Dangan rannâ

Full of verve and energy yet little happens. Well, one thing doesn't happen, two things do and a chase ensues. One guy chases another and another chases him around the backstreets of Tokyo. A salaryman, a rock star drug addict and a yakuza member spend virtually the entire film chasing. There is some backstory provided and the whole makes a little more sense by the end. One difficulty for non Japanese is that this is clearly intended as a comedy but doesn't quite make. There is a scene, for instance where the three pass a pretty girl bending down in the street and they are distracted. In a Benny Hill sense with the appropriate cartoon music and only a hint of sexy visuals, there is probably a joke, whereas here the content is too prurient for us sensitive souls to find it amusing. The whole is worth a watch and in particular for those quickly disappearing little streets, here I understand mainly those behind Nakano Broadway.

This film is listed as a comedy, but it's not the "laugh out loud" type. In fact, there is some pretty serious subject matter involving a bank robbery, heroin addiction and the Japanese mafia. It's comparable to "Run Lola Run" in that yes, there is a lot of running! But it also shares "Lola's" non-linear story line. Some people may find this confusing. It's also similar in some respects to "Lock Stock and Two Smoking Barrels" as you learn (eventually) that all the characters introduced are connected in some way.

It helps to have some knowledge of the Asian culture (even if you learned it through Jackie Chan movies). The Asian's emphasis on honor and saving face is a key driving force for these characters. The relationship between the yakuza/mafia guys and their boss/master is laughable to an American sensibility. The motivations these guys have to run all over town in a marathon chase would never work in this country.

If you can be patient and wait it out, the plot will fall into place. If you don't like movies you have to figure out, or if you get lost during flashbacks, you probably won't enjoy this one. Don't expect a knee-slapper, but there are a few good chuckles (some probably unintended) and interesting plot twists.

P.S. If shaky hand-held camera work a la "Blair Witch" makes you queasy, beware!

An entertaining and substantive film, Non-Stop has drawn deserving comparisons with "Run Lola Run". The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences. The chase serves not as as a fast-paced climax, but as a journey that makes up the majority of the film. During the "run" we see the characters grow and momentarily forget about their dreary lives, about the "macho" roles they've bought into, and eventually forgetting about why they started running in the first place. Much like fighting provided a "clarity" for the characters in "Fight Club," running provides this film's characters with a means to step away from the false values that we all allow society to create for us. Their running serves as way to truly taste life from an unclouded perspective, and all three find some level of clarity and joy in the process.

My appreciation and enjoyment only wavered slightly in the ending of the film, where instead of learning from their experience, the characters seem to revert to acting out those false macho roles I thought they had escaped from through their journey.

Still, the only true problem with this film is that it wasn't distributed outside Japan sooner.

This is one of the movies that get better every time you see them. It's packed with so many original and unconventional ideas that you always find a new detail. As in Sabu's subsequent movies (I didn't see "Unlucky monkey" yet, but the other ones are as great) failure, chance and humanism play great roles. The cutting and Montage is inventive and artistic, without the movie being an "art" picture, but a highly entertaining one. When comparing it to "Run, Lola, Run" you have to keep in mind that "Dangan Ranna" was made some years before and was shown on German TV as early as 1997...so it's more probable that it served as inspiration for Tom Tykwer's movie, and not the other way around. Complementary to the other reviews I have to add that I like the acting and the ending very much. This movie is a lot of fun in many ways, and it manages to deliver a message without being annoying or pretentious.

This movie was a weak, weak attempt to implement a possibly clever idea. The story is pointless, the characters are two dimensional stereotypes with unbelievable motivations and the jokes are just plain lame. Although I did actually laugh once, it was at the main character's horrible acting. For a story, some guys run around and then some other guys shoot each other and there's some gratuitous nudity, exploited in a pitiful attempt to retain the male viewer's attention (Any female viewer would surely not even be watching at this point as the average female iq is about 3 points higher than the male iq, giving the female just enough intelligence to not rent this waste of celluloid in the first place). The director lists himself simply as "Sabu" which is perfectly understandable: If I had made this movie, I wouldn't want my last name on it either.