans

while this movie does not really capture the flavor of Burkes "prose" it's nice to see recognition of one of fictions better characters. Noticeably missing is the character "Clete Purcell" who was Dave R's former NOPD homicide partner. I see that Tommy Lee Jones will tackle A TV version of another Robicheaux mystery of which 16 Robicheaux novels have been written. Moe action by Baldwin and an interplay between he and the missing Clete Purcell might have brought this movie along further into another feature. New Orleans is always the great mixture of characters and places for mystery, murder and mayhem.

Alex Baldwin does a great job given some of the missing flavor of James Lee Burkes writing. Baldwin made a great looking "Shadow" as well with an unfortunate script.

Ex-cop and ex-drunk Dave Robicheaux has got his life back and makes a living selling bait outside New Orleans with his wife Annie. When they witness a plane crash into the river, Dave saves a little girl and they decide to keep her since she has been orphaned. However, when they then get a visit from the DEA and some local heavies it is apparent that the plane was doing more than just carrying a few illegals and soon Dave finds his new life rapidly crumbling around him.

Opening with a stylish and atmospheric semi to-camera confession, this film immediately caught my interest and managed to hold throughout despite not actually being that good. The film is set in the Deep South and is full or rather annoying mannerisms and clichés from that area that put me off a bit. Despite this, I still quite enjoyed it; the plot meanders out of control a bit and involves too many characters to really keep a tight emotional grip on the audience but it still have enough grit and tension to it to keep you watching. Some elements are better than others though - when the film focuses on Dave and his tough investigation it is great; but when it tries to expand (eg with Robin) it just comes across as baggy.

The film hasn't got massive action scenes but it does have some good chases and moments of thrills - most notably a roof top chase across New Orleans. These are fine but the film does too much talking in slow southern drawls for my liking - also making the film feel a lot longer than it probably was! The talking is fine, but it does more than enough to set the tone and action - and then it keeps talking! Combine this with the characters and you have a film that can't help but feel baggy and slightly disjointed.

The one thread that holds it all together though is Baldwin. He gives a great performance across the whole film; dealing well with the various emotions that it throws at him. Roberts is OK, certainly better than some other rubbish I've seen him in. Lynch is given little to do but look good in a bikini; Masterson is not cast well and doesn't fit into the trashy stripper role; Hatcher gets naked and looks good but her character is not dealt with that well by the script. The support cast includes Hall and Guilfoyle but this is Baldwin's film and, for it's other faults, he carries it with him. The direction is also good; using some very good shots to up the tension and the pace of the film at key moments - if only the editor had been a bit more persistent though.

Overall this is a tough noir-ish thriller that works well for the majority despite feeling bogged down by dialogue and characters at times. If you can put up with the heavy Southern drawls and the iced-tea clichés then it is worth a look.

Not exactly faithful to the book but the film certainly delivers as an enjoyable thriller.

Alec Baldwin is superb as Robicheaux, Lynch, Masterson and Hatcher are rather pretty and give the film what is needs but are mainly forgotten about as the film progresses. Roberts shows that he does have a great deal of talent to offer when it comes to a juicy part like this.

The film isn't brimming with action thankfully but it has a number of lengthy and exciting action sequences.

It seems to me that Baldwin is becoming something of the thinking mans action hero. Whilst Willis is off doing the brainless actioners Baldwin manages to get the intelligent movie. This is a fine example as is The Edge.

Baldwin makes this movie stunningly enjoyable and the supporting actors help a little but Baldwin manages to carry the whole thing single handedly.

Great work by the cast - not so great when it comes to the writing. Heaven's Prisoners lacked a couple of key elements in writing and the film suffered as a result. Once again Kelly Lynch did a fantastic job and made tremendous use of limited screen time. Baldwin wasn't too bad either. This probably ranks as one of his best performances along with The Hunt for Red October. Teri Hatcher was HOT. Overall - Heaven's Prisoners is worth renting - if only to check out the great work by a talented, if not successful, cast.

I guess you could call this a "neo-noir," which is a modern-day film noir. It has that atmosphere, especially in New Orleans which seems to always been pictured on the seamy side in films. After the devastation that took place there last year, perhaps filmmakers will kinder to the city in future movies.

Anyway, a seedy New Orleans, some good blues music and five varied-and-all interesting lead characters make this a very watchable movie. Alec Baldwin, Kelly Lynch, Teri Hatcher, Mary Stuart Masterston and Eric Roberts all contribute with good performances All but Roberts are the "good guys" in this one.

The movie keeps your attention and has you involved for most of the two hours. The action is well-dispersed. My only complaint is a small one: Baldwin with the southern accent doesn't sound natural. Otherwise, a good modern-day crime story.