Aggiungi una trama nella tua linguaThe boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.
- Regia
- Sceneggiatura
- Star
- Bambi
- (as Salli Richardson)
Recensioni in evidenza
I am not a fan of boxing and know nothing about the sport but this film is more about corruption in sport and grubby business dealings, and is simply set in the world of boxing. That said, the idea could not be successfully transposed to another arena thanks to the flamboyant and corrupt nature of the boxing world.
Samuel L. Jackson is deliciously over the top and excellent support from comedy stalwarts like Jeff Goldblum, Jon Lovitz, Damon Wayans, John Rhys Davies, and the increasingly famous Jamie Foxx make this a riotous comedy. This is one of the most quotable films I've ever come across and if you're a fan of comedy you won't regret watching this, even if you don't like it as much as I do.
Then there is the whole idea of finding a white boxer, besides the obligatory "Rocky" that is, that people can get behind to breathe new life into the sport.
Here you have every stereotype of that world thrown in from the promoters to the media personnel who made boxing what it is today -- Hype.
Here is a promoter who is keeping his client from fighting the one guy who can actually beat him (hence ruin their meal tickets), to come up with someone else to make Hype and recover funds he already spent that he can't pay the boxing champ. That among other things. Samuel L. Jackson is fun to watch as is Jeff Goldblum and Jamie Fox and Damon Wayons as the over-hyped champ. Rounding this out is the usual bottom feeders played well by Jon Lovitz and Corbin Bernsen. This movie can be uneven at times, but overall its entertainment, and a sarcastic view into the boxing promotion world like no other. Two stars out of four.
The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way that suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang - 1992).
It was so good to an extent that forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what (Oliver Stone)'s surely heavier, louder, and longer movie (Any Given Sunday - 1999) stretched and overload, 3 years later, and in focused nice way as well.
(The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again, except for (Damon Wayans) running after the ice cream's van of course!
Finally, do I smell a point of view in the title about how the great hype is "white" in the first place?!
Like I said, I can only assume that the biting satire has been wasted on some viewers who were clearly expecting something different from the film. Each to their own, the film seems to have missed it's audience, but a 5 or 6 out of ten it certainly isn't! For me, it's definitely one of the better comedies out there. It's sharp, funny and well worth watching. 8 out of 10.
Lo sapevi?
- QuizReverend Fred Sultan (Samuel L. Jackson) greets a man with shoulder length black hair and a black suit, with "Hey Vincent, Vincent, where's Jules man?", a reference to Jackson's character in Pulp Fiction (1994).
- BlooperWhen Roper is watching the soap opera, and throws the ring away to watch his entourage chase it, it clearly falls out of the box as it skips on the floor. Yet, when Rollo puts it on, before Roper takes it, he takes it out of the box.
- Citazioni
Rev. Fred Sultan: if there isn't a white heavyweight out there for you, I'm going to create you one.
James Roper: [Confused] "white heavyweight?", The words don't even go together, it's like saying "black unity"
- Curiosità sui creditiWhile walking back to dressing room after fight, Conklin is followed by two little people from his entourage.
- Colonne sonoreMovin' On
Performed by DJ U-Neek (as D.J. U-Neek) featuring Nyt Owl
Written by Annie Lennox, David A. Stewart (as Dave Stewart), DJ U-Neek (as D.J. U-Neek), Nyt Owl
Based on "Sweet Dreams (Are Made Of This)"
Written by Annie Lennox and David A. Stewart (as Dave Stwart)
Produced by DJ U-Neek (as D.J. U-Neek) for U-Neek Entertainment, Inc.
D.J. U-Neek and Nyt Owl appear courtesy of U-Neek Entertainment, Inc./King Pin Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El gran golpe
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 8.008.255 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.349.481 USD
- 5 mag 1996
- Lordo in tutto il mondo
- 8.008.255 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1