Infedeli per sempre

I came across this movie on late night TV with no previous knowledge of the movie not knowing any of the cast and was pleasantly surprised. Do not get me wrong this in not a great movie but it is certainly a lot better than the usual late night moves we find on terrestrial TV her in the UK. As I learnt from the opening credits that this was adapted from a play by the co-lead Chazz Palminteri and it really shows with the vast majority of the movie being set in the one location the house of the female lead Margaret (played by Cher whom normally really grates me by in this is not to bad, though she has had so much plastic surgery she does look like an extra from 'The Dark Crystal). The premise is of Tony a hit-man being sent by Margaret's husband to kill her, but this turns into a wiseguy farce with lots or role reversals especially with the re-appearance of the husband Jack (a slimy Ryon O'Neil). The direction really is point the camera and the set and shoot adding to the theatre feeling but considering there are pretty much only three characters on screen most of the time we get some decent chemistry between them and a not totally predictable outcomes. I would not go out of my way to see this again but would not avoid it on a bored afternoon trapped in some hotel or another.

I just love this film. First, Paul Mazursky is one of my all time favourite directors and the performances (other than Ryan O'Neal's) are just top notch. It's a great screenplay, the editing is on point.. there is little not to love here. I say it when it came out and I can still quote it years later. It's a small film, no special effects, no spectacular stunts. But Cher and Chazz Palminteri have great chemistry both deserve much praise here and Mazursky handles it with his usual understanding of how people interact in real life. His "Next Stop Greenwich Village" is in my top 10 films of all time. But this is my second favourite film of his. A great director in really fine form... and it's worth a watch.

I have to admit, I enjoyed this movie tremendously when I watched it alone, and later when a group of friends watched it in my house I was embarrassed by how much they hated it. You have to be in the mood for it.

Cher must be commended, to carry off a movie when you spend exactly half of your screen time tied to a chair is pretty remarkable. The interplay between Tony and Margaret is much better when it is just the two of them, Ryan O'Neal doesn't bring much of anything to his part and the film declines somewhat when he enters the home.

The only real annoyance is the HORRIFIC injections of Mazurski as some kind of freak shrink that is supposed to be funny; it may well be the single unfunniest and most unnecessary character in the history of film. You could totally fast forward through every second Masurski is on the screen and it would only improve the film.

I think women will like this a lot better than men, but it's a good film and very underrated. For most of 1996 it was my favorite film.

This was better than I expected. Chazz Palminteri plays a hit man set to kill Cher, and who was sent by her husband, played by Ryan O'Neal. But then once Chazz starts to talk to her, they seem to have this snappy discourse. (He can't just kill her - he's waiting for a phone call from the husband.) This isn't more than a nice-looking play (great house in Harrison, NY), and it's not suspenseful at all, but Palminteri's charm carries it nicely.

Vote: 7

"Faithful" is a worth-watching film, somewhere between comedy and drama, but not tragicomedy. It stars Cher as a rich but rejected wife who wants to take her life on her 20th anniversary. But then a hitman hired by her husband gets into her house. He ties her to a chair and they start to talk - as it's an adaption of a play - and slowly Cher's wish to live on is growing. The dialogue is quite spirited and also funny, you shouldn't miss it. And it's pretty cool when the hitman is making phone-calls to his psychiatrist and vice versa, again and again. You have to enjoy this, it's almost 'tarantinoesque', but better, because there is no celebration of violence here. Nevertheless, in the end it gets kind of disturbing and boring. Now the movie finally suffers from the fact that basically only three actors are involved. Cher's acting is very good in the beginning, her facial acting is fabulous when portraying the desperate woman meeting her killer. But from the moment when her husband (Ryan O'Neal) returns, her character is much less convincing and her face of vivid emotion turns a face of a pale mask of make-up, which - forgive me - she may think makes her look one or two decades younger. Now my vote: 7 out of 10!