Beautiful Thing

A wonderful story of gay teenagers that is ideal for parents to show their children; so that they understand that gay people may be different, but not bad. Faithful to the play, great music score and gives a real feeling of English tenements.

Once again, I am overwhelmed by the excellence of British film-making & acting. I truly bow to the British honing of the craft of acting, which is brilliantly presented in this film. Storyline aside, the acting of the mother "Sandra" is superb; you feel every emotion on her face as she struggles to make a better life for herself and her son, as well as accept her son's growing awareness of his own sexuality. Remarkably, she is my favourite character in this film, notwithstanding the performances of the 2 boys, who are superb. The boyfriend, Tony, is also wonderful as a supporting character. My favourite scenes are actually sequential: first, the shot of Sandra following the boys in a cab, as the shock & turmoil of her emotions is beautifully portrayed during this scene; second, the followup scene with the boys in the park, probably, for me, the most wonderfully innocent, beautiful and intimate scene in the film. I'm probably being silly; every scene in this beautiful film is a treasure and at triumph, for anyone who's ever been in love. I know I will treasure this film always.

A film about the gay working class runs the risk of portraying two sets of stereotypes. But 'Beautiful Thing', Hettie MacDonald's sweet little movie, is lifted above mere cliché through the quirky humanity of its characters, and the atmospheric cinematography of the ugly-beautiful London overspill estate of Thamesmead. Unlike many "gay" films, it manages to display sympathy for its characters without becoming unduly celebratory (a tone that rarely makes for good cinema). In fact, it has something of the feel of a Mike Leigh film, although it's a lower key affair than most of Leigh's movies: a little less intense, a little less depressing, and a just little less funny. But that is, of course, to judge it against the highest of standards. In it's own right, it's a modest, but distinctive and highly likable film.

This is one of those great British dramas set in a typically grim environment but shot with positivity throughout. Having grown up around the area in the film and being only a few years older than the featured boys, it was a joy to see life there depicted in the film.

I agree with all previous comments about the actors and how true-to-life it feels. Although slightly exaggerated in places, this film is a great comment on London working class life as well as being focused around a gay-based storyline.

However, I wanted to add that this film also comments on the complex class system in the UK which explains why Tony was dropped by Sandra. Many non-British viewers may not have picked up on this. Thoughout, Tony is shown as a middle class character who doesn't really fit into the working class environment. He uses different slang words to the others, has a 'posher' accent and has slightly different attitudes to all the other characters. He and Sandra come from different worlds. As Sandra says, she has been fighting all her life, whereas he has had evertyhing given to him on a plate. Ultimately, this relationship was never going to last. Life in London (and the UK) is still spilt into different social classes, although they do mix a little more than they used to. But you can often tell where someone is from by their accent and their choice of words. This was used to great affect in the film.

Overall, a light-hearted look at life on a London council Estate with some great performances... one of my favourite films.

Gay or straight, this is one of the finest movies ever made about self discovery and teenage love. Albeit the end is a little wishful and optimistic, the characters and situations are perfectly developed and realized, ringing true in almost every scene. This movie makes me smile on every level...from the way the two boys discover their affection for one another, the wonderful comedy relief from the next door neighbor Leah (and her relationship with the entire tenement population), and the perfect choice of soundtrack music from Mama Cass that, at times, seems written specifically for certain scenes and works on both a nostalgic and familiarity level. This movie gets better with every viewing...and I'd love to see what happened to each of the characters in a sequal.

This movie is, without a doubt, very personal to all gay men and women who came out during their youth and a favorite of all of my friends, both gay and straight.