Nella sua pelle

In this punchy ideal valentines day movie, "Dating The Enemy" is funny and charming. Set in Sydney, this picture unmasks the conflicts between a couple with nothing in common. Brett is the host of a hip music show. He is about to have an oppotunity to work in New York, but his romance with his girlfriend, Tash is under deep scrutiny. Tash is a scientific writer for the Australian. After a serious argument on the first anniversary of their relationship, Tash wishes they could swap bodies so that she could show how creepy he has become in the past year. Overnight, her wish comes true. The changes are absolutely hysterical as the couple discovers what being the other sex is really like. Claudia Karvan (Never Tell Me Never, The Heartbreak Kid) is brillant as Tash. Her performance of the innocent and nervous science journalist is excellent and fun to watch. Karvan's interpretation of Brett should be highly commented. Guy Pearce's performance of Brett is also dazzling. He would be fit for a woman if he acts like that in real life! Lisa Hensley is bright as Tash's best friend Laetitia; and Matt Day is great as Tob, the secret admirer of Tash. The Aussies have achieved great chemistry among the characters. The writer/Director- Megan Simpson Huberman has written a glorious screenplay suitable for an Australian audience. Her direction is also stunning. It is overall an enjoyable picture to leave you in stitches. (Well, I have watched it like 20 times!!!)

Yes, the screenplay and direction are of a high-school stageplay standard. The dialogue is simple, predictable and purely functional. The plot is VERY old and the direction is ultimately - loose and carefree. But upon close observation, this film harkens back to the days of classic romance comedy (Send Me No Flowers, Man's Favourite Sport - Doris Day / Rock Hudson et al). The script is actually brilliantly simple. The characters are cardboard cutouts in an easy-to-swallow LITE story. Megan Huberman is obviously a VERY technically experienced film-maker. The lighting, photography and sound are all VERY SUPERB and proffesional! This does show up the flimsy script. But once again, it's the simplicity and childlike innocence that is this film's brilliance. If you like the romance comedies of the 50's that they don't make anymore... rent this! I kid you not, folks... it's a sweet, fun film. Enjoy!

It is a rare slice of genius when a production sails by on bubbly Bringing Up Baby style wit and humour, then three days later awakens you to a beautifully simple solution to the oldest struggle of mankind, male vs female.

More than just an evening's entertainment, this film could save troubled marriages by more than just its romantic tones and ending. It can achieve it's goal by setting the realistic co-operation example that it does.

Little wonder the screenplay works as well as it does with Linda Seger as consultant.

At the core of its charm is the fact that the two leads had to work and watch each other throughout the rehearsal process, then successfully emulate each other during filming stimulating recognition in the audience, something strongly identified in all successful Australian films.

That's why in the public screenings I saw, the pencil in the hair always drew powerful laughter.

Zig Zag

This is a terribly hackneyed plot. All about the stereotypes of men and women and how we are supposed to interact. But I laughed frequently and out loud and I suppose that's what a comedy film is supposed to make you do. I enjoyed the playing of the actors who brought life and humour to a sometimes rather corny script. They brought out the full farce of their acting one might say!

The first twenty minutes, whilst the plot establishes itself, are a bit of a chore but thereafter the silliness takes over and I chortled away as predictably absurd scenes were unravelled.

Disappointing homophobic line about men and women being the natural (and implicitly, only) form of coupling for human beings, which seemed at odds with the rest of a fresh, healthy skip through sexual norms but alas every script writer has a bad day.

I grew up on that staple of british cinema the 'Carry On's and this is kind of doing a similar thing. Don't expect it to change your life, just entertain you for 90 minutes.

At 1 hour and 40 minutes, I felt that this film was overlong for its simple story and romcom genre. So many filler, pointless scenes in the middle I would have omitted.

I enjoyed the the the lead duo Guy Pearce and Claudia Karvan. Both gave a very funny performance, and I wished that the script had more comical situations written for them. Pearce acting like a girl was just hilarious and entertaining. I wish they had more crude scenes with him as a woman. But hey, this isn't Hollywood. Aussie comedies generally lack gross out humour and vulgarity. Not that I'm a fan of those styles, but I think this film needed more irreverent humour.

As such, I thought the film seemed more serious and stern as it progressed. And as I said, at 100 minutes it just felt too long and more like a 120 minute film. I still respect this film as an unforgettable Aussie comedy from the 1990s, despite the little gripes I had with it.