Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 2 candidature totali
Recensioni in evidenza
Chuck Russel's Eraser is exploding and intense action film starring Arnold Scwarzenegger as secret government officer, who "erases" people i.e. destroys their past in order to save their future. He gets to erase an important witness (Vanessa Williams) who knows about her company's illegal activities as it sells guns to foreigners. The film is full of action and mayhem, which is great since hardboiled action films are not made too often in Hollywood anymore.
There are hardly any stops throughout the movie and the viewer should not be bored, at least I wasn't now that I watched the movie for the second time. It looks fantastic in its original widescreen format, and this is definitely among Arnold's more noteworthy performances and proves the talent of director Chuck (Scorpion King, Elm Street 3) Russell.
There are many effects that look pretty realistic and the crocodile shoot out is one memorable scene, and maybe that is the screenwriters' comment on zoos' that don't feed their animals sufficiently as the crocodiles are VERY hungry and fierce for food! Also, there is one over the top airplane scene, that really grabs an attention. The actors are great throughout the film and James Caan doesn't make an exception. The finale is perhaps little too familiar and relies on gun fights and explosions, but still, as a whole, I found this film very pleasant experience in its own genre. It is not the greatest action film ever made in Hollywood, but it is one of the most interesting US action films of the 90's.
7/10
There are hardly any stops throughout the movie and the viewer should not be bored, at least I wasn't now that I watched the movie for the second time. It looks fantastic in its original widescreen format, and this is definitely among Arnold's more noteworthy performances and proves the talent of director Chuck (Scorpion King, Elm Street 3) Russell.
There are many effects that look pretty realistic and the crocodile shoot out is one memorable scene, and maybe that is the screenwriters' comment on zoos' that don't feed their animals sufficiently as the crocodiles are VERY hungry and fierce for food! Also, there is one over the top airplane scene, that really grabs an attention. The actors are great throughout the film and James Caan doesn't make an exception. The finale is perhaps little too familiar and relies on gun fights and explosions, but still, as a whole, I found this film very pleasant experience in its own genre. It is not the greatest action film ever made in Hollywood, but it is one of the most interesting US action films of the 90's.
7/10
A super-slick slice of action, starring the reliable Arnie. This fast-paced flick has a lot bigger budget than Arnie's '80s offerings but it's not quite as enjoyable, despite an eye-popping array of visual effects and non-stop action sequences. There's a clinical detachment to this film, mainly due to the 'seen it all before' feel, as nothing really proves memorable or fresh.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
After Arnold Schwarzenegger's 1997 heart surgery, his box office popularity faded. 1996's "Kindergarten Cop" is a comedy, and he did not play the lead role in "Batman and Robin," even though his name grabbed him top billing. That makes "Eraser" his last great action film until "Terminator 3" became his last hurrah, for now anyway. Schwarzenegger plays John Kruger, "The Eraser." He puts the protection in the Witness Protection Program.
I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.
His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.
The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.
Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.
Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.
The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.
I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.
His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.
The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.
Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.
Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.
The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.
To enjoy Eraser you must...
1. Already like Schwarzenegger and his films 2. Suspend your disbelief 3. Have popcorn and nibbles on hand while you watch 4. Find a comfy chair 5. Enjoy the ride If you can do that, you'll find that your two hours spent in front of the TV will not be wasted.
Simple as that. Some people called Eraser 'Arnie's last great action film' (not including Terminator 3). That it may be. He got old. He went into politics. Action heroes became younger, better-looking and the stunts they participated in more elaborate and dangerous.
So maybe Eraser is Arnie's 'swansong?' Maybe not. I hear he's gearing up to do some 'post-politics' acting. If so, following in Eraser's footsteps would not be that badder place to start.
http://thewrongtreemoviereviews.blogspot.co.uk/
1. Already like Schwarzenegger and his films 2. Suspend your disbelief 3. Have popcorn and nibbles on hand while you watch 4. Find a comfy chair 5. Enjoy the ride If you can do that, you'll find that your two hours spent in front of the TV will not be wasted.
Simple as that. Some people called Eraser 'Arnie's last great action film' (not including Terminator 3). That it may be. He got old. He went into politics. Action heroes became younger, better-looking and the stunts they participated in more elaborate and dangerous.
So maybe Eraser is Arnie's 'swansong?' Maybe not. I hear he's gearing up to do some 'post-politics' acting. If so, following in Eraser's footsteps would not be that badder place to start.
http://thewrongtreemoviereviews.blogspot.co.uk/
the story goes as follows Lee Cullen a worker for Cyrez Corporation which develops top secret weapons stumbles upon illegal arms deals and acquires the information and barley escapes with help from the F.B.I and is then placed under the protection of U.S Marshell John Kruger who erases the past of witnesses under Witness Protection to give them a future Lee however has been targeted by terrorists to cover up the scam and John Kruger is being targeted by some of his fellow US Marshells and is framed for murder now he has to protect Lee prove his innocence and exposes the illegal arms deal before it happens. I give Eraser seven out of ten because its one of Arnolds best movies of the late 1990's just see it for yourself to believe it.
Lo sapevi?
- QuizThe John Kruger role was originally offered to Sylvester Stallone. He absolutely hated the script, turned the offer down and instead starred in Cop Land (1997).
- BlooperLee claims that she doesn't know what is on the encrypted disc. But she obviously does know as she was there when she herself copied it and saw the 3D schematic of the rail gun on the screen.
- Citazioni
Father Rodriguez: The police have returned to the safety of their doughnut shops.
- Versioni alternativeIn later versions of the movie, the reference of UBS meaning "Union de Bank Swiss" is changed to "United Bank of Syria."
- Colonne sonoreWhere Do We Go From Here
Written by Linda Thompson, David Foster, Evan Kopelson and Douglas Pashley
Produced and arranged by David Foster
Performed by Vanessa Williams
Courtesy of Mercury Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El protector
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.295.562 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.566.446 USD
- 23 giu 1996
- Lordo in tutto il mondo
- 242.295.562 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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