Susan

I thought the tribute to David Strickland last night was extremely touching and surprisingly enough very funny. I know in my heart they did David Strickland very well with the tribute and the season finale. There was real emotion and sadness. I did not see anything phony about their sadness, it was truly genuine. On a more personal note, I really thought David Strickland was very funny and very talented. What it really all boils down to is listening to our youth and trying to understand the problems, because no matter what, there are always warning signs.

This show and its ensemble of characters was one of the funniest and creative shows on television. The comedy's center was the workplace with each character finding his/her own niche, completely separate and different from the others. Brooke Shields was excellent as the foil to many pranks/quips relating to her relationship with her cohorts, especially after the addition of Maddie. Unfortunately the shows strengths diminished after the death of David Stickland and the departure of Jack and Maddie. The whole show's premise and hilarity was lost with the addition of Eric Idol and the change to the magazine as well. Bring back the origin of this sitcom. David Strickland must have never known how he affected so many in his life. It is a shame, God rest and bless his soul.

This was never a wonderfully written program. In comparison to shows like Frasier, Friends, Seinfeld, even Mad About You, the plots, the jokes, were just thin. One good reason why is that the subplots never meshed with the plots.

For example, I just watched a rerun of one: the subplot is about the photographer taking pictures of Nana in order for Shields to present a portrait to her grandfather. Predictably, the photographs are far more racy than Shields expects. The main plot is about Griffin's jealousy over Shields' "sudden" success as a star player on Griffin's basketball team - the jealousy spills over into jealousy of Shields' beauty (and she responds that no one has life easy, being so tall, etc.). The plot has NOTHING to do with the subplot. They could have been put in different episodes - that's not very good writing.

For me, the reason for watching the program is to watch Brooke Shields -whose graciousness, modesty and essential sweetness come through in all she's done as an adult. (I was too old to be a fan in her "Endless Summer", "Blue Lagoon" days). More than any other actress, she has that Mary Tyler Moore character's humility, that eagerness to please. I would expect that she is always one of the most diligent actresses in any project.

When someone so beautiful is also so obviously this lovely seeming a person, one's in danger of losing one's heart. That's why I watched this fairly weak program. Shields deserves better writers - and she's really born to be a movie star, not one on television.

I've always loved Brooke Shields, she had a wonderful and quick career as a movie star. I don't understand what happened, because she is even more talented and beautiful than she used to be when she made her best movies. Maybe she enjoy doing television or maybe they stop sending her good scripts. The show is great, very funny, interesting but it so below Brooke's competence, she could be so much more. I really miss her in the big screen, but I watch the show every week and I have a really great time...

One of the reasons that Suddenly Susan works for me is the ensemble cast of characters including Brooke Shields. Even though she is the star of the show, she manages to evolve her supporting cast of characters like the unbelievable Vicki and Judd Nelson as her boss Jack Richmond. The show is well-grouped with this cast of zany characters working at a fictional San Francisco newspaper. When tragedy struck the cast, the loss of David Strickland who played Todd was so catastrophic for the cast and crew for it to ever recover from his loss. David Strickland committed suicide in a Las Vegas hotel room. The cast was never the same again without him. The pairing of Vicki and Susan living together brought great laughs. These two should get together and spin off the characters into their own series. The show was never an Emmy winner or critically acclaimed. But from all reports, this show actually had a pleasant environment to grow and mature. Brooke Shields as a producer was not afraid to let her supporting cast branch out which is why I like this show.