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Robert De Niro and Wesley Snipes in The Fan - Il mito (1996)

Recensioni di Metacritic

The Fan - Il mito

32

Metascore

16 recensioni · Fornito da Metacritic.com
  • 63
    San Francisco ChronicleMick LaSalle
    San Francisco ChronicleMick LaSalle
    Tony Scott's vigorous direction is sometimes too vigorous. Loud rock music underscores many scenes, and Scott's habit of shooting at odd angles begins to seem like a mannerism. But on the whole his ambitious attack helps make The Fan entertaining in the moment, even if it's forgettable immediately afterward.
  • 50
    Boston GlobeJay Carr
    Boston GlobeJay Carr
    The Fan isn't a strikeout, but it doesn't exactly knock the cover off the ball, either. It's more like a soft pop fly, taking its time before settling very predictably into a waiting fielder's glove. [16 Aug 1996, p.D3]
  • 50
    Chicago TribuneMichael Wilmington
    Chicago TribuneMichael Wilmington
    Something about baseball seems to bring out the silly side in moviemakers -- even in a movie like The Fan, which starts out well-crafted and deadly serious and seems to have good enough actors and a savvy enough director to stay that way. But halfway through this thriller things go haywire. [16 Aug 1996, p.D]
  • 42
    Seattle Post-IntelligencerWilliam Arnold
    Seattle Post-IntelligencerWilliam Arnold
    Good performances are mostly wasted. Phoef Sutton's adaptation of the Abrahams' novel is poor, it works to an absurdly unlikely and dramatically dishonest must-hit-a-home-run conclusion, and - though it tries here and there - it has absolutely nothing new to say on the subject of fan obsession. [16 Aug 1996. p.30]
  • 40
    Austin ChronicleMarc Savlov
    Austin ChronicleMarc Savlov
    Hollow, predictable, and too glitzy for its own good, The Fan never even makes it to first base.
  • 30
    The New York TimesStephen Holden
    The New York TimesStephen Holden
    The film's elegantly tricky cinematography and ominous, pounding score by Hans Zimmer (provocatively juxtaposed with the Rolling Stones), only underline the emptiness behind its technical flash.
  • 25
    ReelViewsJames Berardinelli
    ReelViewsJames Berardinelli
    Aside from Snipes' well-tuned performance and a few clever scenes detailing superstar marketing, this picture is a veritable wasteland. Even watching the horror show that the real Giants have become during the 1996 season is more fun than this. The advertising slogan may be "fear strikes soon", but, when it comes to The Fan, fear, like the movie, strikes out.
  • 25
    San Francisco ExaminerBarbara Shulgasser
    San Francisco ExaminerBarbara Shulgasser
    My guess is you'll probably have more fun watching a game at the ballpark than you will at The Fan.
  • 25
    Chicago Sun-Times
    Chicago Sun-Times
    The Fan would have worked better had it dissected the mechanics that shape celebrity adulation. Instead, The Fan takes a knife-wielding action route that leaves film fans feeling - dare I suggest it - cheated? [16 Aug 1996, p.35]
  • 10
    Los Angeles TimesKenneth Turan
    Los Angeles TimesKenneth Turan
    Even in thriller terms, nothing rings remotely true here, with even the baseball action--including a game that is not called despite enough rain to unnerve Noah--laced with a heavy dose of preposterousness.
  • Visualizza tutte le 16 recensioni su Metacritic.com
  • Vedi tutte le recensioni esterne per The Fan - Il mito

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