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I was kind of disappointed. I was expected the same from the sequel with the role of Aurora Greenway played by Academy Award Winner Shirley Maclaine again. Of course, Jack Nicholson won his second Oscar for his role as her lover. In this film, Aurora deals with troubled grandchildren who she helped raise because the father was absentee. One grandson is in prison and her granddaughter is as stubborn as her daughter Emma played by Debra Winger was. Also Miranda Richardson plays a Texan friend that wanted to raise Emma. Also Marion Ross is cast in the role as Rosie Dunlop, Aurora's maid or housekeeper. There were some changes like ROsie lived at the house but Marion Ross earned a Golden Globe nomination and probably would have earned her Academy Award nomination if the film got better reviews. Marion does an excellent job in making us care so much for Rosie.

When I saw "Terms of Endearment", it was my understanding before the movie that I would cry my eyes out for days. Well, I didn't. I cried for 6 or 7 minutes. Let me just say that I cried for a lot longer in this movie. For a sequel, it's excellent. It's almost like a story in a story.

In Aurora's later years, when her grandchildren are grown up and she even has a great-grand son (who enjoys singing "For she's a jolly good butt whole which nobody can deny" to Aurora's great annoyance) Aurora is still looking for the love of her life. She's still chasing after men, and finds one at, that, with her counselor/physchiatrist played by Bill Paxton. The romantic scenes between these two are unmissable. But here's where the problems strike the movie. In the first movie, Aurora was a little bit more....well.... unpremiscuous as you could possibly get. Here, she's a little more floozy-ish. Aurora changes from "Terms of Endearment" to this movie. This is still an excellent movie, with an extrememly heart-felt, and sad ending. I loved it! For those who liked "Terms", you'll love "The Evening Star." Shirley MacLaine shines. :)

Evening Star is a pointless return to the tragi-comic life of Aurora Greenway, heroine of the vastly-superior "Terms of Endearment." Sequel lacks the smartly realistic writing of the original, and is full of hokey lines such as "I remember hugs... mom was big on hugs," in a failed attempt to channel some of the rich characterization of the original. Much of the acting is quite good - MacLaine is, as usual, eminently watchable, Juliette Lewis does another of her typically strong turns, and never has Marion Ross been given a better opportunity to demonstrate her surprising range. Still, credible acting and an 11th hour appearance of (an embarrassed-looking) Jack Nicholson can only do so much for this contrived mess, and one cannot help but wonder why they couldn't leave well enough alone.

I actually saw this movie well before I ever viewed "Terms of Endearment", a movie slightly before my time. I am so glad that I did! Although I was considerably lost during some of the plot line, especially concerning the personal histories of the characters, I am certain I would not have enjoyed it nearly as well if I had viewed "Terms of Endearment" prior. For anyone that has seen the other film and subsequently enjoyed it, I am sure that the sequel doesn't even begin to live up to their expectations. That's not to say that it isn't a movie without merit. There is quite a bit of subtle (as well as not-so-subtle) humor to be found in this movie, and since it is slightly more up-to-date, newer generations might even appreciate it more (GASP!) than the original. It does have a completely different feel to it than its predecessor, though. If "The Evening Star" accomplished nothing else, it peaked my curiosity enough for me to view the first movie, one that I have since fell in love with. "Terms of Endearment" being a film which, although hearing good things about throughout the years, I probably would have never even given a chance if not for stumbling across it's sequel.

Now when this movie first came out, no one really saw it. Critics gave it bad reviews. Part of the issue was the original Terms of Endearment was made back in 1983. So when some of the cast came back 13 years later, it can lose some of its box office draw. However, the time that passed actually made this movie more believable as the characters had also aged. Shirley MacLaine reprises her role and does a nice job, trying to raise her dead daughter's children. The movie stays grounded by dealing with everyday issues as well as getting older and the trials of a non-traditional family. Paxton plays a nice role in this film adding a little flare to the shadowing plot of Shirley MacLaine's character getting older. Nicholson's return, although brief, helped this film round itself out. See this one only if you see Terms of Endearment first.

Best Scene: Nicholson and MacLaine re-living the past on the beach.