Amare è

Lisa (Mary Stuart Masterson) is a rising businesswoman who rarely devotes herself to anything but work and more work. This is, in part, because of events that occurred during her childhood. She has a drop-in boyfriend who doesn't really spend any quality time with her but, Lisa is certain she likes it that way. That is, until the day a gorgeous bouquet of flowers is delivered to her at the office, without a card. Lisa calls friends and work colleagues to try to determine who sent her this gift. No luck. As a last resort, she goes to the florist and begs for information about the giver. She is stunned to learn that the delivery man, Lewis (Christian Slater) is her unknown fan. Lewis tells her about his interest in her and Lisa is cautious, of course. But, over the next few weeks, Lisa and Lewis become closer. Yet, something is wrong. What could it be? This is a quietly beautiful love story. Masterson is pretty and touching as the woman who doesn't know much about love and Slater is wonderful as the florist who learns to open up his heart again, too. The rest of the cast is nice and the script, costumes, sets and production values are very good. If you are drawn to stories of romance, this one should land on your must-see list. It is a bouquet of humor, heartache, and happy endings that will have you floating on air, smiling like crazy.

I really loved this movie. Mary Stuart Masterson and Christian Slater are great as a couple and I found myself rooting for them all the way through. Christian Slater's character, Lewis, is sweet and sexy and leaves me wondering...does he have a brother?

When you cast Christian Slater in a part where he sends flowers to a complete stranger you never know what you're going get. It's not like he hasn't played off balance people before. And some might consider what he does to Mary Stuart Masterson as stalking.

But Slater and Masterson make a fetching romantic couple in Bed Of Roses as a pair of lonely people looking for something or someone to complete them as a line in another film done in late 90s said. Slater has never been this romantic before or since on the big screen. Parts like he had in Kuffs, Pump Up The Volume, and Heathers are more like what he's identified with.

Slater in fact was once in Masterson's world, he was a runner with Goldman&Sachs who lost a wife and child in childbirth. After that he just dropped out of it all and became a florist delivery man because flowers are beautiful and everyone is happy to see him when he delivers.

Masterson is in that world now, but all she has is work. She was a foundling who was left at the Pittsburgh airport and raised in a foster home with a man who drank considerably and its hinted he may have done other terrible things to her. She has no romantic illusions, she does have work though and the world of high finance demands her attention completely.

Bed Of Roses is a good, but not great film. It's lack of development of supporting characters is a big weakness. Still it's the definition of a star vehicle and the stars do shine in this one.

I enjoyed this film, but only for two specific things: the acting of Masterson and Slater. Masterson is startlingly good, and Slater shows a deeper range than I previously thought. The rest of the film, though, is shallow and never fully realized. Plot elements are thin and almost unbelievable, several of the supporting actors are terrible, the music is trite and unoriginal, the cinematography is downright boring, and the dialogue falls into inanity and predictability too often. If not for the heroic performances of the lead couple, this film would be entirely forgettable. Masterson, though, is truly gifted, and digs deep to find the center of her character, and Slater reaches a bit himself for a romantic side I've never seen. I give it a 6, for the acting alone.

How can I even start. This movie is a true love story about bringing together two people so different from one another that under anything but the most unusual circumstances they would never even cross paths. And isn't that what we all want? A magic moment with someone that comes out of left field? Christian Slater is excellent as a shy but well meaning character who has nothing but the best intentions. His pain is easy to feel and his thoughts about the world are childlike, innocent, and so on target (We should all go to story hour sometime!) Mary Stuart Masterson is the picture of todays executive - hustling and bustling while never even giving thought to what she really wants deep inside. The two together are just the picture of how love should be. (The morning after scene is something I will always wish for in life and will never achieve)I honestly thought while watching this - if you could just run the credits after the morning after this would have been the perfect movie but into life a little rain must fall and so we have the second half. But even this I love because don't we all have those insecurities, that cowardice hiding deep inside?? Trust me - its worth a watch - everyone I know loves it and I have to fight to get the tape back when I loan it out!!