L'ultimo appello

On the surface "The Chamber" is about a young lawyer named Adam Hall (Chris O'Donnell) who is trying to save his grandfather (Gene Hackman) from the death penalty. But really the movie is about breaking the cycle of racism, hatred, and bigotry that got his grandfather put on death row to begin with.

Although not one of Grisham's best, he still deserves credit for daringly going into a dark and despised part of American history. This movie may have stirred many people the wrong way and touched a nerve with others. I saw an excellent depiction of a torn young man desiring to help his grandfather in spite of his and everyone else's despise of that same man.

The movie was compelling. Just one tale about the troubled history of Mississippi. As the character Nora Stark (Lela Rochon) said..."Mississippi has bodies buried everywhere."

First, I should admit that I've never read any of John Grisham's novels. I've seen many of the film adaptations (which usually seem to be worthy, if absolutely nothing else). It seems like most critics - and much of the public - considered "The Chamber" the worst adaptation of a Grisham novel ever. When I saw the movie, I didn't find it terrible, though not a great movie either. Maybe it was just that many people - myself not included - counted "A Time to Kill" as one of the best adaptations, and dismissed this one.

Anyway, Gene Hackman makes a pretty ugly Klansman (well duh, he gets into any character), and I'd say that he overshadows Chris O'Donnell (who just looks a little out of place in this sort of movie). I can't tell whether or not Faye Dunaway is just there for show. But overall, what I like about this movie is that it doesn't lionize Hackman's character, but it shows why he became a Klansman - sort of like what "Dead Man Walking" does with Sean Penn's character. Obviously, "The Chamber" isn't in the same league as that one. But still, I think that most people need to reassess this movie. Also starring Robert Prosky, Raymond J. Barry, Bo Jackson and Lela Rochon.

Most reviews on this site, neglect to mention how vividly the film captures the racist politics of the American South at this time. The actions of all politicians reveals how difficult it can be to seek justice. They are always looking sideways. Also the crowd outside the execution site shows how easy it is to stir up mob emotion. Again, nicely laid out and captured on film. The film visually translated Grishelm's understanding of Southern culture and politics.

I also thought Chris O'Donnell captured the intensity of someone who is confronting his family's past. The camera work, which holds on his face, assists in helping us to see the quiet determination with which he works. (The camera is a good replacement for the interior monologue of fiction!)I also liked the flash-backs which help him to comprehend just where his father came from and why suicide might have been a response.

This film is timely today in lieu of the polarization of American politics. Scary stuff!

It is to bad that a powerfull performance by Gene Hackman was wasted in a poor paced, slow moving drama. The remaining cast gave a good account of themselves but the script just lack any sense of direction or suspense. Being a die hard Grisham fan I was terribly disappointed in the end product.

Sam Cayhall (Gene Hackman) is set to be executed for a bombing thirty years ago in Mississippi that killed two Jewish boys. His grandson Adam (Chris O'Donnell) has been avoiding the hateful legacy of his Klan grandfather. The young lawyer takes on the case. His investigation reveals that others were involved and he struggles to stop the execution.

Gene Hackman is a great racist but his character is irredeemable. Chris O'Donnell has his boyish looks but I don't sense the substance. Faye Dunaway is simply horrible in this one. The story is flat. The legal thriller is ultimately meaningless. Other than Hackman, this movie doesn't have much.