Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.Uno specialista della protezioni dei testimoni comincia a sospettare dei suoi colleghi mentre si occupa di un caso riguardante il traffico di armi altamente tecnologiche.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 2 candidature totali
Recensioni in evidenza
After Arnold Schwarzenegger's 1997 heart surgery, his box office popularity faded. 1996's "Kindergarten Cop" is a comedy, and he did not play the lead role in "Batman and Robin," even though his name grabbed him top billing. That makes "Eraser" his last great action film until "Terminator 3" became his last hurrah, for now anyway. Schwarzenegger plays John Kruger, "The Eraser." He puts the protection in the Witness Protection Program.
I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.
His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.
The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.
Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.
Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.
The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.
I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.
His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.
The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.
Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.
Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.
The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.
I again want to give this the full five, but not sure. I don't get why more people don't like this. It's so underrated, and yet it's everything people love about Arnold and his movies. Loud, big, violent action, cheesy one-liners, a good villain, and this time it even has entertainingly bad CGI an Vanessa Williams, which are two things I'm always down with watching.
Mm
Arnold takes himself more seriously here it seems, at least until the second act. He delivers a great, movie-carrying performance as usual, and is compliment by the weirdly good Vanessa Williams, who ends up not being annoying. James Caan is a great villain, and definitely helps elevate it.
The action is exactly as you'd expect. With a plot involving big, hi-tech "chainguns", you know this is gonna be good. The opening house scene, the cabin scene, the plane scene, the zoo shootout, and the lab shootout are all cool, along with other scenes. The plane scene defies any logic or realism, and is lots of fun. The CGI is bad, but whatever. There's also a scene with a bad CGI crocodile that rips a dude's arm off, and attacks Arnold, who makes up for the effects by kicking it in the face and shooting it. The final battle though, is just perfect. It's total balls-out action, with Arnold becoming a one-man army as usual, and shooting tons of people with two chainguns before fighting James Caan on top of a giant metal container.
I really love this and recommend it. It needs more attention and is as good as most of Arnold's other films.
Arnold takes himself more seriously here it seems, at least until the second act. He delivers a great, movie-carrying performance as usual, and is compliment by the weirdly good Vanessa Williams, who ends up not being annoying. James Caan is a great villain, and definitely helps elevate it.
The action is exactly as you'd expect. With a plot involving big, hi-tech "chainguns", you know this is gonna be good. The opening house scene, the cabin scene, the plane scene, the zoo shootout, and the lab shootout are all cool, along with other scenes. The plane scene defies any logic or realism, and is lots of fun. The CGI is bad, but whatever. There's also a scene with a bad CGI crocodile that rips a dude's arm off, and attacks Arnold, who makes up for the effects by kicking it in the face and shooting it. The final battle though, is just perfect. It's total balls-out action, with Arnold becoming a one-man army as usual, and shooting tons of people with two chainguns before fighting James Caan on top of a giant metal container.
I really love this and recommend it. It needs more attention and is as good as most of Arnold's other films.
Eraser is a film typical of its genre. What genre, you ask? Why, the "the terrorists-are-coming-and-it's one-man-against-the-world-so-shoot-em-up, blow-em-up, and save-the-girl-and-the-day" genre, of course. Too complicated for you? Don't worry, because the movie isn't. As a matter of fact, it's readily accessible to anyone over the age of 7 - not that this movie is age-appropriate for everyone over the age of 7 (Note: This was my favorite movie when I was 10) - but rather that the concepts, and thus the plot, are simple. This isn't a movie you go see if you're seeking a two hour thinking experience.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
the story goes as follows Lee Cullen a worker for Cyrez Corporation which develops top secret weapons stumbles upon illegal arms deals and acquires the information and barley escapes with help from the F.B.I and is then placed under the protection of U.S Marshell John Kruger who erases the past of witnesses under Witness Protection to give them a future Lee however has been targeted by terrorists to cover up the scam and John Kruger is being targeted by some of his fellow US Marshells and is framed for murder now he has to protect Lee prove his innocence and exposes the illegal arms deal before it happens. I give Eraser seven out of ten because its one of Arnolds best movies of the late 1990's just see it for yourself to believe it.
US Marshal John Kruger (Arnold Schwarzenegger) is an expert at erasing identities at WITSEC. Chief Beller (James Coburn) assigns Lee Cullen (Vanessa Williams) to him. She's a whistle-blower at defense contractor Cyrez Corporation. After getting the evidence for the government, she is resistant to WITSEC and killers come after her with high-tech weapons. Fellow Marshal Robert DeGuerin (James Caan) tells Kruger that someone is killing witnesses.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
It's a nice action thriller. There are lots of gun action. The body count is pretty good. Arnold gets to hang out of a plane and battle some crocodiles. It probably needs a few more wisecracks to be as fun as some of Arnold's best. The one-liners aren't quite as good. I like it but people may be tired of his big action movies by that point.
Lo sapevi?
- QuizThe John Kruger role was originally offered to Sylvester Stallone. He absolutely hated the script, turned the offer down and instead starred in Cop Land (1997).
- BlooperLee claims that she doesn't know what is on the encrypted disc. But she obviously does know as she was there when she herself copied it and saw the 3D schematic of the rail gun on the screen.
- Citazioni
Father Rodriguez: The police have returned to the safety of their doughnut shops.
- Versioni alternativeIn later versions of the movie, the reference of UBS meaning "Union de Bank Swiss" is changed to "United Bank of Syria."
- Colonne sonoreWhere Do We Go From Here
Written by Linda Thompson, David Foster, Evan Kopelson and Douglas Pashley
Produced and arranged by David Foster
Performed by Vanessa Williams
Courtesy of Mercury Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El protector
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.295.562 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.566.446 USD
- 23 giu 1996
- Lordo in tutto il mondo
- 242.295.562 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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