VALUTAZIONE IMDb
6,1/10
9077
LA TUA VALUTAZIONE
Dramma romantico su una giovane ragazza in carriera che viene spazzata via da un timido fioraio, che si innamorò di lei dopo uno sguardo attraverso una finestra oscura.Dramma romantico su una giovane ragazza in carriera che viene spazzata via da un timido fioraio, che si innamorò di lei dopo uno sguardo attraverso una finestra oscura.Dramma romantico su una giovane ragazza in carriera che viene spazzata via da un timido fioraio, che si innamorò di lei dopo uno sguardo attraverso una finestra oscura.
- Regia
- Sceneggiatura
- Star
Pamela Adlon
- Kim
- (as Pamela Segall)
Michael Haley
- Lewis' Dad
- (as R.M. Haley)
Claire Jacobs
- Lisa's Secretary
- (as Claire Mari Jacobs)
Recensioni in evidenza
Bed of Roses is easily one of the best romance movies ever. Even if the movie wasn't as good as it is, the soundtrack alone would make it worth watching. But, the movie itself is wonderful and full of warmth. Bed of Roses has the kind of story you would like to live out for yourself. True, people don't usually meet and fall in love the way Lewis and Lisa do in this movie, but isn't that the purpose of movies and music? The story and characters are as unique as they are addictive. When the movie ended, I found myself wanting more. This is one movie that will stick with you. I dare you to watch it only once.
If you enjoyed Bed of Roses, you might also like At First Sight with Val Kilmer and Mira Sorvino.
If you enjoyed Bed of Roses, you might also like At First Sight with Val Kilmer and Mira Sorvino.
Lisa (Mary Stuart Masterson) is a rising businesswoman who rarely devotes herself to anything but work and more work. This is, in part, because of events that occurred during her childhood. She has a drop-in boyfriend who doesn't really spend any quality time with her but, Lisa is certain she likes it that way. That is, until the day a gorgeous bouquet of flowers is delivered to her at the office, without a card. Lisa calls friends and work colleagues to try to determine who sent her this gift. No luck. As a last resort, she goes to the florist and begs for information about the giver. She is stunned to learn that the delivery man, Lewis (Christian Slater) is her unknown fan. Lewis tells her about his interest in her and Lisa is cautious, of course. But, over the next few weeks, Lisa and Lewis become closer. Yet, something is wrong. What could it be? This is a quietly beautiful love story. Masterson is pretty and touching as the woman who doesn't know much about love and Slater is wonderful as the florist who learns to open up his heart again, too. The rest of the cast is nice and the script, costumes, sets and production values are very good. If you are drawn to stories of romance, this one should land on your must-see list. It is a bouquet of humor, heartache, and happy endings that will have you floating on air, smiling like crazy.
This is one of those films, like Only You (Marisa Tomei and Robert Downey Jnr.), that you catch by accident and are then surprised that it wasn't a bigger hit.
This film certainly had all the right ingredients, good Hollywood stars and good actors into the bargain, an everyday setting, and a completely believable storyline.
Its lack of success is probably down to the fact that both Christian Slater and Mary Stuart Masterson were both better known for playing much more serious or action roles and this was quite a departure for them.
Where the film really falls down is the script, which any English student could probably have written without difficulty, but it is a credit to the two stars that such an endearing and enjoyable movie is rescued from it.
The script simply attempts too much, with both characters having troubled pasts when it comes to relationships and so it then comes as slightly unbelievable that Slater's character suddenly finds the courage to take the lead as he does.
Both the actors, though, give wonderful performances which really make you feel for their situation and involve you with their lives. This, mixed with some great comic moments from Pamela Segall make for a very enjoyable romantic comedy which doesn't lose its appeal with time.
A must see for all commitment phobics!
This film certainly had all the right ingredients, good Hollywood stars and good actors into the bargain, an everyday setting, and a completely believable storyline.
Its lack of success is probably down to the fact that both Christian Slater and Mary Stuart Masterson were both better known for playing much more serious or action roles and this was quite a departure for them.
Where the film really falls down is the script, which any English student could probably have written without difficulty, but it is a credit to the two stars that such an endearing and enjoyable movie is rescued from it.
The script simply attempts too much, with both characters having troubled pasts when it comes to relationships and so it then comes as slightly unbelievable that Slater's character suddenly finds the courage to take the lead as he does.
Both the actors, though, give wonderful performances which really make you feel for their situation and involve you with their lives. This, mixed with some great comic moments from Pamela Segall make for a very enjoyable romantic comedy which doesn't lose its appeal with time.
A must see for all commitment phobics!
When you cast Christian Slater in a part where he sends flowers to a complete stranger you never know what you're going get. It's not like he hasn't played off balance people before. And some might consider what he does to Mary Stuart Masterson as stalking.
But Slater and Masterson make a fetching romantic couple in Bed Of Roses as a pair of lonely people looking for something or someone to complete them as a line in another film done in late 90s said. Slater has never been this romantic before or since on the big screen. Parts like he had in Kuffs, Pump Up The Volume, and Heathers are more like what he's identified with.
Slater in fact was once in Masterson's world, he was a runner with Goldman&Sachs who lost a wife and child in childbirth. After that he just dropped out of it all and became a florist delivery man because flowers are beautiful and everyone is happy to see him when he delivers.
Masterson is in that world now, but all she has is work. She was a foundling who was left at the Pittsburgh airport and raised in a foster home with a man who drank considerably and its hinted he may have done other terrible things to her. She has no romantic illusions, she does have work though and the world of high finance demands her attention completely.
Bed Of Roses is a good, but not great film. It's lack of development of supporting characters is a big weakness. Still it's the definition of a star vehicle and the stars do shine in this one.
But Slater and Masterson make a fetching romantic couple in Bed Of Roses as a pair of lonely people looking for something or someone to complete them as a line in another film done in late 90s said. Slater has never been this romantic before or since on the big screen. Parts like he had in Kuffs, Pump Up The Volume, and Heathers are more like what he's identified with.
Slater in fact was once in Masterson's world, he was a runner with Goldman&Sachs who lost a wife and child in childbirth. After that he just dropped out of it all and became a florist delivery man because flowers are beautiful and everyone is happy to see him when he delivers.
Masterson is in that world now, but all she has is work. She was a foundling who was left at the Pittsburgh airport and raised in a foster home with a man who drank considerably and its hinted he may have done other terrible things to her. She has no romantic illusions, she does have work though and the world of high finance demands her attention completely.
Bed Of Roses is a good, but not great film. It's lack of development of supporting characters is a big weakness. Still it's the definition of a star vehicle and the stars do shine in this one.
I enjoyed this film, but only for two specific things: the acting of Masterson and Slater. Masterson is startlingly good, and Slater shows a deeper range than I previously thought. The rest of the film, though, is shallow and never fully realized. Plot elements are thin and almost unbelievable, several of the supporting actors are terrible, the music is trite and unoriginal, the cinematography is downright boring, and the dialogue falls into inanity and predictability too often. If not for the heroic performances of the lead couple, this film would be entirely forgettable. Masterson, though, is truly gifted, and digs deep to find the center of her character, and Slater reaches a bit himself for a romantic side I've never seen. I give it a 6, for the acting alone.
Lo sapevi?
- QuizMichael Convertino's score for this film was composed for and recorded by two orchestras in different locations. Then the two separate pieces were mixed and overlaid with each other in the studio to create the final product.
- Citazioni
Lewis Farrell: I noticed the other morning you didn't order any breakfast. I wasn't sure if that was because you weren't a breakfast eater... or becuase you thought I was gonna kill you.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 19.030.691 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.117.558 USD
- 28 gen 1996
- Lordo in tutto il mondo
- 27.315.527 USD
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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