Goo wak chai: Yan joi gong woo

"Young And Dangerous" is one of those films that is known about by anyone even vaguely familiar with Hong Kong movies, and for one reason. It's excellent.

The characters, the actors (Francis Ng is an excellent villain), the story, even the musical score all combine to make this one unforgettable film. Themes like loyalty, trust, and friendship in general figure heavily into the plot - which really makes for a strong narrative.

As in most movies concerning the Triads, there is a lot of violence. The thing is, in "Y&D" it isn't extremely glorified, nor is it downplayed. It's just there - for you to judge on your own. Surprisingly, the violence in this film actually serves to move along the story, not just for a "wow" factor like in many other HK features.

At any rate, if you're new to HK movies, or are just looking for a good gangster action/drama, then by ALL means rent (or buy) a copy of "Young And Dangerous." You'll thank me later.

YOUNG AND DANGEROUS (Gu Huo Zi: Zhi Ren Zai Jiang Hu)

Aspect ratio: 1.85:1

Sound format: Mono

The end of Hong Kong's 'New Wave' revolution - initiated by Tsui Hark's THE BUTTERFLY MURDERS in 1979 and consolidated throughout the 1980's by the likes of John Woo, Ringo Lam, et al - was signalled by the inexplicable commercial success of Andrew Lau's YOUNG AND DANGEROUS, a visually frenetic melding of teen idol actors and old-fashioned Triad sensationalism, adapted from the graphic novels by Niu Lo (aka Kau Man). Ekin Cheng (known at the time under the English name Dior Cheng) plays a rising young star in the Hung Hing society who falls foul of rival gangster Francis Ng (GEN-X COPS), a psychotic killer who covets the Hung Hing leadership for himself. Betrayal and murder ensue, until Cheng and his loyal friends mount a counterattack against Ng, leading to a redemptive finale.

Director Lau also serves as cinematographer on this dog-eared potboiler, adopting a hand-held camera style which simply emphasizes the impoverished budget and hurried production schedule, and the decision to print key action scenes in the 'jerky-cam' style popularized by Wong Kar-wai in the likes of CHUNG KING EXPRESS (1994) is profoundly irritating. Manfred Wong's screenplay takes too long setting up the basic premise, and the film's opening half is almost derailed by needless comic set-pieces involving Cheng's relationship with Gigi Lai (playing the tough cookie sister of another gangster) which threaten to sink the entire production until events take a turn into dark-hearted melodrama, culminating in a dramatic showdown between Good and Evil.

Actor/pop singer Cheng is a bland leading man (it's doubtful he'd amount to very much without the floppy fringe and Lau's complimentary lighting scheme), and he's upstaged throughout by Ng as the monstrous psychopath who ruins the hero's life whilst murdering everyone who opposes his methods, innocent and guilty alike. The movie's only real claim to fame, however, is that it kick-started the career of second-billed Jordan Chan (KITCHEN), an unlikely heartthrob whose natural acting ability atones for a lack of movie star good looks, and who has since emerged as one of HK cinema's shining lights; his performance in YOUNG AND DANGEROUS as Cheng's loyal, hare-brained best friend is charming and unaffected, and seemingly effortless. HK movie veteran Simon Yam (BULLET IN THE HEAD) makes a brief appearance as head of the Hung Hing group, and Spencer Lam plays a former triad-turned-priest whose Christian piety doesn't prevent him from landing a few well-aimed kicks on Ng during one of the film's more bizarre episodes! Director Lau went on to better things (including the recent "Infernal Affairs" series), though not before directing SIX sequels to YOUNG AND DANGEROUS, the first of which appeared in HK theaters mere months after its predecessor!

(Cantonese dialogue)

First of all a previous user who commented on this movie has a very bad taste in movies. I think this film is an excellent portrayal of Chinese Gangster life. It shows in depth the struggles of Asian mobsters in Hong Kong and how things are dealt with Asian style. The so called fuzzy scenes are typical of Chinese movies. So, in my opinon if your interested in the on goings of Asian Gang Warfare in Hong Kong this is an excellent film. If you're looking for a movie with an actual plot and meaning to it, go watch the Red Violin or something.

The "Young and Dangerous" movies are a series of films about the experiences of young triads in Hong Kong's criminal society. They are based on a Hongkongese comic book known as "Teddy Boy", a fact which would be unknown if not for the movie often cutting to hand-drawn images, revealing how closely the film resembles the comic book.

The film's structure seems to be fairly episodic; there's not much of an overarching narrative that I could detect, and thus the scenes only have power based on the performances. The stand-outs for me were Ekin Cheng as the protagonist and the stunningly beautiful Gigi Lai as his love interest.

Despite being a HK crime flick, "Young and Dangerous" isn't heroic bloodshed; there's very little gunplay and none of the violence is shot in balletic fashion.

Unfortunately, with little cohesion to each scene, "Young and Dangerous"'s power feels muted, especially in its climax; however it is entertaining for most of its run-time.

Are you people watching the same film as I am?!? This film is highly entertaining, and a great watch. I've seen a lot of triad movies before, and this just blows most of those other ones away. The film has pretty good characters and the actors do well in them. The funeral scene was very moving. If you know anything about HK/triad films, you will certainly find this film a real gem. Go rent it or watch it, then go get the rest of the series!