L'amante in città

Before the shockingly good teen comedy "Superbad" and the wistful, sentimental post-collegiate angst of "Adventureland", even before his now famous TV work, director Greg Mottola made this 1996 gem "The Daytrippers". The film, like Mottola's other films, works a familiar and unpromising premise into a genuine, heartfelt, wonderful observation on human behavior. The film, while rougher around the edges technically and as a script than either "Superbad" (written by Seth Rogen and Evan Goldberg) and "Adventureland" (written by Mottola himself, as "The Daytrippers" is), is yet another distinctive and memorable Mottola film. The plot is pretty much covered by the film's tagline: "One station wagon. Two generations. Three couples. Four relationships", but much like Mottola's other films ("Superbad": Two best friends and a nerdy semi-friend attempt to get laid before graduation. "Adventureland": college grad works at amusement park and falls in love) the plot doesn't really give any indication of how good the film is. Great script overall by Mottola with terrific characterization and dialogue which rings true, not to mention mature handling of the relationships as well as a good dose of humor. An excellent cast (at their best too, Mottola's great work with actors on display yet again) including Stanley Tucci, Hope Davis, Liev Schrieber, and Parker Posey bring the script to life well, and Mottola's storytelling skills and comic timing as director are, even this early in his career, excellent. Not as good as his later work, but Mottola shows great promise with this early film. Cannot wait for "Paul", which promises to be absolutely brilliant if his career follows the path it's on (getting better with every film).

Underrated and underseen. Daytrippers is like a younger Woody Allen, mixing comedy with angst. Fresh and funny, real and absurd, empathetic. Terrific first movie as writer/ director.

... a believably bickering family, portrayed by skilled actors, w/some wonderful ham stuff by Anne Meara and Parker Posey, and more subtle stuff from Hope Davis and Liev Schreiber. The story had a distinctly voyeuristic feel, as if the screenwriter was exorcising some history and making it more entertaining, often hilarious (and interesting?) than a painful history he may have lived through. A cinema verite re-creation by world class skilled actors. As the family's lives unravel, driving around in a freezing cold NYC winter evening, there is a quiet lingering shot of the World Trade Center that is unintentionally haunting, and gives the film (made in 1996) an unintended resonance.

Daytrippers is a progressive drama about a family that takes an adventure into New York City after Eliza (Hope Davis) discovers a love letter that may uncover an affair between her husband and somebody named Sandy. Anne Meara does a good job as the typical East Coast, controlling mother. The indie-film queen Parker Posey plays Eliza's little sister whose boyfriend Carl, played by Liev Schreiber, is an exaggeration of the young, snobbish, know-it-all author. The family is hardly functional which makes this film particularly honest.

The key to Daytrippers is not the plot, which never fails to keep you watching, but the dialogue and the situations. Pay close attention to the characters that the family meets in the city. They all embody some kind of contradictions that make you think a little bit. Look for the scene where Marc Grapey begins describing his sexual exploits by condemning such practices.

If you are looking for a drama that provokes you, this is one of them. There are no happy endings and none of the issues raised are resolved. Fans of Parker Posey will especially enjoy her performance in this one.

This is a hilarious film... beautifully-written, hysterically-acted, excellently directed. Rent it. See it. Liev Schrieber is great, and so is Parker Posey. Greg Mottola will be, one day, a great director. He's also a very funny writer, and was able to make a story that's both moving and funny.