Peccato che sia maschio

Christoph M. Ohrt (who resembles a very young Richard Johnson) is outstanding in the lead role of a rather insensitive cop who suddenly finds his entire ego eroding when his girlfriend dumps him for a bodybuilder. This confused state of affairs is precipitated by his classic "god was I drunk last night" syndrome stemming from the fact that he wakes up one morning in bed and in the arms of a bigger and younger man who quite honesty declares he's in love with him! It is truly priceless to watch Ohrt's character deal with this...as he retreats into himself and gradually changes his nature...his only way of attempting to understand this forces him to be more observant and tolerant of others as he comes to learn more about himself. It's a painful and even a humorous situation which compromises him more than once, and in its unfolding imparts a great deal of joy and pleasure (entertainment!) to viewers. This comedic gem should not be overlooked. And hopefully, we will see much more of the delightful Mr. Orht in future.

At last a film showing gay people as normal, healthy, good people. The policeman's frustration and skepticism is beautifully portrayed, so his loyalty to his new-won friend/pal in the end, which inspires a hidden homosexual colleague to step forward in the open. His anxiety of the possibility to having had sex with a man is taken seriously and the trust he experiences from the gay man is beautifully returned, especially in the bathing scene. A handsome actor giving life beautifully to the character of Edgar, the openly gay man, as a good guy. The story is not a happy-ending and in another way it is. The film showing Edgar as not taking advantage of the situation, being kind and respectful to his new friend. Unusually showing the gay man as a normal masculine guy with masculine interests without being outrageous in any way. Just normal!

A heart warming film which should be recommended for viewing in schools.

I totally enjoyed this movie, even with having to read the English. I can honestly say that it is one of my favorites. I could relate to Christoph and Edgar, having been in a similar situation. The scene in the locker room at the police station was great too, after rumors were going around. Christoph had reached a point in his thinking where he realized that it just didn't matter. And this happening after Christoph and Edgar came to terms with their relationship the night before. I also loved the ending. I wish I could say more, but I don't want to ruin it for anyone who hasn't watched it. I liked the movie so much, I bought the DVD.

I have already seen a plenty of comedies about police men, macho men being dumped by girlfriend and then becoming sensible, men questionning their sexuality or a movie covering all those categories. But I have never seen such a pleasant comedy offering very clever funny situations and jokes as well as moving moments. There is one scene in this movie which, during the shot, made the crew on the set cry. I won't tell which scene it is, maybe you'll discover it by yourself, only so much: It's a dialogue which marks the end of something. I don't know how well the translation of the movie into English is, but everybody who understands German and gets the opportunity to see it in German - do it. It's very entertaining and definitely worth watching it!

ECHTE KERLE or REGULAR GUYS is a polished little 1996 comedy from Germany that manages to tell a tale of mixing genders and satisfy all viewers no matter their viewpoint. Rarely has a film handled straight/gay juxtapositions with such an unbiased, honest and relaxed vantage. So often these gender bender films have the look of mini-budget movies, but this film as directed by Rolf Silber based on a screenplay by Silber and Rudolf Bergmann is photographed with panache by Jürgen Herrmann is slickly creative and wholly professional.

Christoph Schwenk (Christoph Ohrt) is a plainclothesman police officer who does stakeouts spying on criminals with his partners Mike (Oliver Stokowski) and Helen (Carin Tietze). As the film opens Christoph is thrown out of his place by his 'ignored' girlfriend who has replaced him with a bodybuilder lover. Dismayed and angry, Christoph begins to drink, loses his car keys, his belongings on the street, and ends up with no place to stay as he stumbles into a gay bar where he passes out completely drunk. When he awakens he discovers he is in the arms of Edgar, a handsome auto mechanic who rehabs cars (?stolen?) and the question arises as to whether the two had sex during the night. Edgar is a kind and gentle man who evades this question, obviously feeling an attraction to Christoph. Edgar clothes Christoph so that he can find a place to stay and make it to work at the current stake out which just happens to be spying on car thieves.

At work Mike and Helen notice something different in the paranoid Christoph who is more interested in finding an apartment and resolving his question of the previous night's sexual occurrences than he is with work. Unable to find any kind of hotel or apartment at all, he sleeps in his car until he eventually has the nerve to accept Edgar's offer for him to move in with him. Christoph makes it clear that is his Straight and Edgar makes it equally clear that he is Gay and likes Christoph.

The relationship between Christoph and Edgar gradually strengthens, the threat of sexuality weakens to the point that as Christoph is seen in public with Edgar and when razed at work, Christoph sides with the idea of appearing gay and has a wonderful locker room confrontation with his fellow cops that says a lot about the barriers between gays and straights! Slowly, as Christoph settles into his new living conditions, he becomes enamored with Helen who is more than ready to pursue Christoph as she notices his 'machoisms' dwindle. At the same time Edgar's weekend lover Marco (Andreas Pietschmann) causes Christoph to query his surprising 'jealousy'. The three police become friendly with Edgar and Marco and when it seems they may be involved in the car theft ring under stakeout, they each find it easier to turn the other cheek and support each other.

The ending pairs off the various members of this story in a warm and funny way, a manner which some may find predictable, but still satisfying and allowing all barriers to be down.

The cast is uniformly excellent - the cameo supporting roles are very well done - and for once a film about straight perceptions of gay life makes ALL of the characters non-stereotyped: the men are all handsome hunks and the women are all beauties. This is light entertainment, a comedy with a message well stated.