Mike Flaherty, il vicesindaco di New York City, e il suo team di sciocchi devono costantemente salvare il sindaco dall'imbarazzo e dai media.Mike Flaherty, il vicesindaco di New York City, e il suo team di sciocchi devono costantemente salvare il sindaco dall'imbarazzo e dai media.Mike Flaherty, il vicesindaco di New York City, e il suo team di sciocchi devono costantemente salvare il sindaco dall'imbarazzo e dai media.
- Vincitore di 2 Primetime Emmy
- 14 vittorie e 38 candidature totali
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Recensioni in evidenza
I only consider this show great during the Michael J. Fox years. Between those four delicious seasons, political satire and humor were at a peak on television. Fox and his assorted cast of friends and co-workers were exceptional, making this one of the best sitcoms in the history of television. People will disagree, but come on. Friends? Seinfeld? Please!!! In an age where reality TV is becoming a norm, I can always look back to this show in syndication and watch one of the last good shows that hasn't been stretch thinner than a Hollywood actress' waistline. The most underrated actor in the show wasn't even an actor. The lovable rat/dog/wombat "Rags," a scene stealer everytime he was carried onto the screen. All of my favorite episodes have Rags in it, especially the episode when Rags rediscovers his libido and the episode when he brought back to life by Christopher Lloyd. Good stuff all around, and its too bad Fox had to leave the show.
Classy, Witty, Satirical, Dynamic...
Seasons 1-4 TV series brings a half hour of highly enjoyable escapism. Well loved characters. Michael J Fox is the glue for the whole show. It started with him and unfortunately the show died without him.
The strong ensemble cast gave the show depth and representation, from Carter to James you felt that the show had a commentary from a broad spectrum of characters, not particular deep as perhaps west wing, but that is not the intention. you become invested in the T&T of these characters, as with all good shows, they bring familiarity, social commentary at its light entertainment best.
This show like "friends " was a staple diet during my university years. Recently i have got my hands on the whole series of shows. It was a pleasure to revisit this comedy. Good luck to Mr Fox's foundation on Parkinson's research.
Seasons 1-4 TV series brings a half hour of highly enjoyable escapism. Well loved characters. Michael J Fox is the glue for the whole show. It started with him and unfortunately the show died without him.
The strong ensemble cast gave the show depth and representation, from Carter to James you felt that the show had a commentary from a broad spectrum of characters, not particular deep as perhaps west wing, but that is not the intention. you become invested in the T&T of these characters, as with all good shows, they bring familiarity, social commentary at its light entertainment best.
This show like "friends " was a staple diet during my university years. Recently i have got my hands on the whole series of shows. It was a pleasure to revisit this comedy. Good luck to Mr Fox's foundation on Parkinson's research.
I used to love spin city; set around the Mayor of New York and his staff, it provided a lot of laughs and politics in comedy actually quite works.
The mayor's deputy Mike was one of the best and brilliantly played by one of my favourite actors, Michae J. Fox who has so much screen charisma. The way Mike interacted with his staff was great; his relationship with Carter was hilarious and the way he mentored James was often touching. So many of the characters were great including James, Stuart, Carter, Paul, Nikki and Stacey.
Then they ruined it by casting Heather Locklear as Caitlin. I hated Caitlin, she was so annoying and she replaced the fiesty brooklyn gal, Stacey who was far superior.
When Stacey left it started to go wrong, then Mike, James and Nikki left too and Charlie Sheen couldn't be good enough to replace the loss of three great characters. Charlie was good, not as good as Mike but still a great actor, but Caitlin seemed to be the focus, it should have been called the Charlie Sheen and Heather Locklear show at the end as it was always about their relationship, just like it had been with Caitlin and Mike.
The later episodes are not as memorable, James was such a good character that the show suffered without him, everyone else was so self assured but James was the innocence of City hall and without him it was a bunch of big shot Caitlin's who wanted to rule the world.
The mayor's deputy Mike was one of the best and brilliantly played by one of my favourite actors, Michae J. Fox who has so much screen charisma. The way Mike interacted with his staff was great; his relationship with Carter was hilarious and the way he mentored James was often touching. So many of the characters were great including James, Stuart, Carter, Paul, Nikki and Stacey.
Then they ruined it by casting Heather Locklear as Caitlin. I hated Caitlin, she was so annoying and she replaced the fiesty brooklyn gal, Stacey who was far superior.
When Stacey left it started to go wrong, then Mike, James and Nikki left too and Charlie Sheen couldn't be good enough to replace the loss of three great characters. Charlie was good, not as good as Mike but still a great actor, but Caitlin seemed to be the focus, it should have been called the Charlie Sheen and Heather Locklear show at the end as it was always about their relationship, just like it had been with Caitlin and Mike.
The later episodes are not as memorable, James was such a good character that the show suffered without him, everyone else was so self assured but James was the innocence of City hall and without him it was a bunch of big shot Caitlin's who wanted to rule the world.
This is the funniest show on TV this year. The writing is clever and genuinely funny. All of the members of the cast are interesting characters in themselves, and there is also tremendous chemistry among them. The chemistry between Stuart and Carter is especially good (possible spin-off?) I'd recommend that everyone look in on this show.
"Spin City": Network: ABC; Genre: Sitcom; Content Rating: TV-14 (for language and strong sexual content); Available: syndication; Classification: Contemporary (Star range: 1 - 4);
Season Reviewed: Seasons 5 & 6
To keep this little project manageable I have roped off the new millennium as a starting point to look at television. The trap door in this rule is that if a show was on the air at all after that time I can review the whole thing - except in the instances where that show underwent a change, for better or worse. Unfortunately, as with 'The Drew Carey Show' and 'The Daily Show', 'Spin City' is one such series whose glory days lie before the year 2000 and out of my jurisdiction. Thus, this review is really of a version of 'Spin City' that isn't the heart of this show. It is of a show that had lost it's lead, reshuffled the cast and was on it's dying legs. The change in the show is undeniable, and it would be irresponsible to simply ignore it, but this is not what 'Spin City' really was about.
Created by Bill Lawrence and Gary David Goldberg, 'Spin City' is a traditional sitcom about the womanizing deputy mayor and his staff of spin-masters struggling to save and protect the image of flaky New York City mayor Randall Winston (Barry Bostwick). The real 'Spin City' was driven about Michael J. Fox's terrific lead performance and absolutely impeccable comic delivery (for which he garnered a well-deserved Emmy award and 2 Golden Globes). It crackled with sharp, adult and always laugh-out-loud writing and an awesome ensemble cast to contend with any other on TV. Michael Boatman, Alexander Chapman as James, and Jennifer Esposito's hot Stacey are just 3 of my favorites. And the reunion episode with Christopher Lloyd was superb. Truly one of the funniest shows on the air, It probably gets my vote for the most underrated sitcom of the 90s. During the first 4 years, 'Spin City' was a 4 ½ star show by my scale. It was that good.
At the close of the 2000 season, Fox made a classy exit to fight a private battle with Parkinson's disease. At that signal, the rest of the cast (save for Boatman, Bostwick, Richard Kind and Alan Ruck) jumped overboard like rats form a sinking ship. But all was not quite lost as replacement Charlie Sheen - reportedly hand picked by producer Fox himself - stepped in and stepped up, filling the new role with surprising success and agility. Sheen has picked up Fox's mannerisms for the arrogant Mike Flaherty and incorporated it into his own completely new character, Charlie Crawford (like Fox, taking his own first name). In fact, with this his first project after coming out of rehab, Sheen is something of a revelation here. As hard to believe as it may be for the purists, but he almost comes up to par with Fox.
The fast and steep decline of the series really has nothing to do with Charlie Sheen. I believe it had more to do with the rest of the ensemble leaving and the show making the suicidal decision to shoulder the series on Heather Locklear. 'Spin' then quickly became a 2-person series in which we are supposed to agonize over the sexual tension between the leads and wonder if Sheen and Locklear's characters will get together. It should have occurred to Lawrence that it's fans where smarter than that. Locklear is a black hole that sucks every remaining ounce of life out of 'Spin City'. Sheen's efforts to save the show and the legacy of it's name deserve far better than this. Forget about this. Stick with seasons 1 through 3, and 4 as a bonus, and you will be in good hands.
* ½
Season Reviewed: Seasons 5 & 6
To keep this little project manageable I have roped off the new millennium as a starting point to look at television. The trap door in this rule is that if a show was on the air at all after that time I can review the whole thing - except in the instances where that show underwent a change, for better or worse. Unfortunately, as with 'The Drew Carey Show' and 'The Daily Show', 'Spin City' is one such series whose glory days lie before the year 2000 and out of my jurisdiction. Thus, this review is really of a version of 'Spin City' that isn't the heart of this show. It is of a show that had lost it's lead, reshuffled the cast and was on it's dying legs. The change in the show is undeniable, and it would be irresponsible to simply ignore it, but this is not what 'Spin City' really was about.
Created by Bill Lawrence and Gary David Goldberg, 'Spin City' is a traditional sitcom about the womanizing deputy mayor and his staff of spin-masters struggling to save and protect the image of flaky New York City mayor Randall Winston (Barry Bostwick). The real 'Spin City' was driven about Michael J. Fox's terrific lead performance and absolutely impeccable comic delivery (for which he garnered a well-deserved Emmy award and 2 Golden Globes). It crackled with sharp, adult and always laugh-out-loud writing and an awesome ensemble cast to contend with any other on TV. Michael Boatman, Alexander Chapman as James, and Jennifer Esposito's hot Stacey are just 3 of my favorites. And the reunion episode with Christopher Lloyd was superb. Truly one of the funniest shows on the air, It probably gets my vote for the most underrated sitcom of the 90s. During the first 4 years, 'Spin City' was a 4 ½ star show by my scale. It was that good.
At the close of the 2000 season, Fox made a classy exit to fight a private battle with Parkinson's disease. At that signal, the rest of the cast (save for Boatman, Bostwick, Richard Kind and Alan Ruck) jumped overboard like rats form a sinking ship. But all was not quite lost as replacement Charlie Sheen - reportedly hand picked by producer Fox himself - stepped in and stepped up, filling the new role with surprising success and agility. Sheen has picked up Fox's mannerisms for the arrogant Mike Flaherty and incorporated it into his own completely new character, Charlie Crawford (like Fox, taking his own first name). In fact, with this his first project after coming out of rehab, Sheen is something of a revelation here. As hard to believe as it may be for the purists, but he almost comes up to par with Fox.
The fast and steep decline of the series really has nothing to do with Charlie Sheen. I believe it had more to do with the rest of the ensemble leaving and the show making the suicidal decision to shoulder the series on Heather Locklear. 'Spin' then quickly became a 2-person series in which we are supposed to agonize over the sexual tension between the leads and wonder if Sheen and Locklear's characters will get together. It should have occurred to Lawrence that it's fans where smarter than that. Locklear is a black hole that sucks every remaining ounce of life out of 'Spin City'. Sheen's efforts to save the show and the legacy of it's name deserve far better than this. Forget about this. Stick with seasons 1 through 3, and 4 as a bonus, and you will be in good hands.
* ½
Lo sapevi?
- QuizMichael J. Fox's final episode contained numerous references to his earlier series, "Casa Keaton (1982)," including a cameo appearance by Michael Gross (who played Fox's father in the earlier series), the doctor he played has a secretary named Mallory, which was Fox's sister's name on the show, a reference to a Republican Senator named "Alex P. Keaton" (Fox's earlier character). Also, Meredith Baxter appeared as his mother in earlier episodes, and also was his mother in "Casa Keaton (1982)."
- Versioni alternativeIn the episode "A Star is Born" [1.6], there are 2 different primetime versions, one with a storyline involving Ashley Shaffer trying out to be a televion anchor and a second verson completely without her. The differences between these 2 versions are as follows:
- The original opening sequence features Ashley on a Sunday talk show. In the second version, the footage is replaced with Mike, Nicki and Carter betting on the Super Bowl.
- The second version's press conference sequence replaces Ashley's lines with those of a different reporter's.
- The original version has a sequence in which Ashley talks with Mike while walking down the hallway. In the second version, she's replaced with Stuart.
- The original version contains a sequence where Mike and Ashley are in their apartment watching television, followed by a closing sequence where they make out off camera. In the second version, all of the footage is replaced with a completely different storyline in which Nicki and Carter interview a guy named "Guy" at a focus group meeting, whom both Nicki and Carter develop feelings for. They argue over what Guy's sexual preference is and ask him back to find out for sure, to which he replies that he is gay, but not interested in Carter.
- ConnessioniFeatured in 54th Golden Globe Awards (1997)
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Dettagli
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- Sito ufficiale
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- Celebre anche come
- Spin
- Luoghi delle riprese
- Aziende produttrici
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- Tempo di esecuzione
- 30min
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- Mix di suoni
- Proporzioni
- 1.33 : 1
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