Un proprietario di cabaret gay e la sua compagna drag queen accettano di mettere in piedi una falsa facciata in modo che il figlio possa presentarli ai genitori moralisti di destra della sua... Leggi tuttoUn proprietario di cabaret gay e la sua compagna drag queen accettano di mettere in piedi una falsa facciata in modo che il figlio possa presentarli ai genitori moralisti di destra della sua fidanzata.Un proprietario di cabaret gay e la sua compagna drag queen accettano di mettere in piedi una falsa facciata in modo che il figlio possa presentarli ai genitori moralisti di destra della sua fidanzata.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 7 vittorie e 25 candidature totali
Tony Gonzalez
- Goldman girl
- (as Anthony Richard Gonzales)
Dante Henderson
- Goldman girl
- (as Dante Lamar Henderson)
Recensioni in evidenza
When I read a few of the user comments on the site, I noticed one thing was missing: Hank Azaria. He really made the movie what it is. It's a funny movie in general, but he really makes it funny. This movie is one of his very best performances.
If it weren't for the fact this movie has as its world a gay nightclub and gay men, it could have starred Cary Grant and been one of those wacky comedies of the forties. This is absolutely a hoot. To start with, you have Robin Williams and Nathan Lane, two of the most amazing, on their feet comedians ever. Throw in the plot of "if we could pull this off for one night," and everything else is up for grabs. The dialogue is excellent with all its double entendres and dramatic irony. We have the Senator, thoroughly enjoying himself, without realizing he is flirting with a man, and everything else relating to that. Of course, there is constant backtracking and improvisation. You have to laugh.
I've watched this movie countless times and never get bored. It provides sheer entertainment and some of the best one-liners I've heard in a movie. It is equal opportunity in its derogatory remarks and racism, and that's part of the charm. People get too worked up over stereotypes and "being offended" but they shouldn't -- this is a movie, not a political commentary. The actors have done a superb job of creating humour out of an awkward situation -- two men who happen to be gay, live together, own a business and must "play it straight" for the benefit of their son's in-laws.
I think I understand why the critical review has been mediocre -- it's likely because critics keep comparing 'The Birdcage' with the original 'La Cage Aux Folles'. I wish critics would rate a movie for what it is, and not for what it compares to. 'The Birdcage' as a stand-alone movie is witty, funny, silly, and entertaining. And that's what makes it so enjoyable! It's one of my favourite comedies and I can watch it over and over again.
I think I understand why the critical review has been mediocre -- it's likely because critics keep comparing 'The Birdcage' with the original 'La Cage Aux Folles'. I wish critics would rate a movie for what it is, and not for what it compares to. 'The Birdcage' as a stand-alone movie is witty, funny, silly, and entertaining. And that's what makes it so enjoyable! It's one of my favourite comedies and I can watch it over and over again.
Granted The Birdcage isn't perfect, it is a little too long and the ending came across as rather sudden, but I was really surprised at how much I enjoyed this film. It looks good, has a nice soundtrack, has a (I think) terrific script, good pacing, a fun story and above-decent direction from Mike Nichols. As for favourite scenes, there are some great scenes, but who can forget the dinner scene? The whole film is worth watching just for that scene for so many reasons. And the acting I had no problem with whatsoever. Robin Williams underplays but still delivers the laughs solidly, while Gene Hackman proves he is great as a comic actor. Dianne Wiest, Calista Flockhart and Hank Azaria also give terrific turns, however it is Nathan Lane's hilarious turn as Albert that steals the show. All in all, this is very good and very funny and charming. 8/10 Bethany Cox
What do you get when you get two comedy legends like Nathan Lane and the brilliant Robin Williams and tell them to be as camp and lovable as possible? This movie. It's heartwarming how much Albert (Nathan Lane) tries to make himself 'normal' for his stepson's girlfriend, just to finally see he is normal. He's a wonderful mother figure, and that's all that matters. It's a funny, smart and sweet story that's a good thing to watch whenever you just want to feel better.
Lo sapevi?
- QuizMike Nichols required that Nathan Lane and Robin Williams filmed at least one good take of each scene sticking to the script before he would allow them to improvise (something both of the actors are known for).
- BlooperIn the kitchen scene where Armand and Val realize Agador never prepared an entrée, Armand slips and falls while bringing the sweet-and-sour peasant soup pot back into the dining room; as he then tells Val "Go, go, she'll be here any minute, go", he is clearly laughing.
- Versioni alternativeThe Blu-ray features additional opening and closing MGM logos.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La jaula de los pájaros
- Luoghi delle riprese
- Carlyle Hotel - 1250 Ocean Drive, Miami Beach, Florida, Stati Uniti(The Birdcage Club- Exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 124.060.553 USD
- Fine settimana di apertura Stati Uniti e Canada
- 18.275.828 USD
- 10 mar 1996
- Lordo in tutto il mondo
- 185.260.553 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
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