Aggiungi una trama nella tua linguaThis is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the p... Leggi tuttoThis is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past. This is a story of contrasts, offered by a despair choir of characters: the old coupl... Leggi tuttoThis is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past. This is a story of contrasts, offered by a despair choir of characters: the old couple who hire a young woman to record city's present images, because they "don't get out much... Leggi tutto
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Directed by Alejandro Agresti (who is my favourite argentine director, I call him 'The argentine Tarantino') made an excellent job in direction with very original shots.
The acting is really great too, specially Carlos Roffe and the young boy Nazareno Casero. They are very natural, you cannot tell they are acting.
The plot is interesting and will make you laugh and cry. I recommend this movie.
But that's pretty much the only thing that's not good about the movie. This film captures the true essence of the city of Buenos Aires and of its people, especially in the final hour. Vera Fogwill, as a young, un-experience film-maker who goes trough half the city filming and searching the beauty of Buenos Aires, along with the company of a boy from the street, wonderfly play by newcomer Nazareno Casero, gives one of the most heart-breaking and sweet performances ever seen on film.
Mirta Busnelli is also great, as a divorce woman, who is still in love (in fact, obsess) with her ex-husband, who's a tv host, so she puts the tv in the other side of the table and eats dinner wile she talks to him. And Carlos Roffe is excellent playing a men in love with the crazy woman.
Director Alejandro Agresti shows a mixed view of Buenos Aires: he maneges to show it both beautiful and uggly, in every scene you watch you get the feeling that's pretty but it also sickening.
This is one of the best film I ever seen, and that's simply because it's director succeed in showing the city trough he's eyes.
If you can get it, and you're in the moud for some lafs and tears, watch it.
There are many characters and it is difficult, at times, to follow all of the happenings since the scenes jump around. The disadvantage of the various, unrelated scenes is that the viewers do not feel attached to any character and are not able to easily follow each character's development. The advantage is that it is intriguing and creates suspense, which will keep the viewer interested until the end.
The film mixes conflict with humor in a creative balance which creates a delicate balance between tragedy and humor. The movie does not intend to be a comedy, but it does employ comic devices to maintain viewer interest. For example, the scene in which the lady is 'dining' with her ex-husband is entertainingly funny, although the humor does not mask the absurd reality and the mental 'anguish' of the lady . The movie has a significance that is greater than the simple activities of the characters. Each of the characters, to some degree, is a symbol for a different social class or a different type of person. The rich boyfriend and the poor, homeless child symbolize segments of society. The child is especially important in this film because it is dedicated to 'los niños desaparecidos.'
I would recommend this movie to anyone, although I would suspect it will have more impact on those with interests in Argentina. Nevertheless, it deserves to be seen.
Lo sapevi?
- QuizFinal film of Bettina Brenna.
- ConnessioniReferenced in L'ultima festa (2016)
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