Fratelli

The lives of gangster brothers Ray, Chet and Johnny are changed forever when Johnny is killed. His funeral acts as a time to look back at the past but also to look inwardly and to the future. The story is told in flashbacks that mix the past and present to see a gangster life style in all it's glory.

The story here is straightforward – however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories – Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect – the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.

The cast are good – in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained – why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.

Overall this is a good film – it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.

I have always been impressed by the dramatic intensity of Abel Ferrara's films and 'The Funeral' does not fall short of any of them. The true beauty of this film lies in its characters and their emotions and relationships. The plot takes second stage but, honestly, the incredible acting performances will make you feel that a more complicated plot would be absolutely unnecessary. All the important bases of small-time mob life are covered here - God, family, revenge, lies, anger, etc. If you can sit down and watch a movie that chooses atmosphere and character over action, then I highly recommend this movie. You will be blown away.

The Funeral is a dark and gritty story that plumbs the characters in a New York band of criminal brothers. It doesn't have the romantic sweep of a Godfather movie, nor the rawness of Scarface. But it does have great acting: the cold, sinister aloofness of the leader-brother(Christopher Walken); the raging insanity of the bartender-brother(Chris Penn); and, the cockiness of the younger communist-influenced brother. Annabella Scioria as the wife with a tortured psyche who "had two years of college", and Bennissio del Toro, as the suave and slick rival mobster round out the terrific cast.

But the movie does have some problems. The abrupt, "surprise" ending is consistent with the arcs in the movie, and is supported by trends in the characters' developments, but seems unsatisfying. Also, long philosophical conversations between killer and victims seems unrealistic. While these conversations(and flashback sequences) give insight into characters, it just doesn't seem likely.

Watch this movie if you are a fan of crime/Mafia films, and you can enjoy a thoughtful introspection of characters and relationships between characters. Don't watch it if you want to see a "thrill-a-minute", or explosions every other scene.

Abel Ferrara is one of the most original and interesting directors in America movies. He is also one of the most uneven. The guy has made some garbage and some near masterpieces in his time, so you really have to judge each one of his movies on an individual basis. 'The Funeral' is an excellent movie, easily Ferrara's most overlooked effort, and one which doesn't deserve the obscurity it's been doomed to. It's almost as impressive as 'Bad Lieutenant' and 'The King Of New York', yet I very rarely hear it even mentioned. I really don't know why! The movie has one major stumbling block that the viewer must accept before they can begin to get on with watching. That is the casting of Christopher Walken ('The Dead Zone'), Chris Penn ('Reservoir Dogs') and Vincent Gallo ('Buffalo '66'). Three great actors sure, but playing blood brothers?! Also we see that the youngest brother Johnny (Gallo) is supposedly 22(!), and via flashback his two older siblings look only three, maybe four years older. This would make Ray (Walken) in his late twenties, which is absolutely ludicrous. However, if you can put this all to one side and not let it worry you then you will be pleasantly surprised. Some viewers complain that the movie is "slow", "boring" and that "nothing happens". I totally disagree. Of course if you think it's going to be a Mafia thriller or some kind of action movie you will be disappointed. But I thought it was fascinating and very involving. Walken is excellent as usual, Gallo doesn't have an awful lot of screen time but shows why he is one of the most charismatic and exciting actors around, and Chris Penn gives the best performance of his career. Penn alone is worth watching the movie for, he is just so damn good. The supporting cast is one of the best you'll see anywhere. The brother's women are played by Annabella Sciorra ('Cop Land'), Gretchen Moll ('Rounders') and Isabella Rossellini ('Blue Velvet'), and other familiar faces include the wonderful Benicio Del Toro ('The Usual Suspects'), The Sopranos' John Ventimiglia and (very briefly!) Edie Falco, and Ferrara regulars Victor Argo ('Taxi Driver') and Paul Hipp ('Teenage Caveman'). Also keep an eye out for David Patrick Kelly ('The Crow') as a left wing agitator. Every time I watch 'The Funeral' I appreciate it a little more. It's a very subtle and intelligent film that doesn't serve things up to you on a plate. I think it's one of the most underrated movies of the last ten years and I wholeheartedly recommend it. If this is your first experience of Abel Ferrara and you enjoy it, I suggest the moody 'The King Of New York' (also with Christopher Walken) next, then his powerful 'Bad Lieutenant' (Harvey Keitel) and his difficult but rewarding 'The Addiction' (Walken again). Those four movies are his best to date, and not to be missed.

Once again Ferrara attracts big star names to a small picture with large ambitions. This film would have made a great gangster saga but Ferrara and writer St. John are more interested about the characters than the story. What occurs on the surface may be minimal and very uncreative but deep within you enter the souls of each character who question their values as they mourn the death of a family member. Each one carrying a dilemma to the very surprising ending. This film could have been set in any era as it deals with intelligent issues such as the complex male macho image as questioned by Sciorra's character.